At Newport

Dizzy Gillespie - At Newport

At Newport
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Music CD Cover

Artist: Dizzy Gillespie
Edition: Music CD
Format: Extra tracks, Live
CD Release Date: 1992-08-18
Music Label: Polygram Records
Soundtracks:
  1. Dizzy's Blues - Dizzy Gillespie, Gillespie, Dizzy
  2. School Days - Dizzy Gillespie, Cobb, Will D.
  3. Doodlin' - Dizzy Gillespie, Silver, Horace
  4. Manteca - Dizzy Gillespie, Fuller, Gil
  5. I Remember Clifford - Dizzy Gillespie, Golson, Benny
  6. Cool Breeze - Dizzy Gillespie, Dameron, Tadd
  7. Zodiac Suite (Virgo Libra Aries) - Dizzy Gillespie, Williams, Mary Lou
  8. Carioca - Dizzy Gillespie, Eliscu, Edward
  9. A Night in Tunisia - Dizzy Gillespie, Gillespie, Dizzy

Free Music Notes for At Newport

Free Music Review: One of a Kind
Hit: 5 Stars

Why I waited so long to purchase this classic is as much of a mystery to me as Verve's slowness to publish and promote a newly remastered edition. Rate this one along with Ellington at Newport '56 and Basie at Newport '57 as one of the truly memorable recorded occasions of that 50-year-old festival. It also may be the most satisfying, representative album by the ebullient, many-faceted Mr. Gillespie.

There are numerous listeners who didn't come to Dizzy until the late 1960's and later when, like Louis, he was depending increasingly on showmanship and humor (often admittedly less hip than sappy) along with congas, vocals, and shortened, underpowered (but never uninventive) trumpet solos. To those Gillespie-ites who insist Diz was more virtuosic, daring and even musical than Bird, let this Newport set provide further evidence for their case; to those Diz devotees who feel that Miles may have gotten unwarranted marquee treatment at the expense of the greater star, I'm afraid the comparative neglect of this album can only sharpen their point.

Sure, the band is a trifle ragged in spots, but the fast tempos, erratic programming, improbable mix of the personal, the historical, the exotic, the eccentric, the dramatic, and the sheer excitement of pyrotechnics used not for display but to create aesthetic tension all make for one of the most engaging big band performances on record. And through it all Diz does what he does best--"play" with the music. Music even as supercharged as this should be fun, and Diz like Mozart the master player, is the genius who never allows his art to be anything more nor less than a captivating game.

His trumpet work on "Dizzy's Blues" and "Cool Breeze" is spectacular yet effortless at the same time. "School Days" and "Doodlin'" are colorful party balloons for his audience. His performance of "I Remember Clifford" as well as his thoughtful presentation of Mary Lou Williams betray the man's respect for tradition and his compulsion to balance the manic with the mannered. And his generous solo space to protege Lee Morgan on "Night in Tunisia" speaks volumes about his bigness as a human being as well as a musician.

Last but not least, Al Grey leaves not a shred of doubt about who was the most spirited big band trombone soloist in the history of jazz.

At Newport Poster

Japanese Version Remastered and Reissued featuring Three Bonus Tracks.
Besides Dizzy Gillespie, no founding father of modern jazz had the tenacity to keep a big band together for an extended period of time. Gillespie managed to do it in the late 1940s and then again in the mid-'50s, creating electrifying music in the process. The band of the 1950s toured the world extensively under U.S. State Department auspices, honing tight sectional play and developing explosive power on a book of new arrangements. Those strengths show in this 1957 Newport appearance, both on the extended treatments of Gillespie's earlier masterpieces, such as "A Night in Tunisia" and "Manteca," and on new material, including Ernie Wilkins's arrangement of Horace Silver's "Doodlin'" and Benny Golson's lustrous "I Remember Clifford." Whether doing comic vocals or letting his trumpet soar over the charging band, Gillespie is in magnificent form here, supported by Golson and Billy Mitchell on tenors, altoist Ernie Henry, and pianist Wynton Kelly. The concert also includes selections from Mary Lou Williams's "Zodiac Suite," with the composer joining the band on piano. --Stuart Broomer

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