Song & Dance: The Songs - Original Broadway Cast Recording

Andrew Lloyd Webber - Song & Dance: The Songs - Original Broadway Cast Recording

Song & Dance: The Songs - Original Broadway Cast Recording
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Music CD Cover

Artist: Andrew Lloyd Webber
Edition: Music CD
Format: Cast Recording
CD Release Date: 1995-07-18
Music Label: RCA Victor Broadway
Soundtracks:
  1. Overture: Take That Look Off Your Face
  2. Let Me Finish
  3. So Much To Do In New York
  4. First Letter Home
  5. English Girls
  6. Capped Teeth And Caesar Salad
  7. You Made Me Think You Were In Love
  8. Capped Teeth And Caesar Salad (Reprise)
  9. So Much To Do In New York (II)
  10. Second Letter Home
  11. Unexpected Song
  12. Come Back With The Same Look In Your Eyes
  13. Take That Look Off Your Face (Reprise)
  14. Tell Me On A Sunday
  15. I Love New York: So Much To Do In New York
  16. Married Man
  17. Third Letter Home
  18. Nothing Like You've Ever Known
  19. Finale-Let Me Finish (Reprise)/What Have I Done?/Take That Look Off Your Face (Reprise)

Free Music Notes for Song & Dance: The Songs - Original Broadway Cast Recording

Free Music Review: Peters : Singer / Actress... In Equal Measure
Hit: 4 Stars

First the bad news.
- Peter's English accent isn't the best. A point that would normally drive me crazy, were she not so good in every other way, since I'm a stickler for authenticity. But she IS good. VERY good.

- "English Girls." Added expressly for the American palette. There are some valid observations about the endearing quality of foreign colloquialisms. But I think the song is obvious and uninteresting.

- They did *not* take out "You Made Me Think You Were In Love," This number always felt like clutter. It may be I just don't like the song.

- "The Last Man In My Life" was replaced with "Unexpected Song." God knows why. It's not a bad song mind you, but I find it less moving, with fewer surprises musically and lyrically.

Now the good news.
No one can deliver "Unexpected Song" like Peters. Seriously, it's worth it for the last soul-quaking note alone.

- Mercifully they cut "I'm Very You, You're Very Me" from the score. I found it mind-numbingly insipid.

- While some of the rewrites may be too "trying-oh-so-hard-to-be-British" for it's own good, others, as someone pointed out, are for the better. Here Emma is better grounded. She comes to the US, not only for her dead beat (no pun intended) drummer boyfriend, but also to pursue a career as a hat designer. I don't think that's in the Webb version. Since creatives of every stripe come to NY in droves, to break into their respective arts, it rings true. And we do get some humorous mileage from it.

- "Tell Me On a Sunday" is slowed down considerably. The fact that she lands it fully, is only testament to Bernadette Peter's powerful gift as an actress and a singer. It takes both to do the song this way. Were she off by a hair, you'd hear it. But she isn't. It's absolutely sustained.

- "Nothing Like You've Ever Known." To me this is the most interesting change. Instead of the original sentiment...

"I wanted to spend more time than twelve till two, loving you," which is admittedly affecting...

we get...

"When you go, I'll cry no tears.. for a love without tomorrows suits me fine now."

It depicts a different truth. The sickening, post breakup feeling that ones blood has turned to ice. And to risk feeling anything, is to risk freefalling into agony. This is not an attempt to replace a old shattered love with a new one. That would allow for hope. It's a naked attempt to feel nothing. And it draws on a more complex constellation of emotions. It also makes Emma more rounded and human. And it sets up her subsequent fall from grace. Which makes it that much sweeter, when she recaptures her innocence at the end.

Like "Sunday' Peters delivers. She makes even the state of numbness raw and powerful.

I think the Marti Webb production is equally fine. They're both emotionally truthful, so it may come down to taste. Some may prefer Webb's more understated delivery, and she'll bring you to your knees with "The Last Man In My Life." I like both interpretations and I think they're both valid. Buy them both if you can. You might want to steer clear of the Brightman version however. She's more of a singer who *acts,* and for my money, does neither as well or expressively as the other two.

Song & Dance: The Songs - Original Broadway Cast Recording Poster

Andrew Lloyd Webber's Song and Dance is a combination of his 1979 Paganini variations for cello and rock band with a 1980 one-woman television piece called Tell Me on a Sunday, which featured lyrics by Don Black. In 1985, Song and Dance was reconceived by Richard Maltby Jr. and debuted on Broadway, which led to this recording of the first half of the show, Song and Dance: The Songs. In the role of Emma, a British girl exploring a new life and new relationships in New York and Los Angeles, Bernadette Peters always keeps things interesting, but the one-woman-show concept probably works better visually, and some of the themes and catch phrases become repetitive. Better to skip past the book numbers and simply enjoy some of Lloyd Webber's tastiest songs: "Tell Me on a Sunday," "Take That Look off Your Face," "Come Back with That Same Look in Your Eyes," and the gorgeous "Unexpected Song." --David Horiuchi

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