Bill Evans, Cannonball Adderley - Know What I Mean?
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Music CD Cover
Artist: Bill Evans, Cannonball AdderleyEdition: Music CD
Format: Enhanced, Original recording reissued
CD Release Date: 1990-10-25
Music Label: Ojc
Soundtracks:
- Waltz For Debby
- Goodbye
- Who Cares? (Take 5)
- Who Cares? (Take 4)
- Venice
- Toy
- Elsa
- Nancy (With The Laughing Face)
- Know What I Mean? (Re-Take 7)
- Know What I Mean? (Take 12)
Free Music Notes for Know What I Mean?
Free Music Review: Very nice jazz album - it swings!
Hit: 5 Stars
I've been listening to Jazz heavily for years now, but I just checked out "Know What I Mean?" by Cannonball recently. I don't know why I've waited so long to actually listen to this album, but it was worth the wait. The group just plays so well together and with Cannonball and Evans fresh from their working with Miles it's nice to hear how well they play together. The rest of the rhythm team - Percy Heath on bass and Connie Kay on drums - work very well together from their working with the Modern Jazz Quartet. It's just top notch jazz -- while I'd love to hear Bill Evans stretch a bit more his statements are very nice. His Village Vanguard recordings from the same year is a great example of the best jazz interplay, this group maintains a different type of interplay (not better or worse just different) with Bill (and Cannonball) responding to the rock solid rhythm. If you neglected to check this one out, like I did, now is the time to check it out!
Know What I Mean? Poster
Alto saxist Cannonball Adderly and pianist Bill Evans, bandmates on Miles Davis's epochal Kind of Blue, were band leaders by the time they teamed up in 1961 for this moody, yet lyrical, date. Though remastered with state-of-the-art digital technology, Riverside has kept the original artwork and liner notes, maintaining the flavor of this classic jazz LP. Adderly's robust, bluesy tone and buoyant phrasing make for an interesting contrast to Evans's rainy-day introspection. Coupled with the light touch of drummer Connie Kay and the gentle probing of bassist Percy Heath, the music projects a sophisticated and relaxed mood. On the sensitive ballads, such as "Goodbye" and "Elsa," Adderly reveals his after-hours side, reveling in the fullness of his rich sound. --Wally ShoupJazz Music CDs
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