The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic Hall

Bob Dylan - The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic Hall

The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic Hall
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Music CD Cover

Artist: Bob Dylan
Edition: Music CD
Format: Live
CD Release Date: 2004-03-30
Music Label: Sony
Soundtracks:
Music CD 1
  1. The Times They Are A-Changin'
  2. Spanish Harlem Incident
  3. Talkin' John Birch Paranoid Blues
  4. To Ramona
  5. Who Killed Davey Moore?
  6. Gates Of Eden
  7. If You Gotta Go, Go Now (Or Else You Got To Stay All Night)
  8. It's Alright, Ma (I'm Only Bleeding)
  9. I Don't Believe You
  10. Mr. Tamborine Man
  11. A Hard Rain's A-Gonna Fall
Music CD 2
  1. Talkin' World War III Blues
  2. Don't Think Twice, It's All Right
  3. The Lonesome Death Of Hattie Carroll
  4. Mama, You Been On My Mind - with Joan Baez
  5. Silver Dagger - with Joan Baez
  6. With God On Our Side - with Joan Baez
  7. It Ain't Me, Babe - with Joan Baez
  8. All I Really Want To Do

Free Music Notes for The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic Hall

Free Music Review: Not 5
Hit: 4 Stars

I'm giving this cd 4 stars only because I have to compare it to other live recordings of dylan. Bootleg #4 (the acoustic part) is by far my favorite. This one is a little looser, more chattier with the audience and longer, but I don't think Baez singing along to God on their side is an addition. He is also a little sloppier in singing and playing.
Still great of course.

The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic Hall Poster

The brooding Bob Dylan of the 1966 live collection in the Dylan bootleg series gave way to an even more hooded character on the second live bootleg album from 1974. Which makes the jump back to a younger Dylan in this set all the more jarring. Here is Dylan as an eager-to-please 23 year old with nothing between him and his worshippers but a guitar, a harmonica, and, for four songs, his lover, Joan Baez. In marked contrast to the acerbic electric Dylan of the mid-'60s and the tight-lipped living legend of the mid-'70s, here is Dylan as entertainer. Joking and bantering with the crowd, Dylan deals up some favorites ("The Times They Are A-Changin'," "Don't Think Twice, It's All Right"), but is already shedding his earnest folkie persona; imagine another artist a mere two years into his career declining to perform a hit on the scale of "Blowin' in the Wind." But Dylan was moving fast. Having completed the last all-acoustic collection of his early years three months before the Philharmonic concert, he would record the half-electric/half-acoustic Bringing It All Back Home three months later. Three of the four acoustic songs from that album are presented here, as are a handful of then-unreleased songs, including "Talkin' John Birch Paranoid Blues," "If You Gotta Go, Go Now" (which was soon given a rock arrangement), and a protest-period remnant, "Who Killed Davey Moore?" Had Concert at the Philharmonic Hall appeared the year it was recorded, it would been seen as a respite for folk fans to catch their collective breath before Dylan reappeared in his rock & roll Rimbaud guise. Heard for the first time decades later, it's simply a testament of his gifts as a showman and songwriter. --Steven Stolder

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