Bach - Johannes-Passion / Schlick · Wessel · de Mey · Türk · Mertens · Kooy · ABO · Koopman
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Music CD Cover
Orchestra: Johann Sebastian BachOrchestra: Ton Koopman
Performer: Barbara Schlick
Performer: Guy de Mey
Performer: Amsterdam Baroque Orchestra
Edition: Music CD
CD Release Date: 1994-03-08
Music Label: Erato
Soundtracks:
Music CD 1
- Part One - Chor: Herr, Unser Herrscher
- Part One - Rezitativ: Jesu Ging Mit Seinen Jüngern
- Part One - Chor: Jesum Von Nazareth
- Part One - Rezitativ: Jesus Spricht Zu Ihnen: Ich Bin's
- Part One - Chor: Jesum Von Nazareth
- Part One - Rezitativ: Jesus Antwortete: Ich Hab's Euch Gesagt
- Part One - Choral: O Große Lieb', O Lieb' Ohn' Alle Maße
- Part One - Rezitativ: Auf Daß Das Wort Erfüllet Würde
- Part One - Choral: Dein Will' Gescheh' , Herr Gott
- Part One - Rezitativ: Die Schar Aber Und Der Oberhauptmann
- Part One - Arie: Von Den STricken Meiner Sünden
- Part One - Rezitativ: Simon Petrus ABer Folgete Jesu Nach
- Part One - Arie: Ich Folge Dir Gleichfalls Mit Freudigen Schritten
- Part One - RezitativL Derselbige Jünger War Dem Hohenpriester Bekannt
- Part One - Choral: Wer Hat Dich So Geschlagen, Mein Heil
- Part One - Rezitativ: Und Hannas Sandte Ihn Gebunden
- Part One - ChorL Bist Du Nicht Seiner Jünger Einer?
- Part One - Rezitativ: Er Leugnete Aber Und Sprach
- Part One - Arie: Ach, Mein Sinn, Wo Willt Du Endlich Hin
- Part One - Choral: Petrus, Der Nicht Denkt Zurück
- Part Two - Choral: Christus, Der Uns Selig Macht
- Part Two - Rezitativ: Da Führeten Sie Jesum Vor Kaiphas
- Part Two - Chor: Wäre Dieser Nicht Ein Übeltäter
- Part Two - Rezitativ: Da Sprach Pilatus Zu Ihnen: So Nehmet Ihr Ihn Hin
- Part Two - Chor: Wir Dürften Niemand Töten
- Part Two - Rezitativ: Auf Daß Erfüllet Würde Das Wort Jesu
- Part Two - Choral: Ach, Großer König, Groß Zu Allen Zeiten
- Part Two - Rezitativ: Da Sprach Pilatus Zu Ihm: So Bist Du Dennoch
- Part Two - Chor: nicht Diesen, Diesen Nicht
- Part Two - Rezitativ: Barrabas Aber War Ein Mörder
- Part Two - Arioso: Betrachte, Meine Seel', Mit Ängstlichem Vergnügen
- Part Two - Arie: Erwäge, Wie Sein Blutgefäbter Rücken
- Part Two - Rezitativ: Und Die Kriegsknechte Flochten Eine Krone
- Part Two - Chor: Sei Gegrüßet, Lieber Judenkönig
- Part Two - Rezitativ: Und Gaben Ihm Backenstreiche
- Part Two - Chor: Kreuzige
- Part Two - Rezitativ: Pilatus Sprach Zu Ihnen: Nehmet Ihr Ihn Hin
- Part Two - Chor: Wir Haben Ein Gesetz, Und Nach Dem Gesetz
- Part Two - Rezitativ: Da Pilatus Das Wort Hörete, Fürchtet Er Sich
- Part Two - Choral: Durch Dein Gefängnis, Gottes Sohn
- Part Two - Rezitativ: Die Juden Aber Schrien
- Part Two - Chor: Lässet Du Diesen Los, So Bist Du Des Kaisers Freund Nicht
- Part Two - Rezitativ: Da Pilatus Das Wort Hörete, Führete Er Jesum
- Part Two - Chor: Weg Mit Dem, Kreuzige Ihn
- Part Two - Rezitativ: Spricht Pilatus Zu Ihnen: Soll Ich Euren König
- Part Two - Chor: Wir Haben Keinen König
- Part Two - Rezitativ: Da Überantwortete Er Ihn Daß Er Gekreuziget Würde
- Part Two - Arie Mit Chor: Eilt, Ihr Angefocht' Nen Seelen
- Part Two - Rezitativ: Pilatus Antwortet: Was Ich Geschrieben Habe
- Part Two - Chor: Schreibe Nicht: Der Juden König
- Part Two - Rezitativ: Pilatus Antwortet: Was Ich Geschrieben Habe
- Part Two - Choral: In Meines Herzens Grunde, Dein Nam'
- Part Two - Rezitativ: Die Kriegsknechte Aber, Da Sie Jesum Gekreuziget
- Part Two - Chor: Lasset Uns Den Nicht Zerteilen
- Part Two - Rezitativ: Auf Daß Erfüllet Würde Die Schrift
