Buddy Holly - Not Fade Away: Complete Studio Recordings & More
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Canadian Music Store Music CD CoverArtist: Buddy HollyEdition: Music CD Audio: English (Unknown) Format: Box set CD Release Date: 2009-11-23 Music Label: Hip-O Select Soundtracks: Music CD 1
Free Music Notes for Not Fade Away: Complete Studio Recordings & MoreFree Music Review: Almost surely, the last comprehensive Buddy reissue...
I've been a Holly fan since he was alive. I still remember listening to the 45 rpm record my friend Billy Hartz played for me one afternoon after junior high: "That'll Be the Day" by Buddy Holly and the Crickets, on the Brunswick label. He had a photo of the group, and we quickly saw, with pleasure, that Buddy looked more like "us" than Elvis. He also had an article which revealed that the group was from Lubbock, Texas, and recorded the song in Clovis, New Mexico. My, they were exotic places to two kids living in central New Jersey! I never dreamed that in 1974 I'd move to Hobbs, NM, just a little over a hundred miles from Buddy's hometown and Normal Petty's Clovis studio. The other reviewers here have covered the music on this huge set better than I could, so I'll say relatively little about it. My son gave me the music from "Not Fade Away" as a Christmas present. Since I don't have the packaging, book, photos, legacy liner notes or session liner notes, I can't comment on those aspects of this expensive product. (I'd love to have a copy of the session notes someday, however. Maybe someone who reads this review can contact me and we can negotiate a deal just for that piece of Buddy's history.) As to the music, here you get everything that Buddy meant to record or preserve, from his early teen experiments to Texas studio demos with friend Bob Montgomery, to his solo sessions in Nashville for Decca under the misdirected guidance of producer Owen Bradley, to his famous hits and best efforts with the Crickets, done in Clovis, and finally to his solo tracks in New York City after his marriage. And then, there is more...you get posthumously overdubbed tracks, a great many of them because after Buddy's death his surviving tapes and masters were handled by three different producers at least, including Petty, who for my money did the best job, although no one knows whether Buddy would have agreed. Other reviewers have noted that the choice of the producers for this set to run three versions in a row of some songs does not make for the most satisfying casual listening. I agree, but this box was not created for the "casual" fan. There are plenty of "Greatest Hits" packages available for total pleasure Holly tunes. Buy this effort only if you really are a fanatic like myself and most of the other reviewers who have posted. Ten years ago, my son also gifted me with the famous "Complete Buddy Holly" box, on cassette, and that has not only most of the best that is on "Not Fade Away" (largely in single versions) but some interviews, and some live songs, and several records Buddy produced for others, including Waylon Jennings first two efforts. Those are worth having, so really dedicated Hollyites need both. Sadly, that 1979 set is on vinyl or tape from collectors, but not on CD. If you are still reading this, you really like Buddy, so I want to urge you to consider a trip to Lubbock and Clovis. The Norman Petty studio is still on Seventh Street in Clovis, just 100 miles northwest of Lubbock. Call the Clovis Chamber of Commerce about who to contact for tours. The owner inherited the place from Norman's widow, Vi, and inside are Norman's original speakers from the early '50's and original microphones, and the organ heard on "Take Your Time" and the celeste heard on "Everyday." There are scores of records on the walls, representing songs made there but released mostly by major labels via Petty's NYC connections. Roy Orbison recorded "Ooby-Doo" here first, although the hit version did not come until he moved to Sun Studios in Memphis. The famous Elvis song "Blue Christmas" was first demo'ed here, because it was written by a West Texas boy. Waylon's first songs were done here, produced by Buddy. The building has a fascinating history and seems filled with cheerful ghosts. I first toured it ten years ago, guided by Robert Linville, who with his partner Dave Bingham, were "The Roses" one of several Clovis groups used for backup vocals by Petty. (The Crickets did NOT sing on the records.) Four years ago I had a second tour, this one by Dave, the other half of "The Roses."
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