Aborted - Slaughter & Apparatus: A Methodical Overture
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Free Music Notes for Slaughter & Apparatus: A Methodical Overture
Free Music Review: (4.5 stars) Another killer Aborted album
Hit: 5 Stars
It seems like people have been crowning bands as "the next Carcass" almost since the day "Heartwork" was released in 1993. But even though countless groups (including The Black Dahlia Murder, Hate Eternal, Impaled, All Shall Perish, and County Medical Examiners) would make Carcass proud, it is now officially safe to say that the heir to the throne has finally been found. That band's name is Aborted.
Very much like that other band mentioned above, this Belgium five-piece have gotten progressively more melodic and experimental with each release, and as a result, they've also polarized their fanbase, and made many longtime followers outraged. Their third full-length, 2003's "Goremageddon," was their first to flirt with melody (with the use of occasional melodic solos); and 2005's "The Archaic Abattoir" took experimentation a step further by adopting a crystal clear production, some "Heartwork"-style groove, and even a couple open-chord progressions. And now, two years later, Aborted have released their far and away most harmonic, innovative, and controversial release to date, this year's very aptly Carcass-esque entitled "Slaughter & Apparatus: A Methodical Overture."
Of course, this is still Aborted, so it is still predominantly very brutal. Thus, while there is a wealth of actual, honest-to-god melody, variety, harmony, and texture to be heard here, you initially probably won't even notice them because they are very subtle when constantly surrounded by stellar, airtight musicianship (i.e. furious thrash riffs and punishing blast beats). And there are a handful of traditional-sounding Aborted songs on hand here. The excellent, catchy, blistering riffs in such monsters as "Archetype" and "Odious Emanation" showcase the band's old-school-esque sound, and so do the title track, "And Carnage Basked In Its Ebullience," and "Prolific Murder Contrivance," which are bursting with slamming, lightning-fast, mind-bogglingly amazing blasts (newfound drummer extraordinaire Dan Wilding is a true surgeon behind the trapkit!)
A good chunk of the album, however, is a different story. All twelve of these songs pack a great, throat-ripping intensity, but a lot of them also manage to retain a surprisingly high level of tunefulness and sonic richness because deliciously melodic riffs and leads abound throughout. Plus, some wailing, almost crystalline solos that sounds taken straight out of the Gothenburg playbook even crop up here and there (see "The Foul Nucleus of Resurrection" and "Ingenuity In Genocide"). And Aborted don't just stop there -- they take even more daring ventures on synthesizer (yes, synthesizer!)-enhanced offerings like "Avenious" and "And Carnage Basked In Its Ebullience" (the former is of particular note for its almost symphonic keyboards). Lastly of note, "Underneath the Rorulent Soil" is possibly the disc's biggest highpoint, and boasts one of the coolest and most chillingly atmospheric intros/outros in recent memory.
Naturally, many a grindcore purist will react to "Slaughter & Apparatus" the same way they did to "Heartwork" -- by being disgusted by it and labeling it a "sell-out." No, this is probably not the type of run-of-the-mill extreme metal that you're used to hearing, but the fact of the matter is, experimenting and evolving should never be frowned upon when the result is one of the most original, unique, exciting, well-textured, unpredictable, and meticulous grindcore/technical death metal/melodeath releases of all time. Also, be sure to give this album more than one listen because it will surely take some time to reveal its full genius. In fact, it may be a few years before most metalheads realize how important it is to the genre but time will prove its worth. Granted, "S&A: AMO" falls just short of complete perfection (on account of a slick, over polished sound and some song-to-repetition), but it is still another excellent effort from these latter-day death-grind masters.
Free Music Review: Gore-Grind that's better than Carcass?!
Hit: 5 Stars
This band is awesome. This is my first cd by Aborted and I love it. I just got this yesterday (September 3) and have listened to it countless times. In my opinion this is even better than what Carcass did and this band redifined Gore-Grind. This band is also very technical. Thie guitars are really fast and at times play melodic riffs and solos. The drums are crazy and I would like to see who would win in a drum-off George Kollias (from Nile) or George Wilding (Aborted). Sven does an excellent job on vocals that range from Death-Growls to Hardcore screams. My favorite tracks are The Chondrin Enigma, A Methodical Overture, Spaying Seance, And Carnage Basked In Its Ebullience, Archetype, Ingenuity Of Genocide, Odius Emanation, and Surprise! You're Dead. Aborted does an excellent job on covering Surprise You're Dead by Faith No More. This is an excellent cd and I'm proud to be a fan Of Aborted.Free Music Review: Redifined the genre!!!
Hit: 5 Stars
What an album!!!! Aborted really changes through time, injecting more melody in each song with catchy guitar riffs. Like the "Archaic's Abbatoir" the drums are fast that you can't believe, the bass lines makes a great contribution.!!! Death metal album of the year!!!
Free Music Review: Human Gelatin: Nutritious and Delicious
Hit: 5 Stars
Much like a Planned Parenthood employee, I like everything aborted. Slaughter and Apparatus: A Methodical Overture is a heaping pile of puke- and puss-covered viscera. Since Aborted is a gore-grind/death metal band, I have to assume that's what they were going for. Not only is the CD as brutal as a rabid ape cannibalizing himself while sexually assaulting his mother, it's also pretty damn catchy. A number of the songs--"The Chondrin Enigma" and "Avenious," for example--contain segments with a heavy groove that gets stuck in your brain like some kind of rare tumor or exotic worm. Jeff Walker's guest vocals on the songs "An Odious Emanation" and "A Methodical Overture" are an excellent addition, and Aborted's cover of "Surprise! You're Dead!" by Faith No More is very well done.
The CD is around forty-five minutes long, which is a good length, but as with any great CD, it always seems to be over too soon. I mean, I've already heard the album twice by the time I finish dissecting the neighbor's rottweiler.
Free Music Review: Defining the term "Melodic Death Metal".
Hit: 5 Stars
I like the changes Aborted have taken. I do appreciate their more melodic approach. Sure, they are a little less grinding than in the past. But their riffs keep getting more and more memorable. They sound more directional with each release. And this one follows their natural progression. They haven't become softer. they have become more dynamic. The vocals still rage from intense growls to sweet highs. The product is better than before as Tue Madsen is improving his sound by taming his overly-digital sound to have a bit more of a warm edge, without sounding lo-fi by any means. And you can't bypass the killer guest spots of drumming from the Psycroptic guy, and Jeff Walker vocals.
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