Knuckle Down

Ani Difranco - Knuckle Down

Knuckle Down
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Music CD Cover

Artist: Ani Difranco
Brand: Baker Drivetrain
Edition: Music CD
CD Release Date: 2005-01-25
Music Label: Righteous Babe
Soundtracks:
  1. knuckle down
  2. studying stones
  3. manhole
  4. sunday morning
  5. modulation
  6. seeing eye dog
  7. lag time
  8. parameters
  9. callous
  10. paradigm
  11. minerva
  12. recoil

Free Music Notes for Knuckle Down

Free Music Review: Transitional Record For Ever-Evolving Legend
Hit: 5 Stars

Although Ani Difranco has been directed away from her usual extensive touring - doctor's orders - and has thus been unable to promote her umpteenth studio album, "Knuckle Down" as heavily as previous releases, that in no way prevents it from being an outstanding achievement, much like the majority of her LPs. Though it does not quite match the sheer, uniform brilliance of its predecessor, 2004's lo-fi "Educated Guess," a triumphant collection of songs that fused the melancholy embers of her recent divorce and current political state of the US, it nevertheless is home to a new host of essential Difranco tunes.

The disc is initiated by the frantic, frothily produced self-exploration of the title track, which Difranco ends by observing, "still that star-struck girl is someone I miss." Then comes lead single "Studying Stones," where she delves as deeply into her personal life, outside of her divorce, as she ever has on record. The song is, simply put, amazing.

"'Course numb is an old hat/Old as my oldest memories/See that one's my mother/And that one's my father/And that one in the hat, that's me/It's a skill I'd hoped to abandon/When I got out on the open road/But any more pent up emotion/And I think I'm gonna explode."

To be sure, she has not finished immersing the subject of her divorce in her music, as the likes of "Seeing Eye Dog," Modulation" and "Manhole" are the furthest thing from subtle, revealing Difranco as the epitome of bitter. All are on the sarcastic side, clearly evident of her newfound sense of freedom and sensible approach to remedying her life's tribulations, while the former tells a story all too accessible to many who have been through similar circumstances.

"I threw myself a little role reversal and followed you home/Just dying to be chewed/The dog was chosen by the bone/Be my seeing eye dog/'Cause I am blind."

She is rather hard on herself in the anthemic "Lag Time," proclaiming with her confidant delivery above hooky guitar chords that she wishes to become far more capable of making sound judgments concerning her relationships with others in her life, and thus "tighten down on the lag time." Further on, in "Parameters" she narrowly talks her way out of getting raped by coaxing an intruder and would-be rapist "off the ledge of a very bad idea."

"New as you are, really, to the idea that/Even after you've long since gotten used to the parameters/They can all change/While you're out one night having a drink with a friend/Some big hand may be turning a big dial/Switching channels on your dreams/Until you find yourself lost in them/And watching your daily life with the sound off."

She also reminisces specifically of the high-maintenance side of her ex-husband in "Callous" and "Minerva," the latter in which she likens herself to the wise, stalwart Roman goddess. The ultimate highlight of the album, however, is "Paradigm," the only track on the disc which finds Difranco dishing up more of her political psyche.

"(I had to) teach myself to see each of us/Through the lens of forgiveness/Like we're stuck with each other (God forbid!)/Teach myself to smile and stop and talk/To a whole other color kid/Teach myself to be new in an instant/Like the truth is accessible at any time/Teach myself it's never really one or the other/There's a paradox in every paradigm."

The album concludes on a high note with "Recoil," where she realizes she has not been held "since I've been his" and that that's "probably all it is" that's made her recoil from her friends in her solitude. She also fondly recalls her father "who time travels mostly now," and ends the song with an invitation.

"To all the people out there tonight/Who are comforting themselves/If you should happen to see my light/You can stop and ring my bell/I'm just sittin' here in this sty/Strewn with half written songs/Taking one breath at a time/Nothin' much going on/Nothin' much going on."

Overall, "Knuckle Down" is a transitional record for Difranco, finding her surfacing between two different phases of her life. Listening to her contemplate her situation and those that surround her is thus all the more absorbing.

Knuckle Down Poster

The music on Ani DiFranco?s latest CD is as stunning as ever, packed with irresistible melodies, poignant lyrics, and virtuoso performances. But for the first time in her career, Ani has invited a fellow singer-songwriter to work with her as co-producer: Joe Henry, himself the creator of nine highly regarded solo albums. She is also joined by more than half a dozen guest musicians, many of whom have played key roles in Ani?s recent career, including current stage partner Todd Sickafoose, former band member Julie Wolf, and Righteous Babe recording artist Andrew Bird. Through twelve new songs as intricately crafted as short stories, DiFranco creates another unforgettable musical self-portrait of a woman coming to grips with love?s twists and turns, confronting the legacy of her family, and learning to live on her own terms.
Even after 15 years of releasing albums on her own Righteous Babe imprint, it's hard to know what to make of Ani DiFranco. Some see her as a folkie-punk-bisexual-feminist-radical-crap-kicker, while others reckon she's merely Alanis Morissette with better lyrics. On her 15th studio album the truth just might be somewhere in between. She does dysfunctional family portraits ("Studying Stones") and broken affairs ("Lag Time") just fine, but she also manages to leave room for rambling, autobiographical beat poetry ("Parameters"). And then there is the music. Matching acoustic guitars with earthy funk rhythms and soft moonlight moods with out-of-leftfield song arrangements, it reconfirms the one label everyone can agree upon: fiercely original. --Aidin Vaziri

Recommended Ani DiFranco Discography


Out of Range

Not a Pretty Girl

So Much Shouting, So Much Laughter

Little Plastic Castle

Revelling/Reckoning

Living in Clip

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