Chris Walla - Field Manual
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Free Music Notes for Field Manual
Free Music Review: Chris Walla And Why You Should Love Him.
Hit: 5 Stars
You may remember Chris Walla as the guitarist and producer for the band Death Cab for Cutie, or maybe the DJ for KCWU 88.1 The Burg. But any young or old artist will tell you that Chris Walla remains as one of the greatest Indie Rock producers in the world. Earning production credits on more than a dozen albums in addition to Death Cab for Cutie's discography, You can hear Walla's sounds and genious glittering through albums by Nada Surf, The Long Winters, Hot Hot Heat, The Decemberists, and a possible colaberation with So Many Dynamos. But one would think that Walla would be working hard with Death Cab For Cutie on their new album instead of pushing out his own solo work right? Wrong. One would also think that if he was so busy with Death Cab, then his solo work would sound rushed and sloppy? Wrong again. Chris Walla's Feild Manual is a perfect example of an Indie Rock classic album. Mixing his past sounds along with Death Cab For Cuite chord pergressions and lyrics, Walla starts off with a ghostly song called "Two-Fifty" With very little instruments all you hear is Walla's voice singing about old Ford car companys. The first time I listened to this album my attention went straight to Walla's ghostly voice and lyrics. When the song ended I expected a similar song to steal my attention again, but instantly the punk-roc-I cant take the government anymore-type song "The Score" started playing loudly on my speakers. It was a perfect mix. Quiet song into a loud fast paced song. The rest of the album speaks for itself. A producer producing his own production. It makes perfect sense. So If you are a Death Cab For Cuite fan, and want a more happy poppy album to make up for Death Cab's darker new album "Narrow Stairs", then I would highly suggest buying Field Manual. You wont regret it.Free Music Review: 4-1/2 stars -- Walla to Walla!
Hit: 4 Stars
For those that don't know, Chris Walla is a member of Death Cab for Cutie. More than that, he is a multi-instrumentalist, but I doubt he's marketed as such; he's one of those people where if you look at the liner notes of a CD and it lists all the members of a band and what instrument they play, HIS assignment would be "everything else" (for instance, he played piano on "Soul Meets Body" while he played lead guitar on "Crooked Teeth"). He didn't split from Death Cab to put out his debut solo album Field Manual, but at any rate, it's damn good.
One surprising thing is that this is one of the rare solo albums that doesn't have a different sound from the band's usual fare (maybe that's what happens when the band DOESN'T split up). Though the rhythms don't necessarily suck you in like the music on Plans, things still work well, as evidenced by "Sing Again", "Our Plans, Collapsing" and "Geometry & C". And the lone mellow track, "It's Unsustainable", is anything but.
Even though this album was delayed, it's a good thing it came out when it did because it's just the thing you need for a spring or summer drive. So grab your sunglasses, jump in the passenger's side and study this field manual.
Anthony Rupert
Free Music Review: Classicist Pop of the best kind
Hit: 5 Stars
So I was at my local indie record store a couple of weeks ago, talking to one of the employees about the meaning of music in life and how the best things grow with you or retain their meaning over time. Although the discussion started with Nirvana and that whole scene (both of us are old enough to remember that), it somehow led to Death Cab For Cutie and ultimately to this album, which the employee could not recommend enough. She was even kind enough to play me a few tracks in the store, and although that's not always the best way to process music I liked what I heard. However I was there to buy the new Nada Surf album and I have to admit that I am not the biggest Death Cab fan, so I decided to take a rain check on this one. Somehow though I was still thinking about those songs after a week and I figured why not, I'll give this a chance. I went back and the employee I mentioned above reassured me that I had made an excellent choice.
She was right.
I think what makes the album for me is the emphasis on songwriting and attention to detail - both sonically and lyrically. Sonically, Chris knows when to add the little background blips (Two-Fifty), when to go heavier on the guitars (The Score), when to add a touch of 80s-ish synth (Everyone Needs a Home), etc. Lyrically, Chris can tell a story (Our Plans, Collapsing - the tale of a breakup told in a very sympathetic and understanding manner complete with a little piano break that sounds oddly like Journey's "Don't Stop Believing") just as well as he can string together impressionistic ideas to create an overall mood (A Bird Is A Song). It all comes together with an easy, almost rootsy charm that hearkens back to everything from 80s-alt to 70s AOR all at once. I like this a lot better than, for example, Ben Gibbard's Postal Service. It has that similar dreamy feeling, just more real, grounded and earthy. In many ways this album is a direct parallel to Nada Surf's new effort, "Lucky." Both albums are thoughtful, pensive and easy to absorb.
