Crosby Nash

Crosby & Nash, Crosby Nash - Crosby Nash

Crosby Nash
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Music CD Cover

Artist: Crosby & Nash, Crosby Nash
Edition: Music CD
CD Release Date: 2004-08-10
Music Label: Sanctuary Records
Soundtracks:
Music CD 1
  1. Lay Me Down
  2. Puppeteer
  3. Through Here Quite Often
  4. Grace
  5. Jesus Of Rio
  6. I Surrender
  7. Luck Dragon
  8. Other Side Of Town
  9. Half Your Angels
  10. They Want It All
  11. How Does It Shine
Music CD 2
  1. Don't Dig Here
  2. Milky Way
  3. Charlie
  4. Penguin In A Palm Tree
  5. Michael
  6. Samurai
  7. Shining On Your Dreams
  8. Live On (The Wall)
  9. My Country 'Tis Of Thee (Originally used in an episode of NBC?s "The West Wing")

Free Music Notes for Crosby Nash

Free Music Review: A Prayer for Grace in a Dark Time
Hit: 5 Stars

While nobody was looking, David Crosby and Graham Nash have recorded one of the most powerful, poignant, and musically solid albums of the year. A couple of songs here -- "Lay Me Down" and "Jesus of Rio" -- stand up with the very best work of Crosby, Stills, Nash, and Young, but this album is not a hollow nostalgia exercise by a couple of quaint relics of the Woodstock Nation. Instead, it's a master class in songwriting and performance from two artists who have retained their integrity and commitment to innovation even after decades of being ignored or ridiculed by the mainstream press.Hearing this album in the era of George Bush is like discovering that a wilderness area that was supposed to have been paved over to build another Wal-Mart was somehow spared and is thriving with new life.

The last few CSN/CSNY projects have seemed enervated and oddly plastic, but "Crosby/Nash" charges into new musical territory while retaining the smart soul-searching lyrics, melodic exploration, and exquisite harmonies that made these guys so beloved in the first place. Some of the credit for the freshness of this album belongs to the band, which includes Crosby's astonishingly talented son James Raymond on keyboards, the very fine young guitar player Jeff Pevar (respectively, the R and P of Crosby's underrated band CPR), and under-the-radar guitar genius Dean Parks, who provided the witty, stinging guitar lines on Steely Dan classics like "Haitian Divorce." The presence of drummer Russ Kunkel and bass player Lee Sklar -- the celebrated rhythm section on dozens of albums by the likes of James Taylor and Jackson Browne -- reaffirms a continuity with the duo's earlier work, but even Kunkel and Sklar sound reinvigorated here. This is not your mother's singer-songwriter album, but beefier and more muscular, as befits a funkier age.

"Jesus of Rio," co-written with Pevar, is one of the most moving and majestic performances of Nash's career, featuring an uncredited backing vocal from James Taylor and a luminous Bill Evans-esque solo introduction by Raymond. Like several of the songs on "C/N," its central theme is what Crosby calls, in another song, "quiet grace" -- the redemptive power of love and mindfulness of the small, precious, transitory glories of existence ("for every human is holy to someone") . The prevailing mood of this album -- as expressed in songs like Crosby's "Through Here Quite Often" -- recalls a poem by William Butler Yeats:

My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.

Other strong songs on this album include Marc Cohn's lovely "I Surrender," and Crosby and Raymond's hip and slinky "Luck Dragon," featuring a lyric written at a CSNY end-of-tour party. "Don't Dig Here" and "They Want It All" face corporate greed and environmental squandering head-on, and Nash's "Half Your Angels" is a haunting tribute to the children who died in the Oklahoma City bombing that seems even more resonant in the post-9/11 era.

The album is perhaps one or two songs too long: "Penguin in a Palm Tree" in particular is almost a self-parody of a wealthy rockstar navel gazing in Lahaina, and a couple of other Nash songs seem overly coy and slight. A stunning lyric penned by Crosby in the mid-70s, "Samurai," is sung with admirable power but marred by tight-sounding vocal overdubs. Still, almost all of the tracks here bristle with new power and glow with seasoned wisdom while retaining the core musical values that made these guys the soul and conscience of popular music for 30 years.

Crosby Nash Poster

Long time compatriots and bandmates David Crosby and Graham Nash have joined forces yet again to release the oddly named Crosby/Nash 28 years after their last studio effort, Whistling Down the Wire. This double-disc is certainly worth the wait, despite the fact that most of the 20 songs are profoundly introspective and tinged with an elegant melancholy and sense of regret for an idealized past. To their credit, after four decades, Crosby and Nash are still in perfect voice, and remain graceful foils for one another, although some of the songs don't do justice to their prodigious talents. A handful are without focus and seem to be impressions in search of a hook, save the lovely, ethereal "Lay Me Down" (penned by Crosby's son, James Raymond) and the rather esoteric '60s throwback "Luck Dragon," with its elegant space jam ending. Nash's contributions are a bit more prosaic, and seem to be autobiographical ruminations about middle age, except the chilling environmental cautionary tale, "Don't Dig Here" and haunting post-9/11 song, "Half Your Angels." But the disc really comes alive when the duo shows their old ire, "They Want It All," a clear potshot at corporate greed and politics, and a wrenching read of "My Country 'Tis of Thee." --Jaan Uhelszki

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