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Bach: Goldberg Variations

Bach: Goldberg Variations Music CD Cover
Composer: J.S. Bach
Performer: Simone Dinnerstein
Edition: Music CD
CD Release Date: 2007-08-28
Music Label: Telarc
Soundtracks:
  1. Aria
  2. Variation 1
  3. Variation 2
  4. Variation 3 - Canone all'Unisono
  5. Variation 4
  6. Variation 5
  7. Variation 6 - Canone alla Seconda
  8. Variation 7
  9. Variation 8
  10. Variation 9 - Canone alla Terza
  11. Variation 10 - Fughetta
  12. Variation 11
  13. Variation 12 - Canone alla Quarta
  14. Variation 13
  15. Variation 14
  16. Variation 15
  17. Variation 16 - Canone alla Quinta
  18. Variation 17
  19. Variation 18 - Canone alla Sesta
  20. Variation 19
  21. Variation 20
  22. Variation 21 - Canone alla Settima
  23. Variation 22
  24. Variation 23
  25. Variation 24 - Canone all'Ottava
  26. Variation 25
  27. Variation 26
  28. Variation 27 - Canone alla Nona
  29. Variation 28
  30. Variation 29
  31. Variation 30 - Quodilbet
  32. Aria
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Free Music Notes for Bach: Goldberg Variations Album

Free Music Review: Loving and inspired by turn
Hit: 4 Stars

Simone Dinnerstein, a Julliard graduate that studied with Peter Serkin, has been hailed widely for outstanding techinque, warmth and fluidity in her playing. She was subject of a Harris Goldsmith feature in American Record Guide and has been compared to a young Argerich. She plays widely around New York and elsewhere on the East Coast and scheduled her London debut this year.

Her Goldberg variations are beautifully done and exceptionally thoughtful, there is no question about that. She plays with authority and technique second to none. Eschewing the staccato affect of Glenn Gould, her style is far more akin to Murray Perhaih and others that seek more transluscent legato.

This is not to say she cannot pound the keyboard or turn a phrase with the best of them -- listen to Variation 16 for that. Compared to the last recording of the Goldbergs I heard, by Perhaia, hers is warmer, more humane and perhaps less driven. But she is not afraid to change course in mid-stream -- listen to her abrupt tempo change in Variation 19 and the hop to return to rapidity in Variation 20.

Certainly this is outstanding pianism captured in an elegant sound field and presented for the listener is a 5 X 5 X 5 setting that is up to current DDD standards. I'd like to hear more of the train of thought or stream of consciousness cerebral approach I've heard in Bach from Richter and Elena Kuschnerova but I wouldn't suggest this is a bad performance lacking those qualities. For me, it's not the pinnacle; still, it's a beautifully retouched scan of Bach's masterpiece delivered on a 1903 instrument that sounds like it was made yesterday.
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