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Crowded House - Woodface
Music CD CoverArtist: Crowded House Edition: Music CD Published: 2006 CD Release Date: 2006-07-01 Music Label: Capitol Soundtracks: - Chocolate Cake
- It's Only Natural
- Fall At Your Feet
- Tall Trees
- Weather With You
- Whispers And Moans
- Four Seasons In One Day
- There Goes God
- Fame Is
- All I Ask
- As Sure As I Am
- Italian Plastic
- She Goes On
- How Will You Go
Free Music Notes for WoodfaceFree Music Review: Woodface. Hit: 5 Stars
This album, along with The Spin Doctors' Pocketful of Kryptonite and R.E.M.'s Out Of Time, reminds me of a time in the early 1990s when alternative bands dressed in their Byrds-like finery and played quite sunny, wistful, folk pop rock about nature, love and friendship.
`Chocolate Cake' is a moodily humourous song with a blues-like ending. It's a pleasant start to the album. `It's only natural', like a few other songs on this album, has a slightly quirky start. It reminds me of the short bursts of music that you hear inbetween scenes in comedy shows like Friends. Neil Finn's singing style is clean, resonant, harmonious and comfortable with himself. `Fall at your feet' may be Crowded House's `Every move you make'. Like a few other songs on this album, the last verse is faster than the others. `Tall Trees' is pleasantly strident. I particularly like the part where the last verse is interspersed with guitar playing (`The salt from your skin/ Tall Trees/ Tall Tree').
`Weather with you' features a Byrds-like jingle jangle sound at the beginning and between the verses and choruses. It also has some of my favourite lines: `Things ain't cooking in my kitchen. Strange affliction wash over me. Julius Caesar and the Roman Empire Couldn't conquer the blue sky.' Although those last two lines could be intended to convey that there is always freedom somewhere, I think that they are also saddening- as the Stone Roses put it in `Tightrope' from their `Second Coming' album- `Are we etched in stone or just scratched in the sand?' `Whispers and moans' is a moody song with a slightly mystical sound and featuring what sounds like a glockenspiel. Some of my favourite parts are when the line `When I wake up in your room' rises up and when Neil Finn shouts about things that will `one day be forgotten'.
`Four seasons in one day' is a slow, dream-like song with a deep sound balanced by quiet harmonies. `There goes God' begins with screechy instrumentation, with violins throughout the song. The urgency of `Fame is' is similar to `Tall Trees'. The song begins with the words `Forked lightning', which seems to tie in well with the previous song (in depictions of God, he is sometimes shown displaying his wrath by sending lightning down to Earth). The band hint at their work ethic with the lines `Love children of the new age. Just a hippy with a weekly wage. There's no rebellion, just a chance to be lazy.' On the verses, small scribbles of violins conjure up the image to me of a classical, decadent civilisation. Like a few songs on the album, the song ends with starry-eyed proclamations of what is to come: `And of all your spells will break, And all of your stars will fall. So look out for number one. Fame is in your blood'.
`All I ask' has a gently meandering, quiet start. It is the kind of slightly quirky, start that Thomas Newman would do (he did the music for `American Beauty' and `Six feet under'), or the kind of bashfully beautiful music used in adventure games (I thought that it would suit the one of the quiet sections in Metroid Prime). The song features poignant lyrics: `I pity the rhino. Down there it's becoming extinct'. I actually thought that the following line was : `I'd kill for a love potion', which would have been darkly humourous/ironic because it wouldn't have sounded like he literally would have killed for a love potion- it would have sounded like he simply really wanted one (with the fact that some love potions are made from ground rhino horn making the dream of having a love potion impossible to him). The actual line is `Killed for a love potion'. If the lyrics I had heard had been the actual ones, the following line `Sad thing, looking like a dead flower', would have then brought the singer back to the reality of what is required to make a love potion.
`Italian Plastic', by Paul Hester, features harmonies sung for comedic effect at the end and a last, Beatles-esque `Who ya gonna take to the ball tonight? Who ya gonna take to the dance tonight?'. The song adds a bit of `Chocolate Cake' lightness to the album.
`She goes on' sounds a bit like a soaring sequel to `Four seasons in one day'. It contains the wistful, poignant lines: `'Til we see her once again/ In a world without end'. (the word `world' is stressed and the line features alliteration with the repetition of the `w' sound. `How will you go' features a typically energetic, enigmatic and poignant part towards the end of the song: `And you know I'll be fine/ Just don't ask me how it's going/ Gimme time, gimme time/'Cos I want you to see/Round the world, round the world/Is a tangled up necklace of pearls). Following this is a piece of music that is sparkling and fresh, conjuring up an image of the sea to me.
After a period of silence, the band start sounding like monkeys and singing `I'm still here/ I won't go away'. The Stone Roses used a similar type of ending on their 1994 Second Coming album, which ended with them scratching away a tune partly similar to `They're coming to take me away'.
Although I have only listened to extracts from their other albums (the beautiful, quirky, Pineapple Head sounds like a medieval lullaby), Crowded House's sound on Woodface is as clean and fresh as I imagine New Zealand air to be. It is an album quite free of angst and comfortable to listen to but never ordinary. If you like Crowded House, you may also like The La's and similar bands.
Woodface Poster14 Tracks - 1. Chocolate Cake 4:02 2. It's Only Natural 3:32 3. Fall At Your Feet 3:18 4. Tall Trees 2:19 5. Weather With You 3:44 6. Whispers And Moans 3:39 7. Four Seasons In One Day 2:50 8. There Goes God 3:50 9
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