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Delibes: Lakmé
Music CD CoverComposer: Léo Delibes Conductor: Michel Plasson Orchestra: Orchestre du Capitole de Toulouse Performer: Natalie Dessay Performer: Gregory Kunde Performer: José van Dam Performer: Patricia Petibon Performer: Charles Burles Performer: Franck Leguérinel Performer: Delphine Haidan Edition: Music CD CD Release Date: 1998-10-20 Music Label: EMI Classics Soundtracks: Music CD 1- Lakme: Prelude
- Lakme: Act I: No. 1 Introduction: 'A L'Heure Accoutumee' (Nilakantha)
- Lakme: Act I: Priere: 'Blanch Dourga' (Lakme, Nilakantha)
- Lakme: Act I: N. 1 Bis - Scene: 'Lakme, C'Est Toi Qui Nous Proteges!' (Nilakantha, Lakme)
- Lakme: Act I: No. 2 - Duetto: 'Viens, Malika' (Lakme)
- Lakme: Act I: Scene: 'Miss Rose, Miss Ellen' (Gerald)
- Lakme: Act I: No. 3 - Quintette & Couplets: 'Quand Une Femme Est Si Jolie' (Gerald)
- Lakme: Act I: Recitatif: 'Nous Commettons Un Sacrilege' (Gerald)
- Lakme: Act I: No. 4 - Air: 'Prendre Le Dessin D' Un Bijou' (Gerald)
- Lakme: Act I: No. 4 Bis - Scene: 'Non! Je Ne Veux Pas Toucher' (Gerald, Lakme)
- Lakme: Act I: No. 5 - REcitatif & Strophes: 'Les Fleurs Me Paraissent Plus Belles' (Lakme)
- Lakme: Act I: No. 5 Bis - Recitatif: 'Ah! Malika! Malika!' (Lakme)
- Lakme: Act I: No. 6 - Duo: 'D'Ou Viens-tu? Que Veux-tu?' (Lakme, Gerald)
- Lakme: Act I: No. 6 Bis - Scene: 'Viens! La! La!' (Nilankantha, Lakme)
- Lakme: Act I: Entr'Acte
- Lakme: Act II: No. 7 - Choeur & Scene Du Marche: 'Allons, Avant Que Midi Sonne'
- Lakme: Act II: No. 7 Bis - Recitatif: 'Enfin! Nous Aurons Du Silence!'
- Lakme: Act II: No. 8 - Airs De Danse: Introduction
- Lakme: Act II: No. 8 - Airs De Danse: Terana
- Lakme: Act II: No. 8 - Airs De Danse: Rektah
- Lakme: Act II: No. 8 - Airs De Danse: Persian
- Lakme: Act II: No. 8 - Airs De Danse: Coda Avec Choeurs
- Lakme: Act II: No. 8 - Airs De Danse: Sortie
- Lakme: Act II: Recitatif: 'Voyez Donc Ce Vieillard'
- Lakme: Act II: No. 9 - Scene & Stances: 'Ah! Ce Viellard Encor!' (Nilankantha, Lakme)
Music CD 2- Lakme: Act II: No. 9 Bis-Recitatif: 'Ah! C'Est De Ta Douleur' (Lakme, Nilankantha)
- Lakme: Act II: No. 10 - Scene & Legende De La Fille Du Paria (Air Des Clochettes): 'Ah!... Par Les Dieux Inspires... Ou Va La Jeune Indoue' (Lakme, Nilankantha)
- Lakme: Act II: No. 11 - Scene: 'La Rage Me Devore' (Nilankantha, Lakme)
- Lakme: Act II: No. 12 - Scene & Choeur: 'Au Milieu Des Chants D' Allegresse' (Nilankantha, Lakme)
- Lakme: Act II: No. 12 Bis - Recitatif: 'Le Maitre Ne Pense Qu' A Sa Vengeance'
- Lakme: Act II: No. 13 - Duo: 'Lakme! Lakme! C' Est Toi!' (Lakme, Gerald)
- Lakme: Act II: No. 14 - Finale: 'O Dourga, Toi Qui Renais' (Gerald)
- Lakme: Act II: Entr'Acte
- Lakme: Act III: No. 15 - Berceuse: 'Sous Le Ciel Tout Etoile' (Lakme)
- Lakme: Act III: No. 15 Bis - Recitatif: 'Quel Vague Souvenir Alourdit Ma Pensee?' (Gerald, Lakme)
- Lakme: Act III: No. 16 - Cantilene: 'Lakme! Lakme! Ah! Viens Dans La Foret Profonde' (Gerald)
- Lakme: Act III: No. 17 - Scene & Choeur: 'La, Je Pourrai T' Entendre' (Lakme, Gerald)
- Lakme: Act III: No. 18 - Scene: 'Vivant!' (Gerald)
- Lakme: Act III: No. 19 - Duo: 'Ils Allaient Deux A Duex' (Lakme, Gerald)
- Lakme: Act III: No. 20 - Finale: 'C' Est Lui! C' Est Lui!' (Nilankantha, Lakme, Gerald)
Free Music Notes for Delibes: LakméFree Music Review: Perfect! Hit: 5 Stars
