Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw
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Music CD Cover Edition: Music CD CD Release Date: 1990-10-10 Music Label: Telarc Soundtracks: Music CD 1
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Free Music Notes for Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw Album
Free Music Review: Even 200 stars would not be enough
Hit: 5 Stars
Two hundred is probably a conservative lower bound on the likely number of times that Robert Shaw performed this monumental work over his considerable artistic lifetime. In the process, which covers a career that began with his Collegiate Chorale in 1941, then the Robert Shaw Chorale in 1948, then his tenure at the Cleveland Orchestra, as chorus director and assistant conductor under George Szell, then his appointment as music director of the Atlanta Symphony Orchestra in 1968, and ultimately his frequent choral workshops in New York resulting in Carnegie Hall performances, this was one of his most frequently performed works. On various tours with these musical organizations, Shaw carried this masterpiece throughout the country and around the world.
In his authorized biography, "Dear People," written by Joseph Musselman (a former Shaw chorister who later achieved his own musical reknown as a choral music practitioner), there is a wealth of anecdotes about how his performances of this work could reduce folks to tears, from Alaskan Aleuts to college kids everywhere to Soviet apparatchiks at the height of the Cold War. One of the most telling anecdotes regarding his mastery, as well as his unassuming modesty in the face of it all, occurred after a performance that must have really jelled. Following the concluding "Dona Nobis Pacem" of the Bm Mass, Shaw left the podium and darted behind the curtain, awaiting the applause. He waited, and waited some more. Finally, not understanding why it was that the applause never arrived, he poked his head out from behind the curtain, only to find both the audience and the musicians facing each other and bawling their eyes out from what must have been a rendering of "Dona Nobis Pacem" for all time, in terms of its ability to open these tear-duct floodgates.
I read that anecdote in "Dear People" and listen to this recording for posterity and can only conclude that no one could top Shaw in this work, which, over a period of many years, I've finally come around to conclude in my own mind, is what may well be the finest contribution to what we call civilization. I have three other highly-regarded recordings of the Bm Mass, by Karl Richter, John Eliot Gardner, and Ifor Jones leading the Bethlehem Bach Choir, the only group who is remotely close to Shaw in terms of performance realizations. Each of them is fine in its way, and in its performance practices (whether "authentic instruments" or "modern," or "massive" choral resources vs. "reduced" forces). Each communicates the importance of the work, and I do not consider them useless duplication for a work this significant.
But when I want to be moved by the work, to truly be reduced to a quivering mass of jelly, this Shaw recording is always the one I turn to. His "Dona Nobis Pacem" grants me a serenity and quality of peace that no other performance can match.
Bob Zeidler