Ciara - Ciara: The Evolution
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Music CD Cover Artist: Ciara Edition: Music CD Format: Enhanced, Limited Edition CD Release Date: 2006-12-05 Music Label: LaFace Soundtracks:
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Free Music Notes for Ciara: The Evolution Album
Free Music Review: One Impressive "Evolution"
Hit: 5 Stars
Wow, absolutely wow! Who would've thought that singer/songwriter Ciara, the First Lady of Crunk'n'B who has commonly been labelled as a Beyonce/Aaliyah knock-off and a vocally talentless hack (both of which are untrue), would be able to bounce back from the disappointing, multi-platinum debut album that was "Goodies" and create an album that unquestionably dominates its predecessor in every aspect you could possibly imagine? Well I sure as Hell didn't think she could, but her sophomore album, "Ciara: The Evolution", is exactly what its title suggests - her once-thin and characterless vocals have strengthened both in force and range, her subject matter is more diverse, the lyrics are much stronger, her personality translates much better into her music, the whole album track listing is excellently sequenced and the album is much more balanced out with its sure-fire club bangers and smooth, emotional ballads. Even with a star-studded production line-up (Rodney "Darkchild" Jerkins, Lil' Jon, Jazze Pha, The Neptunes, etc.) and a few well-established guest rappers (Lil' Jon, 50 Cent & Chamillionaire), Ciara maintains her presence throughout the album's 14 tracks (excluding the 4 interludes that split up and balance each section of the album).
Without a doubt, lead single "Promise" is one of the album's main highlights. For once, forget the fact that she deals a cringe-worthy assortment of exhausted clichés and cheesy come-ons - Ciara's surprisingly strong and melodious vocals over Polow Da Don's hypnotic production on this smooth, club-ready ballad easily compensates for such a flaw and then some. Her vocals even make for a surprisingly good duet with rapping phenomenon 50 Cent on the sugary duet ballad "Can't Leave `Em Alone"; "My Love" & "So Hard" effortlessly captures feelings of heartbreak and emotional tensility, respectively, through smooth production, compelling lyrics and Ciara's sweet vocal delivery. However, none of the ballads strike a chord harder than "I'm Just Me", a piano-driven/synth-vocal-accompanied ballad where Ciara confidently recounts her experiences and displays her sense of self-acceptance. Such passion and lyrical density can also be found on "I Found Myself", another beautiful ballad which steadily builds up with its instrumentation and concludes with the help of grand background choir wailing.
As expected, the club bangers do exactly what they're supposed to do - pull people to the dance-floor. "I Proceed" alternates between two sets of bouncy, synthesizer-heavy production as Ciara sings, talks and whispers with sexually assertive passion ; there's an old-school-esque sensibility to Rodney Jerkin's bass-heavy, horn-driven production to the joyous "Make It Last Forever", where Ciara's strident vocals and unexpected rap easily remain relevant ; the sleek, minimalist beat of "Get Up" helps Ciara & Chamillionaire to keep the party jumping ; Destiny's Child's influence is clearly apparent on the addictive, "Lose My Breath"-esque "Bang It Up" ; and Ciara's lack of vocal force is easily compensated for with her rebellious, biting attitude and unexpected 16-bar rap on the Lil'-Jon-assisted "That's Right", a potent slice of Southern-flavoured R&B/Hip-Hop.
Food-for-thought tracks come in the form of "Like A Boy" and "Get In, Fit In". Over the former track's dark synthesizers and moody violins, Ciara sings with spite and envy as she asks why girls don't get away with certain things like men do and how she wishes she could "switch up the roles". On the latter track, Ciara inspires people to be different over more bouncy production. "Get In, Fit In", however, is a socially conscious ode to being different that joyously chucks in a bunch of catchy one-liners, an anthemic chorus, intelligent lyrics and robotic vocals over a simplistic, catchy beat.
All in all, this is a very impressive album. Apart from a few vocal and lyrical missteps, the album's closest encounter with disaster comes with "C.R.U.S.H.", an unusually addictive but nonetheless childish and immature slice of radio-bound R&B/Pop fodder. And considering how Lil' Jon's surprisingly Crunk-free production comes off as catchy, smooth, hypnotic, club-ready, click-heavy and bouncy at the same time, "C.R.U.S.H." isn't too bad of a track, even if the immature vibe & Ciara's catchy-but-annoying hook threatens to prove otherwise. 5 STARS!
Oh, and on another note, Ciara had a hand in co-writing and/or co-producing a bunch of the album's tracks, which further testifies to the artistic growth she displays on this album.
5 Best Tracks (IMO) (No Order):
"Promise"
"That's Right (feat. Lil' Jon)"
"I Proceed"
"Like A Boy"
"I'm Just Me"