Free Music Notes for Disney Presents The Music Man (2003 TV Film)

Disney Presents The Music Man (2003 TV Film)

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Free Music Notes for Disney Presents The Music Man (2003 TV Film)

Free Music Review: AWESOME POSSUM!!
Hit: 5 Stars

Kristen Chenoweth has the most spectactular voice ever! I wish that some day my voice will be just as good! YOU ROCK!

Free Music Review: 5 stars to KRISTIN CHENOWETH!!
Hit: 5 Stars

i LOVE KRISTIN CHENOWETH! she has the most amazing voice ever, and her true talent is shown in this recording.

Free Music Review: great soundtrack
Hit: 5 Stars

I am a big Matthew Brodrick fan and I really enjoyed this sountrack!!!

Free Music Review: Pretty good
Hit: 4 Stars

Anyone setting out to do a remake of The Music Man has a difficult task ahead of them- it's pretty hard to top Robert Preston's stunning performance in the original Broadway and movie versions. That being said, Broderick does an admirable job.

One difficulty is that Broderick doesn't immediately have that loveable rogue quality that Preston has; he comes across more like an amoral sociopath than a trickster. It takes a while to warm up to his version of the character. Both he and Chenoweth are playing characters significantly younger than usually portrayed in The Music Man. As written, Harold and Marian are middled aged people, pretty much settled into a life that's acceptible but not terribly joyful. The crux of the story is how each discovers, through the other, something about themselves. Harold discovers his humanity and desire for a normal life, and Marian discovers that she still needs romance.

This never quite comes across in the Broderick-Cheoweth production. Both Broderick's Hill and Chenoweth's Marian are far too young to have any sort of past life or regrets. The poignient realizations that both come to just aren't there; it's more of a quick decision without much motivgation. He suddenly decides to stay, and she suddenly decides to help him.

Chenoweth's singing is of course outstanding, and the CD is worth listening to for her performances alone. Broderick's are by comparison somewhat emotionless, and not helped by the production. The finale lacks the big sound of the original production as well, and it goes out on a rather low key note.

In retrospect it was nice to see a solid attempt at a remake or a classic, and particularly nice to see it done on television, particularly in a season full of terrible reality shows and worse. But I do wish they'd done it with a little more passion and perhaps a little older cast.


Free Music Review: Broderick shines, Chenoweth SPARKLES
Hit: 4 Stars

Oh, Meredith Wilson and the ever so famous "The Music Man"...i must admit it has never been one of my favorite musicals, but after having watched this performance on TV I definetly have a new opinion of it.
The classic Wilson marches (76 Trombones) and quick lyrics (Pick-a-little, talk-a-little and Shipoopie for example)keep your feet tapping and your head bobbing.
Matthew Broderick, although no where compares to Robert Preston (but then again who could??), still shines as Harold Hill in his own right. Broderick brings a refreshing, more realistic Hill to the screen and to the music. Whether it be "Trouble" "Marian the Librarian" or "'Til there was you" Broderick shows the comedy, light-hearted persona that he is known for, as well as a romantic tenderness that is just heart melting. Broderick however, does not have the vocal skill to stand up to a singer like Kristin Chenoweth...
....who is simply a DREAM! If you have never heard her sing before you should go check out her solo album, as well as the "You're a Good Man Charlie Brown"(revival cast...she won a Tony!) and "A New Brain" recordings because you will fall in love with her. Chenoweth creates the perfect Marian that captures your heart and your ears. She has such a phenomenal range and performative skill that she brings to her role that clearly distinguishes her from other Marians. She is not afraid to break away from the traditional soprano sound and use her chest voice a little in the lower ranges of the songs, which makes them so much more sincere and emotional.

It's a classic musical with some new twists and big names. How can you pass it up??

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