AC/DC - For Those About to Rock We Salute You (Dlx)
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Music CD Cover
Artist: AC/DCBrand: Columbia
Edition: Music CD
Format: Original recording remastered
CD Release Date: 2003-04-29
Music Label: Sony
Soundtracks:
- For Those About to Rock (We Salute You)
- I Put the Finger on You
- Let's Get It Up
- Inject the Venom
- Snowballed
- Evil Walks
- C.O.D.
- Breaking the Rules
- Night of the Long Knives
- Spellbound
Free Music Notes for For Those About to Rock We Salute You (Dlx)
Free Music Review: most creative chording and drumming the band ever did
Hit: 5 Stars
I agree with almost all of the positive comments on this great album but wanted to add my own two cents worth.
As a guitarist and drummer myself I have to say that this is malcolm's best album by far as a guitarist/songwriter (even if the songwriting isn't as exciting as that of back in black), his chords are far more interesting than his typical work.
Angus too, his contributions to the songwriting are excellent throughout the album, and his lead playing is full of intense raging emotion in this album, if such a thing could ever be said of his playing.
the bass playing is typical ac/dc, great playing, great tone, really simple and dark, occasional cool bends and riffs, but sitting perfectly in the mix with rudd/s drumming and malcolm's excellent playing.
Also definitely worth noting is that compared to everything else I've ever heard by one of my favorite straight ahead classic rock drummers (talking about Phil Rudd of AC/DC), this album has by far the most amazing drum playing of any ac/dc album. Not something one generally thinks of with AC/DC, but Rudd is largely responsible for the tone, feel and memorable rhythm riffs. Throughout back in black and most of the band's career up to and including for those about to rock (after which he frustratingly left the band for many years causing AC/DC to lose a major character of their signature sound until his relatively recent return), Rudd has been vital to the success of AC/DC with his incredible feel, understanding of the songs, and great tone (this is a man who's always known how to tune his sonar drums perfectly, listen to their live stuff from the bon scott days, his drums still sounded incredible even with low budget unproduced small venue live recordings). Throughout for those about to rock Rudd is permitted to contribute more than his typical creativity into fills (or, as I understand it, just forced his musicianship onto the recordings against the will of the young brothers, which is part of why he eventually quit due to the young brothers not understanding how unique and important he was to the band's sound). Also the engineers and producer (Mutt lange) did a great job of bringing his sound to the front of the mix while still leaving plenty of room for everyone's sound to come through evenly. This is an album you can play air drums to with the best of keith moon's and john bonham's triumphs. Well done Phil Rudd! I take off my hat to you.
Also this is the last album where Brian's voice sounded brilliant. After this is really did start losing it's tone and becoming more of a noisy scream, albeit still the best noisy scream I've ever heard.
Compared to later flops like flick of the switch, fly on the wall, the terribly produced who made who soundtrack (talk about inconsistent engineering!), and even the best of their later work such as thunderstruck (by now on their third drummer I believe after rudd's departure, AC/DC still wondering why their feel just isn't as good after "for those about to rock" hahaha), I would put this album at the top of the heap, equal to back in black in many ways, slightly better in a couple of ways, and a little bit less great in a couple of other ways notably, songwriting isn't quite as amazing, but still really good).
This and back in black are the best two brian johnson led ac/dc albums period. After this things went down hill with occasional good songs but nothing outstanding and many filler songs in albums that were just not interesting to listen to at all. They've gotten it back together recently with Rudd and the original lineup and the sound is back, but sadly the young brother's just don't write like they used to, and johnson just doesn't have the tone any more, so a great rhythm section and great players just are getting a little too spent now to come up with the magic even if they now sound almost like they did in the highway to hell days (oddly, but that's what I think they sound like anyway now).
For Those About to Rock We Salute You (Dlx) Poster
Full Title - For Those About To Rock We Salute You. 2003 remastered reissue of 1981 album. Packaged in a digipak with 16 page color booklet containing all original album art, many unpublished photos, classic memorabilia and liner notes. Epic.Lesser bands might have been put off their stride by the death of their lead singer, but not AC/DC. No sooner had Bon Scott met his whiskey-sodden end in 1980 than AC/DC recruited a new singer, Brian Johnson--who sounded almost exactly like Scott--and released, in Back in Black, the biggest-selling album of their career. For Those About to Rock...We Salute You is a suitably triumphant follow-up. The cannon-punctuated title track--the most auspicious marriage of music and artillery since Tchaikovsky's "1812 Overture"--still provides a spectacular finale to AC/DC concerts. For Those About to Rock also confirmed that Johnson's lyrical preoccupations were broadly congruent with those of his predecessor: "Let's Get It Up" and "Inject the Venom" are as subtle as their titles sound. This is a record Beavis and Butthead would describe as "cool"--and, as usual, they'd be right. --Andrew Mueller
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