If this is the direction pop music is taking (or even an interesting niche that's developing into more of a viable subgenre), I am going to be a lot more optimistic about the future of rock n roll as we move further into the new century.
Free Music Review: Awesome
Hit: 5 Stars
This Cd was even better than i had imagined it would be. It had a very DCFC vibe, and theres something very cool about Chris Walla's voice.Free Music Review: A decent first effort, but ultimately disappointing.
Hit: 3 Stars
It has often been said that the strength of Death Cab for Cutie is Ben Gibbard, the prolific lyricist and hopeless romantic with a nearly-flawless voice. I give the man a lot of credit, myself, as he's probably one of my favorite vocalists of all time! With all of that hype, one has to imagine that Chris Walla is a resilient guy; letting Ben get all the attention while he's busy not only playing the guitar, but producing some of the better records of the last couple of years (The Decemberists' The Crane Wife or Tegan and Sara's The Con). In truth, Death Cab for Cutie wouldn't be near as successful as they are if it weren't for Walla's influence and guidance. Therefore, you can probably imagine my anticipation for Field Manual, Walla's first solo album. Unfortunately, the album fails to leave any significant impression whatsoever, which paves the way for some very mixed feelings.
For the majority of Field Manual, Walla seems content to retread paths that have already been paved by Death Cab for Cutie. As such, a direct comparison seems entirely appropriate and the outcome of said comparison is not in his favor. The guitars, drums, keyboards and peripheral instrumentation are all saturated in the same inoffensive pop/rock sound that Death Cab shamelessly flaunts. Due to Walla's vast experience with this particular style of music, it all sounds rather well, flawless in fact. Where the comparison fails him, however, is in the vocal department. Quite simply, Walla's got nothing on Gibbard. His voice sounds constrained, like he should be singing proudly but instead decided to close his throat and settle for a breathy, raspy timbre. It rarely works in his favor, and in a song like "Sing Again," with Ben Folds-esque keyboards and tight rhythm guitars, his lack of vocal prowess completely keeps the song from being memorable.
There are other times, however, that everything seems to come together quite well. On "A Bird is a Song," Walla's breathy vocals perfectly complements the slow pace, looming organs, and far-off guitar strums. He sings, "I do not need to see, but I need a vision," and it affects me because I'm not distracted by how out of place he sounds. In fact, it's in Field Manual's slower, more reflective moments that Walla's talents really shine. "It's Unsustainable" is another fantastic song, starting off slow with a calming Rhodes organ. Walla beautifully accompanies, noting, "I counted out the numbers silently, a list of places and names that I'd best get back to at least." Eventually, more instrumentation is added and the song slowly builds in an triumphant, if not somewhat predictable manner. It really is a gorgeous song.
Unfortunately, most of Field Manual is an up-tempo, poppy affair, and the instances where it can become an affecting piece of work are few. It's a shame too, because Walla's lyrics aren't usually of extravagant romances and eternal love as Ben Gibbard's are. And while he does touch on those subjects, he also spends his time singing about issues that are more political in nature. He does so delicately, never dwelling too much on a certain subject. For example, a line like, "Everyone needs a home, everybody needs a place to go. A FEMA trailer does not ease the blow," is followed by "Everybody needs a roof and a bed and a bright, bright light that he can turn off at night and fall asleep with the love of his life." So while he does take a direct jab, he also spends time discussing basic human rights in general and even manages to mix in some romance. It's a pure work of genius with the pen, and definitely worth noting.
Overall, Field Manual isn't a bad album. Chris Walla is far too talented of a musician to let something truly awful ship with his name on it. It does, however, fall just short of being a "good" album. I suppose one could say it was decent and leave it at that. Walla shows moments where he seems to be sprinting away from his Death Cab roots, but ultimately goes crawling back to them time and time again. The end result is a mixed bag of brilliant moments, and disheartening missteps that probably won't be playing in my CD player for more than a few weeks. Surely there are things to like on Field Manual; parts to love even. But with that new Death Cab for Cutie album just a couple of months away, you may just want to save your money and wait for the real thing.
Key Tracks:
1. "The Score"
2. "A Bird is a Song"
3. "Everyone Needs a Home"
4. "It's Unsustainable"
5. "Holes"
6 out of 10 Stars
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