Bach: Cantatas, Vol 8 (BWV 22, 23, 75) /Bach Collegium Japan * Suzuki
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Music CD Cover
Edition: Music CDCD Release Date: 1998-11-01
Music Label: Bis
Soundtracks:
- 1. Jesus nahm zu sich die Zw?lfe
- 2. Mein Jesu, ziehe mich nach dir...
- 3. Mein Jesu, ziehe mich, wo werd ich laufen...
- 4. Mein alles in allem, mein ewiges Gut
- 5. Ert?t uns durch dein G?te
- 1. Du wahrer Gott und Davids Sohn
- 2. Ach! Gehe nicht vor?ber
- 3. Aller Augen warten, Herr
- 4. Christe, du Lamm Gottes
- 1. Erster Teil. Die Elenden sollen essen
- 2. Erster Teil. Was hilft des Purpurs Majest?t
- 3. Erster Teil. Mein Jesus soll mein alles sein
- 4. Erster Teil. Gott st?rzet und erh?het
- 5. Erster Teil. Ich nehme mein Leiden mit Freuden auf mich
- 6. Erster Teil. Indes schenkt Gott ein gut Gewissen
- 7. Erster Teil. Was Gott tut, das ist wohlgetan
- 8. Zweiter Teil. Sinfonia
- 9. Zweiter Teil. Nur eines kr?nkt ein christliches Gem?te
- 10. Zweiter Teil. Jesus macht mich geistlich reich
- 11. Zweiter Teil. Wer nur in Jesu bleibt
- 12. Zweiter Teil. Mein Herze gl?ubt und liebt
- 13. Zweiter Teil. O Armut, der kein Reichtum gleicht!
- 14. Zweiter Teil. Was Gott tut, das ist wohlgetan
Bach: Cantatas, Vol 8 (BWV 22, 23, 75) /Bach Collegium Japan * Suzuki Poster
Volume 8 of the Bach Collegium Japan's survey of Bach's cantatas covers the composer's arrival in Leipzig to take the post of music director at the Thomaskirche. The two short cantatas BWV 22, Jesus nahm zu sich die Zw?lfe, and BWV 23, Du wahrer Gott und Davids Sohn, were Bach's final audition pieces for the position; they were evidently performed as a pair--one before the sermon, one afterward. Each begins with a duet with obbligato oboe, each has a predominantly prayerful tone with minor-key music, yet both include some lilting triple-time dance rhythms in the arias; the chorale melody settings are more elaborate than usual in Bach cantatas, incorporating extensive instrumental interludes. BWV 75, Die Elenden soll essen, Bach's first cantata composed in his new job, is a bipartite work (something like BWV 22 and 23 together), which progresses from minor-key seriousness (with some terrific dissonant suspensions in the opening chorus) to major-key bliss (including a bass aria with a glorious part for obbligato trumpet). Soprano Midori Suzuki and countertenor Yoshikazu Mera have boyish voices that won't be to everyone's taste, but their technique and delivery are secure; tenor Gerd T?rk and bass Peter Kooy are among the best Bach singers working today and perform at their usual high standard. As does the Bach Collegium Japan--Masaaki Suzuki's chorus and orchestra are treasures. --Matthew WestphalClassical Music CDs
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