- Part Two - Choral: Er Nahm Alles Wohl In Acht
- Part Two - Rezitativ: Und Von Stund'an Nahm Sie Der Jünger Zu Sich
- Part Two - Arie: Es Ist Vollbracht, O Trost - Der Held Aus Juda Siegt
- Part Two - Arie: Mein Teurer Heiland, Laß Dich Fragen
- Part Two - Rezitativ: Und Siehe Da, Der Vorhang Im Tempel Zerriß
- Part Two - Arioso: Mein Herz! in Dem Die Ganze Welt
- Part Two - Arie: Zerfließe, Mein Herze, In Fluten Der Zähren
- Part Two - Rezitativ: Die Juden Aber, Dieweil Es Rüsttag War
- Part Two - Choral: O Hilf, Christe, Gottes Sohn
- Part Two - Rezitativ: Darnach Bat Pilatum Joseph Von Arimathia
- Part Two - Chor: Ruht Wohl, Ihr Heiligen Gebeine
- Part Two - Choral: Ach, Herr, Laß Dein' Lieb' Engelein
Free Music Notes for Bach - Johannes-Passion / Schlick · Wessel · de Mey · Türk · Mertens · Kooy · ABO · Koopman
Free Music Review: Jesus is poignant and pugnacious: he knows what is coming
Hit: 4 Stars
This passion is extremely beautiful, intense and dense. But its starting at the moment when Christ is arrested erases from the story the last supper and the message of optimism about the future that comes before and along the trial. It also erases a great part of the prophecy that comes from the Old Testament and that is spoken by Christ, both a prophecy that says what he is going to suffer, and a prophecy about what his own suffering is going to bring to the world. What's more Jesus is extremely pugnacious in this passion. He defends himself, he uses logical arguments to prove his point and his innocence, and yet he knows it is in vain, but he does not submit without a legal fight. The third element that characterizes this passion is the extreme violence that is imposed onto Christ. It is the only passion, it is derived from the only gospel in which Christ carries his cross. His suffering is by far more explicit and more extreme in this passion that in the three others, in this gospel than in the three others. In this passion those responsible for the death of Christ are clearly identified : they are the High Priests, the members of the Council of the Temple, and particularly Caiphas who feels unrest among the people and wants to prevent it by killing one man as an example. Bach uses his choruses to impersonate the High Priests, the soldiers or the crowd. The music then becomes systematically hysterical expressing political calculation or just frenzy. Ton Koopman uses these choruses in too soft a way : he does not get to the frantic atmosphere they can express : he gives a simple image of mass-disorder. This then justifies the criticism that this passion may be seen as antisemitic, which it is not if the emphasis is put on the political plot of the High Priests and the use by them of the collective frenzy the crowd is driven into by the high priests themselves. What's more and finally, this passion is by far the most dramatic one, the one that uses dramatic means to give life to many scenes, like the arrest, the trial, the crucifixion and what happens from the sixth hour to the ninth hour. We can even think the dialogue is dramatic in a way and is not a plain story told to us. Finally this passion, and the gospel behind, is heavily presented as a direct and eye testimony of what happened and John gives a great quantity of details to emphasize this live rendition of the sacrifice of Jesus and the sadistic opportunistic violence of those who watch and enjoy the show, because it is a show for them.Dr Jacques COULARDEAU
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