 |
Aphrodite - Aphrodite
Music CD CoverArtist: Aphrodite Edition: Music CD CD Release Date: 1999-10-26 Music Label: Gee Street (Bmg) Soundtracks: - Interlude - Aphrodite,
- Cross Channel
- Spice
- B.M. Funkster
- Interlude - Aphrodite,
- Rinsing Quince
- Style from the Dark Side
- Interlude - Aphrodite,
- Cool Flight
- Stalker
- King of the Beats - Aphrodite, Aphrodite [1]
- Listen to the Rhythm
- Music's Hypnotizing
- Woman That Rolls! - Aphrodite, Aphrodite [1]
- Summer Breeze - Aphrodite, Crofts, Dash
Free Music Notes for AphroditeFree Music Review: King of beats and improv Hit: 5 StarsHighlights: The first track I really like on this album is the first track on the album, which is one of three interludes, also known as "Tower Tronic". It is a very relaxing instrumental, and it captures the spirit of Enya in a drum and bass rhythm. It makes for an interesting introduction, and it is probably my favorite track on the album.The second track I really like is called Spice. it doesn't have very many lyrics, but I like the few it does have. I like the repeated and sporadic whispering of the word "spice". This track is my favorite track that isn't an interlude. It has a magical sort of quality to it. The last favorite of mine is called Woman That Rolls. It has a very good beat, and it is hella catchy. I like the sound clip that he mixes in the song where he says "I need a woman that rolls with my arrangement". What first time listeners might think/experience: Most people have never heard or even heard of drums and bass/jungle. What it is is techno sounds with the sounds of a drum kit and a heavy beat, with a lot of emphasis placed on the beat. Instrumentation is more important than lyrics are in the genre. The songs are usually either completely instrumental or there isn't much to the lyrics, which often are something that is repeated and remixed into the song over and over, often in different ways. An unexperienced listener would probably say that this guy stuck a bunch of musical tracks in some sort of imaginary sound blender, put the lid on, turned on the blender, and then, suddenly, ripped the cover off.. The resulting sound would be an Aphrodite track. Yes, that is what it sounds like on the surface... Everything seems sporadic, varying, unplanned.. but you may realize that it sounds professional.. it sounds alright.. It doesn't sound like a total piece of S#!T.. at all.. It is beautiful and great.. It's because he knows what he is doing.. For experienced listeners: Simply to say, this guy is the master of improvisation. He knows all the rules.. he follows them.. yet, to your ears, it sounds like he's breaking rules, because there is so much going on. I've noticed one important feature. AT LEAST ONE beat/melody at a given remains constant. It may be hard to notice at times, but it is always true. The reason it is so hard to notice is because there are up to around 5 other tracks being played that are varying at a given time... What is weird and special about Aphrodite is that even in the variations there is much consistency.. if you listen closely enough you can tell that there was a lot of planning, practice, and preparation involved in this guy's work. I given Gavin a lot of credit because he knows his improv.. he obviously had musical training and education... Not only that, but he makes something so consistent seem so varying.. so inconsistent... he's really good at fooling people's ears.. especially someone who doesn't listen closely. That's about all. Happy listening.
Aphrodite PosterGavin King (Aka Aphrodite), Renowned Remixer for Such Diverse Greats As: Tribe Called Quest, Ice Cube, Luniz, Jungle Bros, Nine Inch Nails and Moby. His First Album for V2 Records; Compilation of Highlights from the Aphrodite Rec Vaults. As a guy who puts out 12-inch jungle singles on a regular basis, Aphrodite has found himself in a rut in the three years leading up to this release. As the partycentric "jump-up" style he favors began settling into a formula, he cranked out three or four duff tracks for every dance-floor stormer he's come up with. By this point, his disdain for experimentation is beginning to seem less like a principle and more like a dodge. Nearly every track that emerges from his camp relies on the same tambourine loop and wobbly bass line--though with a different rap sample thrown in to distinguish them. So consider his stateside debut album something of a surprise. Jumbling together tracks old and new, Aphrodite has put together an absolutely convincing summary of what he does and why. From "B.M. Funkster," which blatantly samples the O'Jays's "Money," to "Summer Breeze," which roughs up the immortal Seals & Crofts pop tune, Aphrodite doesn't exactly court subtlety. This is unapologetic dance music, too committed to moving the crowd to advance the science of jungle technology. When it doesn't work it has nothing else going for it to keep your interest. But when it's on--and this record is on--the music doesn't need anything else. --Jeff Salamon
|
 |