Big River: The Adventures Of Huckleberry Finn (1985 Original Broadway Cast)
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Free Music Notes for Big River: The Adventures Of Huckleberry Finn (1985 Original Broadway Cast)
Free Music Review: Beautiful music, lyrics that can make you laugh and cry...
Hit: 5 Stars
at the same time. I agree completely with other reviewers who wrote of how only Roger Miller could have perfectly complimented Mark Twain's perfect American novel, Huckleberry Finn. The wit, the irony that requires one to listen to the songs for hidden meanings and at about the time you think you really know where Roger Miller is going with the song, a phrase you'd taken for granted comes to mind and you have to reconsider - nothing is ever really straight-forward and I think that that is the profound tender meaning behind the musical itself - life is presented in the form of the meandering muddy Mississippi River and even with its bitter twists and turns we still love it so. Life is seldom completely happy or sad, just as Miller's songs are seldom what they seem at first. For example, the lovely ballad, "You Ought to be Here With Me" sounds like something Linda Rondstant could have had a major hit with, a love song, right? ...only it is sung to a dead person. "Dad Gum Government" sung (belted out)by John Goodman is a showstopper if there ever was one. "River in the Rain" and "Worlds Apart" are both lovely and too sad for words. "When the Sun goes Down in the South" and the "Royal Nunsuch" are just plain fun - good ole Roger Miller songs loaded with puns. I saw this musical at a particularly hard time in my adult life and its bittersweet message was so profound to me as I struggled through - no other Broardway music has impacted me like this music has and I've seen a LOT of Broadway productions. Miller never sugarcoats his message - he puts it out there with grace and allows the listener to draw as much or as little from it as he desires. Yes, this is the same guy who made us all laugh at his homespun humor in the 1960's (Dang Me, King of the Road, etc) but this music is from the mature artist who has known sorrow and his poetry is sublime, his humor never misses and the music is quite lovely. Perhpas the hallmark accomplishment of the score is the beautiful transition of "Arkansas" into the two verses of "How Blest We Are". This is a wonderful bit of Americana - it begins with the country boy singing his heart out about visiting Arkansas and this moves into a stately funeral hymn sung by a white congreagation ("How Blest We Are" -verse 1) followed by an African-American spiritual adaptation for verse 2. Just as the river symbolizes life, the blending of these styles might be a musical melting pot of cultures that has become America. The thing is, Roger Miller pulls this off with great beauty and charm and I don't know if anyone else could have approached the perfect job he does here. Mark Twain would be proud to have seen this show performed and when the old gent made his way out of the theater, I'm sure that for once he'd have been at a loss for words.Free Music Review: A perfect pair: Mark Twain's story & Roger Miller's music
Hit: 5 Stars
If you are going to be audacious enough to try and make a musical of Huckleberry Finn, then choosing Roger Miller of "King of the Road" fame to write the songs is certainly an inspired move. "Big River," the Tony Award winning musical, owes as much to Miller as it does to Mark Twain for writing the classic story in the first place. Of course when you are talking Roger Miller you are talking fun songs, from John Goodman's ripping diatribe on "Guv'ment" as Huck's Pappy and Tom Sawyer's (John Short) "Hand for the Hog" to the two songs by the King (Bob Gunton) and the Duke (Rene Auberjonois), "When the Sun Goes Down in the South" and "The Royal Nonesuch" ("She's got one big breast in the middle of her chest/And an eye in the middle of her nose/So says I, if you look her in the eye/You're better off looking up her nose"). Even when Miller offers us the tender country ballad, "You Oughta Be Here with Me," Mary Jane Wilkes (Patti Cohenour, who later went on to play Christine in "Phantom of the Opera" on Broadway) sings the song to her father's coffin. "The Crossing" is a nice spiritual, but clearly the best songs are reserved for the Huck (Daniel Jenkins) and Jim (Ron Richardson): "Muddy Water," as they shove off on a raft for Freedom, "River in the Rain" as they spend their last moments alone on the river, and "World's Apart" as the recognize the gulf that exists between them. They also do a trio with Mary Jane on "Leavin's Not the Only Way to Go." The only shortcoming of this musical comes at the end, when we get to the greatest passage in American Literature, when Huck declares he will help Jim to freedom even if it means going to hell; Miller offers a reprise of "Waitin' for the Light to Shine" rather than coming up with a new song to capture this epic moment. Similarly, Jim's "Free at Last" echoes too much of the old spiritual instead of offering something more unique. However, while this is somewhat disappointing it is not entirely unsatisfying, and I do not mean to downplay Miller's monumental success with this score. After all, Leonard Bernstein never came up with a final aria for Maria at the end of "West Side Story," and that did not take away from the greatness of that musical. At the end of "Big River" what stands out are the moments between Huck and Jim captured in song; those are the ones you are going to want to hear over and over. With his wide variety of songs for this show, Miller perfectly matched the breadth of Twain's writings. It is a monumental achievement and a lasting legacy for Miller, who proved himself to be a writer of much more than novelty hits.Free Music Review: An American Delight.