Here we have a recording of effortless beauty. Lakmé is an opera of many nuances, in the plot itself as well as in the music. The sentiments though are never very strong and since the story isn't strong either, the opera relies very much on it's sweet music. This means that if this delicate score is put in the wrong hands it can turn out banal, pathetic and boring. Fortunately, the hands of Micheal Plasson turns out to be perfect for this opera. He's cautious but very thoughtfull, leaving no details unnoticed. And with 'his' Toulouse opera-company behind him, the orchestral playing reaches nothing but first class - sounding both like flowers and bells, when so called for. The detailed recorded sound also brings forth especially the strings in a lovely way. The singers? Well, they're all in class with their conductor. Dessay sings Lakmé with a very pure voice, really making you believe that she is as innocent as here role demands. When the sensualism begins, she also uses some sliding between the notes, which makes her contribution very 'french' indeed. Kunde couldn't have done his Gerald better. He uses a seamless legato in much of the romatic music, which together with his habit to 'hang' on his notes rhytmically, makes his singing in these parts exceptionally beautiful, effortlessly milking out the most of every single note. His "Fantasie aux divine mensonges" is priceless. Van Dam as Lakmé's father Nilakantha is as always in impressive voice, his sometimes abrupt way of handling tones being perfect in this role. Haidan's Mallika is just as much darker in voice and more serious in action than Dessay's Lakmé, which is just way it's supposed to be. And her voice itself is very beautiful. The rest of the cast is very good as well, their voices well separated from one another both by nature and in the recording, which makes the action easy to follow and each caracter gets heard. The Sutherland/Vanzo version for London/Decca may not be generally as good as this one, but it none the less has Vanzo in the role of Gerald, and he is always a pleasure to hear. But this Dessay/Kunde, I think, is the over all better recording, actually The Best Lakmé-recording of all, nothing short of world class.
Delibes: Lakmé PosterFor all its exotically tinged, trademark Orientalism, so fashionable in late-19th-century France, Delibe's opera Lakmé is at heart a simple story of tragically misplaced love. This marvelous and sensitively wrought interpretation renders the intensity of that love story with a surprising emotional credibility. Conductor Michel Plasson allows the music's arching melodies to breathe and unfold leisurely, like a lovingly cultivated floral display; he even discovers hidden nuances within the formulaic fluff that pads Delibe's score. And his vision is shared by the outstanding principals here. As the titular Hindu princess, Natalie Dessay gives a jewel-like performance, full of stunningly shaped phrases and tapered notes that sound like spun silk (and one that can favorably compare with Joan Sutherland's account on London). Yet she also offers substance where others are satisfied with mere vocal beauty, conveying both the fatal innocence of her character and an intense capacity to suffer. Gregory Kunde portrays the English interloper Gerald with moving tenderness, while he manages the high tessitura of the part with elegance and flexibility. There's a sense of shared vulnerability that the pair bring to their first duet, one of several unforgettable touches on this recording. The cast is filled out with rich characterizations, most notably José Van Dam's imposingly authoritarian Nilakantha. The subtle intimacy of detail Plasson inspires throughout as well as the fine engineering makes this recording a winner. --Thomas May
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