Deborah Cox - Destination Moon
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Music CD Cover
Artist: Deborah CoxEdition: Music CD
CD Release Date: 2007-06-19
Music Label: Decca
Soundtracks:
- Destination Moon
- What a Difference a Day Made
- Misery
- Baby, You've Got What It Takes
- This Bitter Earth
- Squeeze Me
- New Blowtop Blues
- Blue Skies
- I Don't Hurt Anymore
- Smoke Gets in Your Eyes
- September in the Rain
- Look to the Rainbow
Free Music Notes for Destination Moon
Free Music Review: Sensually, The Next Unforgetable
Hit: 5 Stars
This past year, there just haven't been so much but only hype with female recording artists. It is sad and unfortunate, because it seems like the sound of the music doesn't deliver well. With acts like Kelly Clarkson and Beyonce' who've made records, they just missed a little something to deliver to everyone, especially in R&B and standards too. For Deborah Cox, the past several years have been a bit difficult for her. After her departure from BMG and Arista, she did bounce back by performing in the final production of Elton John & Tim Rice's Aida in 2004-2005. Now, she also returned in a whole new way by bringings that standards back in real soul and R&B. however, does this album click, or fall down, it shines very bright.
Deborah Cox's 2007 Destination Moon, is her debut on the acclaimed Decca Records. The album pays a sensual tribute to Jazz songstress Dinah Washington, and delivers. The mood from Deborah's voice, delivers the more seductive and sensual performance she has made ever, and makes the mark well. The album includes great standards, and even some surprises that also made the record work. The orchestral feel mixes in tune nicely, and in such a way that it hasn't been heard this elequently since Natalie Cole's Unforgetable With Love. The album includes the title track Destination Moon, as well as the Jazz rendered Squeeze Me, Blue Skies, and a stirring rendition of a song that was more well known from the 50's group The Platters which Washington also recorded during her era, Smoke Gets In Your Eyes. Every track feels like it is a special treat, and something Deborah Cox shines in very brightly. My only gripe about the record is that is is just a bit too short, leaving listeners really going wild for more from Deborah's beautiful voice. But it is much better than most other albums released this past year, and 10x better than standards albums from Barry Manilow and Rod Stewart that surfaced a few years ago.
All in all, I really hope Deborah Cox keeps making great records like Destination Moon. I really love this record so much, it delivers from an angel. It is a great buy for die hard Deborah Cox fans, and fans of the classic Jazz-like Soul style from years ago that hasn't been heard on the radio for years. This is definitely so far the best album of 2007, and something that looks to the rainbow nicely.
Album Cover: B+
Songs: A 1/2-
Price: B+
Mastering: A
Overall: A-
This review is dedicated in loving memory of my cat Pierre. May he rest in peace, I will always love him.
Destination Moon Poster
Platinum-selling recording artist Deborah Cox reinterprets the classic songs of Dinah Washington on her Decca debut, Destination Moon. Destination Moon thrusts the R&B/dance diva into whole new territory, showcasing her range and scope as an artist capable of tackling jazz, blues and "big-band" with ease and confidence. Deborah Cox's first exposure to Washington came very early, when she was a little girl. "I first became aware of Dinah when I was growing up, when I was about 8 or 9 years old" she says. "A lot of jazz was played about the house. I heard my mother playing a 45 of "This Bitter Earth" -- this first song I had ever heard from Dinah. It was the richness and the tonality of her voice that I gravitated to." For the arrangements and the production, Deborah turned to the highly-versatile New York-based music man Rob Mounsey, whose credits with such diverse performers include Paul Simon, Steely Dan, Aretha Franklin and Tony Bennett to name a few. The record was made live in the studio, with 40 musicians in the same room with her, playing and singing in real time under Mounsey's direction. "I'm doing this to broaden people's awareness of what I can do and also for the sheer love of her music." As a result, Deborah's homage to Dinah Washington does not lean overwhelmingly toward one particular style. It was designed from the beginning to be a compendium of several of Dinah's idioms - the big-band swing of "All Of Me" and "Destination Moon," swaggering R&B ("I Don't Hurt Anymore)," the blues that earned her the misleading nickname "Queen of the Blues" ("Misery," "New Blowtop Blues"), the lush ballads that put her on the jukeboxes of Middle America ("What A Diff'rence A Day Made," "This Bitter Earth").Those who don't know any better are apt to dismiss Deborah Cox as another R&B/dance diva determined to cling to the spotlight by whatever means necessary, including a giant genre-leap. Those who've been listening carefully, though, will check their doubts at Destination Moon's door. On this, her fourth disc, Cox sidles up to jazz--the jazz of her role model Dinah Washington--with subtlety and surefooted grace; along the way, she makes something of a masterpiece. From classics such as the title track to lesser-known but deeply felt compositions such as "I Don't Hurt Anymore," she avoids the temptation to rub a modern sheen over these songs and settles contentedly into the mood Washington carved for them instead. "This Bitter Earth" gets the "mm-hmm" treatment Dinah delivered so well, and "Misery" and "New Blowtop Blues" don't dream of belying their blueswoman roots. Best of all are the more delicate tracks: "Look to the Rainbow" captivates with a contemplative sadness, and "Blue Skies" is a natural wonder as beautiful as a dose of pure azure on a cloudless day. --Tammy La Gorce
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