Hit: 5 Stars
The only reason I purchased a copy of the BIG RIVER soundtrack is because I wanted to incorporate some of the songs into a unit plan I was developing on Mark Twain and THE ADVENTURES OF HUCKLEBERRY FINN. I knew that the musical had won the Tony for Best Musical in 1985, but I honestly didn't think I was going to like the album that much. I was wrong. I've love the music from start to finish. The songs include a wide variety of styles from country to jazz to gospel. However, most of the tunes cannot be pigeonholed as one style of music or the other because Roger Miller has done a beautiful job of blending several types of music into one coherent whole on many of the songs. The company of this production of BIG RIVER includes such stars as Rene Auberjonois and John Goodman. Some of my favorite tunes from the album include:"Do You Want to Go to Heaven"
"I, Huckleberry, Me"
"Muddy Water"
"The Crossing"
"Worlds Apart"
"Waiting For the Light To Shine"
"Free At Last"
Besides the beauty of the music itself, I was also impressed by how well the dialogue and lyrics complement Mark Twain's original text. Some changes have been made, of course, but not many. I'm really glad that I have purchased the ablum and know it will be a valuable part of my lessons whenever I teach about THE ADVENTURES OF HUCKLEBERRY FINN.
Free Music Review: If you like country music and musicals, you'll LOVE it!
Hit: 5 Stars
BIG RIVER is the only country music musical I know other than THE ROBBER BRIDE GROOM. This show won the 1985 Tony Awards for Best Musical & Best Actor. I DON'T EVEN LIKE COUNTRY MUSIC (no offense to those who do), and I really love this show! This classic story of Huck Finn, Tom Sawyer and Huck's runaway slave Ben (which won that actor the Tony Award).The music is wonderful. Hysterically comic songs like "THE ROYAL NONESUCH", "ARKANSAS" & "A HAND FOR THE HOG", fun up-tempo songs like "MUDDY WATER", spirituals like "THE CROSSING" & "FREE AT LAST", beautiful ballads like "WORLD'S APART" & "RIVER IN THE RAIN", and the love songs "YOU OUGHT TO BE HERE WITH ME" & "MAYBE LEAVING'S NOT THE ONLY WAY TO GO". Hell, 9 out of 10 songs on this cast recording are great!
No big names fill out the lead roles, only great performers. Actually, John Goodman, before he did ROSANNE, plays the small role of Huck's mean spirited Pappy and sings the funny solo "GUV'MENT".
If you can remotely like country music (as only Kenny Roger's THE GAMBLER did for me), you will adore this show. Give it a try! I am really glad I did.
Free Music Review: A Delightful Cast Album
Hit: 5 Stars
BIG RIVER, which is based on Mark Twain's HUCKLEBERRY FINN, is a wonderful musical, and the original Broadway cast album is a delight from start to finish. Roger Miller created a country/western-style score that, even if it doesn't quite capture Twain's distinctive wit, is evocative, touching, and a joy to hear. The album is dominated by the partnership of Daniel Jenkins as Huck and Ronald Richardson as the runaway slave, Jim. Jenkins has a characterful tenor voice, while Richardson's sound is dark and mellifluous. Their three duets, "Muddy Water", "River in the Rain", and "Worlds Apart", are beautifully and emotionally sung. Twain's characters, from Huck and Jim to Tom Sawyer ("The Boys", "Hand for the Hog"), Pap Finn ("Guv'ment"), and the "Duke" ("When the Sun Goes Down in the South", "The Royal Nonesuch") come to life in Miller's songs and in this recording. As Mary Jane Wilkes, on whom Huck develops a crush, Patty Cohenour has a warm, pure soprano voice and sounds lovely in her songs, the bittersweet "You Oughta Be Here with Me" and "Leavin's Not the Only Way to Go" (a trio with Huck and Jim). The recorded sound is outstandingly clear. The editorial reviewer has it right: BIG RIVER is a "dazzling" achievement!