Complete Webern
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Free Music Notes for Complete Webern
Free Music Review: a transcendent masterpiece
Hit: 5 Stars
The performances here are absolutely brilliant.Nuance, detail, sensitivity.
This is not merely music, this is magic!
Free Music Review: Five stars and a bullet
Hit: 5 Stars
Pierre Boulez, the enfant not-very-terrible-any-more of French music, has surpassed himself. Twenty-two years ago, CBS released his Complete Works of Anton Webern, and it's remained the definitive Webern collection. Until, as they say in movie trailers, now. This consists of the three Webern albums Boulez has recorded for DG over the past five years or so, plus everything else Webern ever wrote. It thus scores straightaway over the earlier CBS/Sony set, which was restricted to works that had opus numbers and filled three CDs. This one includes the charming early songs, the equally early "Im Sommerwind" for orchestra and a number of posthumous and otherwise non-Opus works that didn't make it onto the earlier set. Webern is a composer whose entire output takes about six hours to listen to in its entirety, and it's all here, on six CDs.
That's fine; is it any good? Well, it's digitally recorded, and if ever a composer was born for CD, it's Webern. The pianissimos are more ppp than ever, thanks to better recording techniques. Boulez himself has also unbuttoned a bit. His earlier set, recorded between 1967 and 1972, was high on austerity and, if it fell down at all, did so on emotion. The older Boulez (he's 75 this year) is more relaxed about letting tuttis blare and climaxes, well, climax. The result is both as intellectually satisfying as we've come to expect from Boulez, and warmly expressive; in general, a more moving and less didactic set of recordings than the previous lot. And all the better for it, as far as this composer (and this listener) is concerned.
There are many benefits of a digital set, not the least being the better registration of timbral variety, which Webern (as is well known) made into a compositional principle. Even those allergic to twelve-tone music can't help but be ravished by the intricate sweetness of his arrangement of the Bach six-part fugue from the "Musical Offering". The arrangement of Schubert's German Dances has been re-recorded, and can be heard now in all its sprightliness. (The CBS/Sony set has an archive recording conducted by Webern himself in the thirties, but dodgy sound quality prevented it from shining forth properly, despite Webern's witty conducting.)
This is, for my money, the best classical recording that's likely to be released this year, if not for the next ten years. I don't know whether it's a complement to the CBS/Sony set or a replacement for it, but either way it's a wonderful package. Congratulations to all involved.
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