B?la Fleck & the Flecktones - Live at the Quick
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Music CD Cover
Artist: B?la Fleck & the FlecktonesEdition: Music CD
Format: Live
CD Release Date: 2002-02-26
Music Label: Sony
Soundtracks:
- Earth Jam
- That Old Thing (Intro)
- That Old Thing (Intro)/Earth Jam
- Zona Mona
- Ovombo Summit
- Hall Of Mirrors
- Scratch & Sniff
- Amazing Grace
- Improv
- Improv/Amazing Grace
- Big Country
- Interlude
- Lover's Leap
- Alash Khem (Alash River Song)
- A Moment So Close
- Improv
- Improv/Prelude from Bach violin partita #3
- Prelude from Partita No. 3 for Solo Violin (BWV 1006)
- Intro
- Hoedown
Free Music Notes for Live at the Quick
Free Music Review: Timeless classic
Hit: 5 Stars
Well I guess I am a little behind the times but I have come to love this album in particular. I actually am glad that I got Outbound first and can appreciate the more raw studio tracks. But this album is unforgetable and the spirit with which the music is played is fantastic. Great price too. They need to do another live album like this one again sometime!
Live at the Quick Poster
B?la Fleck's music is a three-ring circus of stylistic outreach, rooted in folk musics from around the globe, yet tethered to an American improviser's sensibility. Here, the composer and banjo virtuoso is captured in full flight at a concert venue with his core band of collaborators, the Flecktones, featuring multi-reedman Jeff Coffin and the charismatic Wooten Brothers, bassist Victor and percussionist Roy (better known as Futureman). The emotional and technical range the Flecktones routinely explore is showcased in a series of adventurous solo spots: Futureman's sampled percussion and evocations of African vocal traditions on "Ovombo Summit"; Victor's rapid-fire percussive techniques and masterful use of harmonics in a moving improv based on "Amazing Grace"; and B?la's crystalline adaptation of the prelude from Bach's Violin Partita No. 3. Better yet, Fleck augments his presentation with a Justice League of America-styled cabal of master musicians, who, like himself, push the envelope on instruments all too infrequently represented in jazz. Thus, we experience Andy Narell's lithe, sparkling steel drum harmonies on the Americana-inflected pathways of B?la's "Big Country" and on his gorgeous solo turn, "Interlude"; Paul McCandless's airborne, lyric oboe on the reggae changes of "Lover's Leap"; the funky facility of Paul Hanson on "Scratch and Sniff" (as he transforms his bassoon with wah-wah effects until it suggests a synthesizer); and the uncanny emotional impact of Tuvan throat singer Kongar-ol Ondar, who trumps any synth player you've ever heard through his use of multiphonics in the Mongolian vocal tradition. --Chip SternCountry Music CDs
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