Dialogue

Bobby Hutcherson - Dialogue

Dialogue
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Music CD Cover

Artist: Bobby Hutcherson
Edition: Music CD
Audio: English (Unknown); English (Original Language); English (Published)
Format: Original recording remastered
CD Release Date: 2002-01-29
Music Label: Blue Note Records
Soundtracks:
  1. Catta
  2. Idle While
  3. Les Noirs Marchant
  4. Dialogue
  5. Ghetto Lights
  6. Jasper

Free Music Notes for Dialogue

Free Music Review: One of Blue Note's Finest
Hit: 5 Stars

While Blue Note may have been known during the early-to-mid 60s for its string of soul-flavored boogaloo records, there was also during that same period an outpouring of forward thinking, experimental post-bop that challenged the boundaries of jazz convention without dispensing altogether with structure. Led by artists such as Andrew Hill, Bobby Hutcherson, Grachan Moncur III, Jackie McLean, Sam Rivers, Wayne Shorter and Joe Henderson, Blue Note's offerings from 1962-65 were without peer. And if I'm making a list of my favorite Blue Note recordings, regardless of era, then I'm placing Hutcherson's Dialogue in the top five.

Though is nominally a Hutcherson record, it is in many ways an Andrew Hill record; adventurous, yet accessible. Hill composed four of the albums' six songs, and the flavor of Hill's jagged and harmonically dense piano is predominant throughout the record. The opening song, "Catta," is a clear example of Hill's unique approach to composition, placing a repetitive line on top of an odd-metered mambo rhythm. Also evident throughout is Hill's penchant for probing the outer boundaries of meter and harmony, while keeping one foot firmly rooted in compositional structure. But that's not to belittle the contributions of Hutcherson, whose unique approach to the vibes, with it's airy, spacious feel, gives the recording that unmistakable Hutcherson sound.

Another important contributor is the vastly underrated drummer/composer, Joe Chambers. Along with having one of the best grooves this side of Billy Higgins, Chambers is an excellent composer. His contributions "Idle While," a beautiful, lilting waltz-time number, and "Dialogue," with its outward leaning, spooky haunted house feel, illustrate his unique compositional talents.

I would be remiss not to mention the contributions of this records' A-list supporting cast, which includes trumpeter Freddie Hubbard, Sam Rivers on tenor and soprano sax, as well as bass clarinet and flute, and the amazing Richard Davis on bass. Hubbard once again shows his ability to stretch beyond the conventions of his hard-bop roots, and Rivers shows his incredible versatility as a multi-reedist. I have to take exception with N. Dorward of Toronto's remark that Rivers is in "middling form" on "Catta." While I do concur that it is perhaps the strongest composition here, Rivers' tenor solo is wonderful; well constructed, purposeful and probing, without losing site of the song's melody. And as usual, you will not find a better, more versatile bass player than Richard Davis, a classically-trained player with an ear for melodic exploration.

Hutcherson made a number of appearances on the Blue Note label during the early-to-mid 60s, and I've yet to find one that I don't like. Other excellent examples of Hutcherson at his best include his other collaborations with Hill, Andrew!!! and Judgment, as well as Eric Dolphy's Out To Lunch, Jackie McLean's One Step Beyond and Destination Out, Grachan Moncur III's Evolution, Grant Green's Idle Moments, as well as Hutcherson's own Oblique, Stick-Up and Happenings. I highly recommend this recording for anyone that's a fan of avant-garde or post-bop jazz, as well as any fan of Andrew Hill. This is clearly a case of a pure five-star record, and not the typical gushing, hyperbole-filled amazon five-stars.

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