Compare Prices for Cecilia Bartoli - Maria

Cecilia Bartoli - Maria

Cecilia Bartoli - Maria Music CD Cover
Composer: Maria Maribran
Composer: Vincenzo Bellini
Composer: Jacques Fromental Halevy
Composer: Giovanni Pacini
Composer: Felix Mendelssohn
Composer: Manuel Garcia
Conductor: Adam Fischer
Orchestra: Orchestra 'La Scintilla'
Performer: Cecilia Bartoli
Performer: Luca Pisaroni
Edition: Music CD
Format: Limited Edition
CD Release Date: 2006-10-10
Music Label: Decca
Soundtracks:
  1. Se un mio desir... Cedi al duol
  2. Ira del ciel
  3. Cari Giorni
  4. Yo que soy contrabandista
  5. Ah! Non credea mirarti
  6. Ah! Non giunge
  7. E non lo vedo... Son Regina
  8. Dopo tante e tante pene
  9. O Rendetemi la speme... Qui la voce
  10. Vien, diletto
  11. Come dolce a me favelli
  12. Scorrete, o lagrime
  13. Prendi, per me sei libero
  14. Casta diva
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Free Music Notes for Cecilia Bartoli - Maria Album

Free Music Review: A fascinating concept that is implemented well
Hit: 5 Stars

The concept is intriguing: mezzo soprano Cecilia Bartoli takes a shot at the works associated with the great (if short-lived) opera singer Maria Malibran (1808-1836). Accompanying the CD is a DVD that provides context about the making of this CD and about the larger context. There is also a nice book that provides additional context (including information about Maria Malibran, pictures of Malibran artifacts, words to songs/arias, etc.).

In the end, though, it's the music. . . . An intriguing array of works. The composers whose work Malibran sang included her father, Manuel Garcia, lesser known composers such as Johann Hummel, Giuseppe Persiani, Malibran herself, Vincenzo Bellini, and so on. An intriguing set of works.

More interesting: from what I can tell, one of these, from Bellini's "I Puritani," uses Malibran's own version as the template.

Some examples. . . . She begins with "Si un mio desir" from Pacini's "Catania." Her low voice provides a rich tone to this piece. She also displays a pretty competent trill.

Bartoli's version of Malibran's father's work, "Yo que soy contrabandista," is intriguing. The guitar backing is pleasing. Bartoli's lustrous voice serves this work well. She shows a fair amount of vocal agility here.

Then, something most interesting. She takes on Bellini's "Ah! non credea mirarti" and the accompanying cabaletta "Ah! non giunge." Normally this is associated with the high flying coloratura sopranos. One expects a Sutherland or a Jo or a Sills to take this on. But, the book convincingly argues, this was the territory of mezzos in Bellini's time (Malibran, apparently, could sing the mezzo range). And the lower tone of Bartoli provides a refreshing approach. Her version of the cabaletta sure sounds afar from the sopranos, but she makes it work. She takes this at a brisk pace, not as heavily ornamented by the leading coloratura sopranos of recent decades. Nonetheless, it is an interesting version. The repeat is more florid, and her deeper voice adds a compelling touch, at least from my listening. She displays considerable agility here.

Then, there is Malibran's own "Rataplan" (composed in 1836, the year of her death at a young 28). This air begins with drums. This is a lively tune, and Bartoli handles the pace and effects composed by Malibran well.

What does one not think of when thinking of a mezzo? "Vien diletto" from Bellini's "I Puritani." Again, we think of Sutherland and other coloratura sopranos. Here, Bartoli sings Malibran's own version of this cabaletta. I'm not sure that I'm completely enchanted with Malibran's version (portrayed by Bartoli), but approaches have obviously changed over time. And this picture from the past is pretty satisfying. The pace is quite a bit slower than what most of us will be used to. But the sound of a rich mezzo taking this on is something that makes one think again about approaches to this piece.

And so on. . . . The CD closes with Bartoli's rendition of "Casta Diva" from Bellini's "Norma." Suffice it to say that this is another interesting rendition of a work that is not normally thought of as within the ambit of a mezzo soprano.

This is really an interesting CD (with accompanying book and DVD to make this a bargain, in my view). If you accept the underlying concept, I'm pretty sure that most listeners will find this a very special offering.
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