Compare Prices for Der fliegende Holländer / Weikl, Studer, Domingo, Sotin, Seiffert; Sinopoli

Der fliegende Holländer / Weikl, Studer, Domingo, Sotin, Seiffert; Sinopoli

Der fliegende Holländer / Weikl, Studer, Domingo, Sotin, Seiffert; Sinopoli Music CD Cover
Edition: Music CD
CD Release Date: 1998-08-11
Music Label: Deutsche Grammophon
Soundtracks:
Music CD 1
  1. Ouvertüre
  2. Act 1. No. 1 Introduktion. "Hojohe! Halloho!"
  3. Act 1. No. 1 Introduktion. "Mit Gewitter und Sturm aus fernem Meer"
  4. Act 1. No. 2 Rezitativ und Arie. "Die Frist ist um"
  5. Act 1. No.2 Rezitativ und Arie. "Wie oft in Meeres tiefsten Schlund"
  6. Act 1. No. 3 Szene, Duett und Chor. "He! holla! Steuermann!"
  7. Act 1. No. 3 Szene, Duett und Chor. "Durch Sturm und bösen Wind verschlagen"
  8. Act 1. No. 3 Szene, Duett und Chor. "Wie? Hört' ich recht? Meine Tochter sein Weib?"
  9. Act 1. No. 3 Szene, Duett und Chor. "Südwind! Südwind!"
  10. Act 1. No. 3 Szene, Duett und Chor. "Mit Gewitter und Sturm"
  11. Act 2. No. 4 Lied, Szene, Ballade und Chor. "Summ und brumm, du gutes Rädchen"
  12. Act 2. No. 4 Lied, Szene, Ballade und Chor. "Du böses Kind"
Music CD 2
  1. Act 2. No. 4 Lied, Szene, Ballade und Chor. "Johohoe! Traft ihr das Schiff im Meere an"
  2. Act 2. No. 4 Lied, Szene, Ballade und Chor. "Senta! Senta! Willst du mich verderben?"
  3. Act 2. No. 5 Duett. "Bleib, Senta! Bleib nur einen Augenblick!"
  4. Act 2. No. 5 Duett. "Auf hohem Felsen lag ich träumend"
  5. Act 2. No. 6 Finale. "Mein Kind, du siehst mich auf der Schwelle"
  6. Act 2. No. 6 Finale. "Mögst du, mein Kind, den fremden Mann willkommen heißen"
  7. Act 2. No. 6 Finale. "Wie aus der Ferne längst vergang'ner Zeiten"
  8. Act 2. No. 6 Finale. "Wirst du des Vaters Wahl nicht schelten?"
  9. Act 2. No. 6 Finale. "Verzeiht! Mein Volk hält draußen sich nicht mehr"
  10. Act 2. Orchesterzwischenspiel
  11. Act 3. No. 7 Chor und Ensemble. "Steuermann, laß die Wacht!"
  12. Act 3. No. 7 Chor und Ensemble. "Johohohe! Johohohe! Hoe! Hoe!"
  13. Act 3. No. 8 Finale. "Was mußt' ich hören"
  14. Act 3. No. 8 Finale. "Willst jenes Tags du nicht dich mehr entsinnen"
  15. Act 3. No. 8 Finale. "Verloren! Ach, verloren!"
  16. Act 3. No. 8 Finale. "Erfahre das Geschick, vor dem ich dich bewahr'!"
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Free Music Notes for Der fliegende Holländer / Weikl, Studer, Domingo, Sotin, Seiffert; Sinopoli Album

Free Music Review: An essential modern Wagner performance.
Hit: 5 Stars

Here is the perfect answer to the Beckmessers who keep saying that no Wagner recording of today can match the historical recordings of the 50's and the 60's. For this may, in fact, be the best Fliegende Holländer ever. Well... of course, as far as vocal power and musical intelligence are concerned, Weikl can't rival the supreme Hotter - or even the brutish London -. But still, his presence is real, and he uses the occasional weaknesses of his ageing voice to compose a deep and haunted and attaching character. As for Sotin, who can be a most routine-minded singer if badly conducted, he will seem rather transfigured to those who have seen him in Bayreuth, as he takes full advantage of his still very beautiful voice to explore all the aspects of Daland's character. But the true marvels of this album lie elsewhere. The first jewel is undoubtedly Domingo's performance, which simply eclipses all the Eriks of the whole discography : the incredible beauty, the unimaginable warmth and the baffling youth of the voice, along with the incandescence of the incarnation alone would make this album worth buying. But they are more than matched by a young Studer at her best, in what may be her best recorded opera performance. One doesn't know what to praise most : the purity, the power and the magnificence of the voice, the extreme commitment of the artist (who shows once more that, though limited as an actress on stage, she can convey an immense range of emotions with her only voice) or her capacity to impose, with her own, specific abilities, a completely new vision of Senta's character - a sort of child-woman, lost in her dreams but with an incredibly strong personality -. But all of that would certainly not have been possible without the iron hand of a fantastic project manager. Imposing a lightning tension from the very beginning of the Overture, Maestro Sinopoli never releases his grip until the very end of the opera, and manages to keep the listener's full attention to the drama from the very first note to the very last, thus delivering an amazing lesson of how young Wagner should be conducted - somewhere between Dorati's italianism end Klemperer's romantism, but with more dramatic sense than the first, and less German heaviness than the second -. So... good news : for once, you won't have to make do with the cracklings of a live recording from 40 years ago to enjoy a Wagner opera at its best !
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