Gulag Orkestar

Beirut - Gulag Orkestar

Gulag Orkestar
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Category: Music CD
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Music CD Cover

Artist: Beirut
Edition: Music CD
Audio: English (Unknown)
CD Release Date: 2006-05-09
Music Label: Ba Da Bing
Soundtracks:
  1. The Gulag Orkestar
  2. Prenzlauerberg
  3. Brandenburg
  4. Postcards from Italy
  5. Mount Wroclai (Idle Days)
  6. Rhineland (Heartland)
  7. Scenic World
  8. Bratislava
  9. The Bunker
  10. The Canals of Our City
  11. After the Curtain

Free Music Notes for Gulag Orkestar

Free Music Review: An amazing debut album
Hit: 5 Stars

Largely the work of an ambitious youngster named Zach Condon, Gulag Orkestar is an indie rock album filtered through the mind of a teenager who dropped out of high school to travel across Europe and soak in as much culture and music as possible. The result is something that sounds a bit like the Microphones crossed with Neutral Milk Hotel. It might be the only rock album you hear that doesn't contain any guitars, and it conveys an emotional and worldly power of the likes I've not heard in some time.

Largely inspired by Balkan folk music, the album moves through mournful ballads and more upbeat tracks (that sound more like the work of a 10-plus member ensemble) with ease, layering horns, stringed instruments, ukeleles, mandolins, glockenspiel, drum, organs, piano, and other percussion under the soulful vocals of Condon himself, who has a similar range and style as Andrew Bird. The disc opens with the album-titled track of "The Gulag Orkestar," and after some warbling horns and cascading piano, the track turns into a shuffling march that finds Condon soaring over the top of it all with his rich croon.

The album really hits stride with the gorgeous "Bandenburg," which finds deft mandolins playing out over heaving drums and percussion as accordions wheeze and the track builds gracefully with delightful horn sections and layered vocals. "Postcards From Italy" follows, and it may very well be the best track on the disc, moving along with a playful opening section that mixes shuffling mandolin, piano and horns before shifting halfway through to a more delicate (and reflective) section that completely tugs at the heartstrings before bursting into a celebratory ending that's absolutely stunning.

The second half of the album finds Condon taking a few more chances, and amazingly he pulls things off just about every time. "Scenic World" uses a programmed casio-beat that sounds straight out of Magnetic Fields, but layers horns and accordion over the top for something completely unique while "After The Curtain" takes the non-traditional instrumentation and runs it through some filters, giving the track a slight electronic tinge without making it ever feel out of place. It seems like every year there's an album that comes completely out of nowhere and really stuns me, and this year that title is easily held by Beirut with Gulag Orkestar. An outstanding debut album, and easily one of my favorite releases of the year so far.

(from almost cool music reviews)

Gulag Orkestar Poster

While it may sound like an entire Balkan gypsy orchestra playing modern songs as mournful ballads and upbeat marches, Beirut s first album, Gulag Orkestar, is actually the work of 19-year-old Albuquerque native Zach Condon, with an assist from Jeremy Barnes (Neutral Milk Hotel, A Hawk and a Hacksaw). There are no guitars on this album; instead, horns, violins, cellos, ukuleles, mandolins, glockenspiel, drums, tambourines, congas, organs, pianos, clarinets and accordions all build and break around Condon s deep-voiced crooner vocals, swaying to the Eastern European beats like a drunken twelve-member carnival band. Though young, Condon has already recorded several albums of astonishing diversity. He recorded under the name Real People when he was fifteen, crafting an electronic record inspired by his love of the Magnetic Fields. At sixteen, he recorded an entire doo-wop album that sounds a bit like like Frankie and the Teenagers. Although he was a straight-A student, in 2002 Condon dropped out of school to travel Europe, cavorting and partying with the locals wherever he went. During one of these evenings that he was first exposed to Balkan gypsy music, blasting from an upstairs apartment. Condon went to investigate, and stayed up all night with a Serbian artist, going through albums country by country, note for note. Gulag Orkestar is the direct result of what he learned that night. This past winter, Condon headed to Sea Side Studios in Brooklyn s Park Slope where, along with Barnes and A Hawk and a Hacksaw s Heather Trost, he added percussion and violin overdubs to his original compositions. The resulting record sounds like a Neutral Milk Hotel from behind the iron curtain (for those playing along at home, look into the Boban Markovic Orchestra). Gulag Orkestar is a glorious sweep of music, striking in its emotional content and stunning in its scope.

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