 |
Buffalo Springfield - Buffalo Springfield Box Set
Music CD CoverArtist: Buffalo Springfield Brand: Buffalo Edition: Music CD Format: Box set, Original recording remastered CD Release Date: 2001-07-17 Music Label: Elektra / Wea Soundtracks: Music CD 1- There Goes My Babe (demo)
- Come On (demo)
- Hello, I've Returned (demo)
- Out Of My Mind (demo)
- Flying On The Ground Is Wrong (demo)
- I'm Your Kind Of Guy (demo)
- Baby Don't Scold Me (demo)
- Neighbor Don't You Worry (demo)
- We'll See (demo)
- Sad Memory (demo)
- Can't Keep Me Down (demo)
- Nowadays Clancy Can't Even Sing
- Go And Say Goodbye
- Sit Down I Think I Love You
- Leave
- Hot DustyRoads
- Everybody's Wrong
- . Burned
- Do I Have To Come Right Out And Say It
- Out Of My Mind
- Pa The PRice
- Down Down Down (demo)
- Flying On The Ground Is Wrong
- Neighbor Don't You Worry (remix)
Music CD 2- Down Down Down (remix)
- Kahuna Sunset
- Buffalo Stomp (raga)
- Baby Don't Scold Me
- For What's Worth
- Mr. Soul
- We'll See
- My Kind Of Love
- Pretty Girl Why (previously unreleased mix)
- Words I Must Say (demo)
- Nobody's Fool
- So You've Got A Lover
- My Angel
- No Sun Today
- Everydays
- Down To The Wire
- Bluebird
- Expecting To Fly
- Hung Upside Down (demo)
- A Child's Claim To Fame
- Rock & Roll Woman
Music CD 3- Hung Upside Down
- Good Time Boy
- One More Sign (demo)
- The Rent Is Always Due (demo)
- Round And Round And Round
- Old Laughing Lady (demo)
- Broken Arrow
- Sad Memory
- On The Way Home
- Whatever Happened To Saturday Night (remix)
- Special Care
- Falcon Lake (Ash On The Floor; remix)
- What A Day
- I Am A Child
- Questions
- Merry-G-Round
- Uno Mondo
- Kind Of Woman
- It's So Hard To Wait
- Four Days Gone (demo)
Music CD 4- For What It's Worth
- Go And Say Goodbye
- Sit Down I Think I Love You
- Nowadays Clancy Can't Even Sing
- Hot Dusty Roads
- Everybody's Wrong
- Flying On The Ground Is Wrong
- Burned
- Do I Have To Come Right Out And Say It
- Leave
- Out Of My Mind
- Pay The Price
- Baby Don't Scold Me
- Mr. Soul
- Child's Claim To Fame
- Everydays
- Expecting To Fly
- Bluebird
- Hung Upside Down
- Sad Memory
- Good Time Boy
- Rock & Roll Womm
- Broken Arrow
Free Music Notes for Buffalo Springfield Box SetFree Music Review: Springfield Retrospective Secures Place In History Hit: 5 Stars
"Box Set," the retrospective four CD career retrospective of the Buffalo Springfield, has been rumored, announced and expected for so many years that it began to appear that it would never be released. Apparently a lack of interest from members Neil Young and Steve Stills delayed the project for over a decade. In recent years, though, Young came to view this turbulent period of his life with more appreciation than unhappiness. It was apparently through Young's recent efforts that "Box Set" finally emerged, and what we have is a thorough, perhaps, even exhaustive look at an important and influential rock & roll band. Buffalo Springfield was a "can't miss" band that, sadly, just missed. Formed early in 1966, the five-man group featured three powerful singer/songwriters in Young, Stills and Richie Furay, all veterans of the '60's folk music scene who found more distinctive styles when they turned to rock. The Los Angeles-based band lasted just two years. They had a hit single (the magnificent "For What Its Worth") almost immediately, but the trouble began very quickly. Internal dissension, drug busts, poor management and a botched mix of their first album crippled the young band. By the second album the group was already fragmenting, with the three songwriters recording often recording their own tracks independently from the rest of the band. A third album was pieced together from leftovers and outtakes after the members had already gone their separate ways in May 1968. Despite this rocky history, Buffalo Springfield was way ahead of its time, successfully integrating rock, folk and country influences with some of the best songwriting of the era. They were among the most ambitious acts of their day, and when their efforts were successful, Buffalo Springfield were unbeatable. So how can a group that survived barely two years be considered a legend? If the case can be made, the proof is in this set. Included here are classic tracks