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Bernard Herrmann - Taxi Driver: Original Soundtrack Recording

Taxi Driver: Original Soundtrack Recording Music CD Cover
Artist: Bernard Herrmann
Edition: Music CD
Format: Original recording remastered, Soundtrack
CD Release Date: 1998-05-19
Music Label: Arista
Soundtracks:
  1. Main Title (Herrmann)
  2. Thank God For The Rain (Herrmann)
  3. Cleaning The Cab (Herrmann)
  4. I Still Can't Sleep/They Cannot Touch (Herrmann)
  5. Phone Call/ I Realize How Much She Is (Herrmann)
  6. .44 Magnum Is A Monster (Herrmann)
  7. Getting Into Shape/Listen You... (Herrmann)
  8. Sport and Iris (Herrmann)
  9. $20 Bill/Target Practice (Herrmann)
  10. Assassination Attempt/After The... (Herrmann)
  11. Reluctant Hero/Betsy/End Credits (Herrmann)
  12. Diary Of A Taxi Driver (Album... (Herrmann)
  13. God's Lonely Man (Album Version, With (Herrmann)
  14. Theme From Taxi Driver (Herrmann)
  15. I Work The Whole City (Herrmann)
  16. Betsy In A White Dress (Herrmann)
  17. Days Do Not End (Herrmann)
  18. Theme From Taxi Driver (Reprise) (Herrmann)
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Free Music Notes for Taxi Driver: Original Soundtrack Recording Album

Free Music Review: One more rave
Hit: 5 Stars

I love all of Hermann's scores but this is the one I chose to "review." It's all been said already so there's nothing left to say. Hermann was a man who actually thought about his work, who didn't just jump into the studio and start slinging musical hash like so many other film composers (such as a certain J.W., who's name shall go unspoken). What I find most interesting about Hermann's work as I listen to soundtrack after soundtrack is how complex they are, how they deepen the films they exist in, how they actually extend and collaborate with the director's vision and the work of the other artists responsible for each film. One thing I am particularly drawn to is his technique of choosing an instrument or set of instruments that embodies the nature of each film or scene. In 7th Voyage of Sinbad he uses castanettes (sp?) for the skeleton duel, in Day the earth Stood Still he used the theremin (unique for it's time though cliche today), in Journey to the Center of the Earth he uses the harp, and in Taxi Driver he uses the sax. In contrast, most other film composers just use the same darn orchestra over and over and each score is interchangeable with any other. With Hermann, it's no mistaking which score goes with which film. Beyond master, Hermann is THE Maestro of film music, all others must bow before him.
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