Bob Dylan - Desire
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Free Music Notes for Desire
Free Music Review: One of Dylans Best
Hit: 5 Stars
My first copy of desire was when it came out on vinyl many years ago - some of what I consider Bob Dylans best work. Every Dylan fan needs this one in their collection.Free Music Review: Swan song
Hit: 5 Stars
Like a time capsule, Desire contains the spirit of a hopeful past. Recorded in July and October 1975 and released in January 1976, Desire is the final third of Dylan's mid-1970s trilogy, whose other parts are Planet Waves (1974) and Blood on the Tracks (1975). Although falling short of the earlier two albums' near perfection, Desire has some of Dylan's most engaging and likeable music, and his most touching love song, "Sara." In many ways, Desire resembles Planet Waves more than it does Blood on the Tracks. On Blood on the Tracks, the lyrics have primary importance, whereas on Planet Waves and Desire the music is essential in uniting these albums' diverse strands. Dylan on Blood on the Tracks is a soloist with accompaniment, but he collaborates on Planet Waves and Desire with other outstanding artists. The members of The Band join Dylan on Planet Waves in a kind of rock chamber music. On Desire, Dylan shares both songwriting and performance. Jacques Levy is co-author of all but two of the songs, and Scarlet Rivera, on violin, and Emmylou Harris and Ronee Blakley, on vocals, are notable among the musicians who help give this album its unique texture. Both Planet Waves and Desire were recorded in the aftermath of war (the Yom Kippur War for Planet Waves; the Vietnam War for Desire), and share an optimism for a better world that brackets Blood on the Tracks' tragic vision.
The trilogy's narrative progresses from first to second to third person. Dylan sings as an individual on Planet Waves, but on Blood on the Tracks he finds himself caught in a mirror play of relationships gone wrong. On Desire, Dylan adds a third party, the audience, as an integral part of the performance. Dylan pulls us into Desire by reaching outward. The songs on this album are a series of quests and adventures, all of them searches for justice or love. The stories range from a police frame-up in urban America ("Hurricane"), to a romantic idyll in Africa ("Mozambique"), to a fantastic hunt for treasure inside a frozen pyramid by the wayward husband (Dylan) of an Egyptian goddess ("Isis"). In "Black Diamond Bay," Dylan actually becomes an audience member. This song recounts the last hours in the lives of several lonely and isolated hotel guests on a sinking volcanic island. Dylan learns about the catastrophe only in the final stanza, when he hears a fragmentary report by Walter Cronkite on the television news.
The music of Desire varies with its locations and themes. In "One More Cup of Coffee (Valley Below)," Dylan laments his rejection by a bandit chieftain's beautiful daughter, in a style the poet Allen Ginsberg describes (in his album notes) as "Hebraic cantillation never heard before in U.S. song." The oceanic "Oh, Sister" is hymn-like in its plea for a loving partnership under the fatherhood of God. The accordion in "Joey" (Dom Cortese) evokes the Italian-American background of its real-life protagonist, Joey Gallo, a man "caught between the mob and the men in blue." "Romance in Durango" achieves its Mexican atmosphere through the sound of a Bellzouki 12-string guitar (Vincent Bell), trumpet, accordion and tambourine, as Dylan sings, partly in Spanish, about a killer's flight across the desert with his beloved Magdalena.
The eclectic nature of the album invites us to become a part of its creative process--we do not feel distanced by a single-minded vision of the artist. Hearing its songs allows us to draw our own poetic map of the world.
Two songs on Desire deserve special mention. "Hurricane" tells the true story of African-American middleweight boxer Rubin "Hurricane" Carter, framed for a triple murder in Paterson, New Jersey. Paced like a hard-boiled crime movie, "Hurricane" is both a compelling plea for Carter's freedom and a condemnation of racial prejudice in the American judicial system, "where justice is a game." The song publicized Carter's plight (later, Dylan held two concerts to raise legal defense funds) and helped win Carter a new trial in the fall of 1976.