from all three albums, in the best sound quality possible, plus rare outtakes, demos and non-album tracks. The most memorable music here are those songs that have always been considered classics, including "For What It's Worth," "Mr. Soul," "Bluebird," "Broken Arrow," and "A Child's Claim To Fame," are still powerful music. If few of the other tracks reach those heights, it's because very little music does. There are revealing versions of songs by Stills, Furay, and, most significantly, Young, that were not released by the Springfield but reappeared later in their writer's career. "Box Set" should also go far to restore the musical reputation of Richie Furay, a terrific singer and songwriter who was strongly influenced by country music and who went on to form the seminal country-rock band Poco after Springfield had split up. Furay's excellent work here more than holds its own when compared to Stills and Young. Sadly, no live recordings are included in this set. The band was at their best on stage, with Stills and Young already engaging in the monumental guitar duels that would be a major part of Crosby, Stills, Nash & Young's performances a few years later. Unauthorized live recordings have surfaced over the last three decades, and inclusion of some live cuts would have offered lasting testimony to their greatness as a live act. There are a few other things to quibble about, as there usually are with these multi-disc retrospectives. There a lot of demos here, many of which are from Springfield's formative months. While they give some insight into the creative process and how the group's sound developed, not all of these songs are memorable. Also, the fourth disc offers only new remixes of the band's first two albums, a welcome and much-needed opportunity that the band did not have in 1966 and 1967. The music sounds great, but many of the songs appear in their originally-released versions elsewhere in the box. Perhaps this fourth disc should have been included as a "freebie," which would have kept the price for the package at $40 or less. Finally, the failure to include the rare nine-minute version of Stills' "Bluebird" (a guitar tour-de-force and a staple of FM radio when it appeared on a 1973 "best of") is hard to understand. These concerns are minor, and "Box Set" is a fine and fitting tribute to Buffalo Springfield. The packaging is well-conceived, and the excellent booklet includes valuable essays and a slew of rarely-seen photographs. Buying this set is a no-brainer for fans of the group and its members, but casual fans are also likely to greatly enjoy "Box Set."
Buffalo Springfield Box Set PosterThough they're recognized as a seminal influence on American rock music (variously fostering the careers of Neil Young, Stephen Stills, CSN&Y, Richie Furay, Poco, and even Loggins & Messina), L.A.'s Buffalo Springfield were perpetually star-crossed by personal squabbles and legal travails during their two-year tenure. Even this extensive four-disc overview was delayed for a decade by disagreements among the Springfield alums. Arranged chronologically, the set offers up a wealth of previously unreleased demos by band mainstays Young, Stills, and Furay, mostly spare acoustic performances (a number of which didn't make the final cut on the band's three albums) that challengingly deconstruct the Springfield's savory blend of folk rock, blues, country, and psychedelia. Young's work is a particular revelation; his songs reveal a wizened, often weary mindset that belies the fact he wasn't yet 21 at the time of the band's inception. Disc 4 is devoted to complete, digitally remastered versions of the band's first two albums (the debut in Young and Stills's original, preferred mono mix), which makes for convenient listening, even if it duplicates much of the previous three discs. There's also a complete absence of live tracks; that's unfortunate, as the band's stage performances have achieved legendary status. Still, this anthology is filled with gratifying surprises, from Young's always revealing work to Stills's roots-conscious craftsmanship (and quirky collaborations like their unreleased Beach Boys-meets-Folkways instrumental "Kahuna Sunset") to Furay's sweet pop tenor. --Jerry McCulley
|
 |