Can't Quit the Blues

Buddy Guy - Can't Quit the Blues

Can't Quit the Blues
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Music CD Cover

Artist: Buddy Guy
Edition: Music CD
Format: Box set
CD Release Date: 2006-10-31
Music Label: Sony
Soundtracks:
Music CD 1
  1. The Way You Been Treating Me
  2. Sit And Cry (The Blues)
  3. This Is The End
  4. Untitled Instrumental
  5. First Time I Met The Blues
  6. Ten Years Ago
  7. Let Me Love You Baby
  8. Stone Crazy
  9. When My Left Eye Jumps
  10. Hoodoo Man Blues
  11. In The Wee Hours
  12. I Can't Quit The Blues
  13. One Room Country Shack
  14. T-Bone Shuffle
  15. When You See The Tears From My Eyes (Live)
  16. I Smell A Rat
  17. She Suits Me To A T
  18. D.J. Play My Blues
Music CD 2
  1. Damn Right, I've Got The Blues
  2. Mustang Sally
  3. Five Long Years
  4. Mary Ann
  5. She's Nineteen Years Old
  6. Miss Ida B
  7. Feels Like Rain
  8. 7-11
  9. I Smell Trouble
  10. Someone Else Is Steppin' In (Slippin' Out, Slippin' In)
  11. My Time After Awhile (Live)
  12. Your Mind Is On Vacation
  13. Midnight Train
  14. Totally Out Of Control
Music CD 3
  1. Nobody Understands Me But My Guitar
  2. Baby Please Don't Leave Me
  3. Done Got Old
  4. Honey Bee
  5. Tramp
  6. Crawlin' Kingsnake
  7. Moanin' And Groanin'
  8. Bad Life Blues
  9. I Can't Be Satisfied (Live)
  10. First Time I Met The Blues (Live)
  11. I'd Rather Be Blind, Crippled And Crazy
  12. Somebody's Sleeping In My Bed
  13. I Miss You
  14. Cut You Loose
  15. The Price You Gotta Pay

Free Music Notes for Can't Quit the Blues

Free Music Review: Should be titled - "Some of Buddy's Best"
Hit: 5 Stars

Can this mans career be compressed down to three CDs?
In my opinion no. He is one of "THE GREATs". But this set gives you a very good sampling of some of his best work.

Every song included is good. Not a dud in the whole bunch.

The extra DVD included is a big plus for all us Buddy Guy fans. And the little booklet that's stapled into the box cover has some good extra material also.

All in all - a very good package that is well worth the money.

I does make me want to fill out my collection and get more of his music.

Can't Quit the Blues Poster

Robert Cray says that Buddy Guy's guitar solos sound like laughter from space, but they can also peal like the cries of lost souls attempting to cross the River Styx. If these 47 songs on three CDs plus a DVD boasting a new 75-minute documentary and six performances from the Montreux Jazz Festival prove anything, it's that Guy is one of the most dynamic, diverse, expressionistic, and emotional guitarists--in any genre. The set neatly examines the 70-year-old Chicago blues legend's half-century career, starting with a ragged but soulful "The Way You Been Treating Me" cut in 1957 at a radio station in Guy's native Louisiana that finds him developing his searing, exploratory style. A year later, he's in Chicago working with tunesmith Willie Dixon, and the rest is history (chronicled in Anthony DeCurtis's excellent lines notes) that leads from the glory days of Chess Records to Guy's early breakout recordings for Vanguard to his modern-day mastery. The most recent recordings often find him working with acolytes: Eric Clapton, Jeff Beck, Keb' Mo', Jonny Lang, Bonnie Raitt, Keith Richards, and John Mayer (who duets with Guy on the unreleased "I'd Rather Be Blind, Crippled & Crazy"). B.B. King, who along with Guitar Slim was Guy's most important early influence, also joins Clapton and Guy on a stirring acoustic version of John Lee Hooker's "Crawlin' Kingsnake."

This set makes the argument for Guy's ever-continuing growth as a musician--not only as a player whose frenzy, improvisational instincts, and tonal control keep stretching with age, but as a stylist who was unafraid to put aside his trademark electric approach in 2003 to make the acoustic Blues Singer (represented here by "Bad Life Blues" and the Hooker tune) and to embrace primal North Mississippi juke joint music with Sweet Tea, which lends this set a pair of Junior Kimbrough covers. Guy's sole artistic weakness is his songwriting. He's never been prolific, and even in the '60s his lyrics drew on well-established clich?s. But, as these performances attest, his playing's never been less than daring--and his voice knows every nuance of heartache and joy. --Ted Drozdowski

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