The jewel of this album is its last song, the inexpressibly poignant "Sara," addressed to Dylan's wife. In an unsentimental but emotional voice, Dylan sings a simple modal melody on top of Scarlet Rivera's haunting violin. The verses are a succession of flashbacks of the Dylans' life together, interspersed by a "Sara, Sara" refrain praising his wife's beauty, kindness, and mystery. Dylan recalls their children, still babies, playing on the beach; Sara in a Jamaican marketplace; himself "staying up for days in the Chelsea Hotel, writing 'Sad Eyed Lady of the Lowlands' for you." He concludes with the words, "don't ever leave me, don't ever go." The song feels transitory, evanescent, in contrast to "Wedding Song" on Planet Waves, where Dylan sings of the eternal verities of their marriage ("I love you more than ever, more than time and more than love").
After recording Desire, Dylan continued his deep audience connection by launching the Rolling Thunder Revue. With an all-star cast headed by Dylan and featuring Joan Baez, the Revue caravaned across the Northeastern states and neighboring parts of Canada (autumn 1975), and then through the South and Southwest (spring 1976). Its unpublicized itinerary was filled with surprise concert dates. From the Desire sessions, Rivera, Blaklee, Rob Stoner (bass), and Howard Wyeth (drums) joined this true people's tour.
But the circumstances that made Desire possible soon disappeared, as the places and people portrayed in many of its songs fell upon harder times. The new nation of Mozambique, whose freedom Desire celebrates, was devastated by a civil war. The old Mexico depicted in "Romance in Durango" became largely a memory following economic globalization and NAFTA. Rubin Carter was convicted in his second trial and not released on parole until 1988. And in 1977, Dylan's marriage to Sara ended in divorce, after which it seems he could no longer follow the same artistic path. Desire marks the completion of a grand cycle of Dylan's career, dating back to his first albums in the early 1960s. His next album, Street Legal (1978), reveals, beneath its "big band" gloss, a dark night of the soul. From Street Legal's first song, the aptly named "Changing of the Guards," we are in a new era.
Free Music Review: Dylan's Most Overrated Album
Hit: 1 Stars
I just don't get why people like this album. It stinks. "Sara" is Dylan at his whiny worst. "Mozambique" was the result of a drunken bet about how many words Dylan could rhyme with Mozambique. And the worst thing of all on the album is Rivera's screeching violin on every track. About her: Dylan was riding in a limo and saw her walking on the street with a violin case. He liked the way she walked so he picked her up and promised to allow her to play on his album. And so it goes. "Bringin' it all Back Home" this ain't.
I am a huge Dylan fan and have most of is catalogue, but this is the one album of his that I just can't stand. Not one song works.
If you are new to Dylan , get "Bringin it all Back Home", "Highway 61", "Blonde on Blonde", and "Blood on the Tracks". If you already have those, there are about 20 more to get before you bother with this one.
Oh, and one more thing: Reuben Carter was guilty.
Free Music Review: I Can't Seem to Get Enough of Desire
Hit: 5 Stars
Desire is one album that I can't seem to get enough of. The long song "Hurricane" about how a black prize fighter ran afoul of New Jersey justice just because of the color of his skin will chill you to the core. Another long song, "Isis" will have you itchin' to travel as Dylan assaults your mind with image after image. The cowboy ballad, "Romance in Durango" will have you dreaming of Mexico and the Old West. "Sara" will have you waxing nostalgic for your lost love, if you've got one. But the real gem on this album is "Black Diamond Bay" a song about a volcano erupting on a South Pacific island, how the people there handle it and how those back in America don't even care. This is just one really good album.Free Music Review: Excellent, but no lyrics on the remastered version???
Hit: 5 Stars
One of Dylan's most underrated works, it has plenty of brilliance and the contributions of Scarlet Rivera and Emmylou Harris are top notch. However, the original version
featured the lyrics in the cd booklet, why aren't they included with this remastered version? Are you kidding me? Dylan's lyrics not deemed important enough??