Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
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Music CD Cover
Edition: Music CDFormat: Original recording remastered
CD Release Date: 2002-03-12
Music Label: Deutsche Grammophon
Soundtracks:
Music CD 1
- Part One: N.1 Preludio E Coro D'Introduzione: Percorrente Le Spiagge Vicine - Ambrosian Opera Chorus
- Part One: N.2 Scena E Cavatina: Tu Sei Turbato! - E N'Ho Ben D'Onde - Piero Cappuccilli
- Part One: No.2 Scena E Cavatina: Cruda, Funestsa Smania - Piero Cappuccilli
- Part One: N.2 Scena E Cavatina: Il Tuo Dubbio E Ormai Certezza - Piero Cappuccilli
- Part One: N.3 Scena E Cavatina: Ancor Non Giunse! - Beverly Sills
- Part One: N.3 Scena E Cavatina: Regnava Nel Silenzio - Beverly Sills
- Part One: N.4 Scena E Duetto - Finale I: Egli S'Avanza - Carlo Bergonzi
- Part One: N.4 Scena E Duetto - Finale I: Sulla Tomba Che Rinserra - Carlo Bergonzi
- Part Two: Act One, N.5. Scena: Lucia Fra Poco A Te Verra - Piero Cappuccilli
- Part Two: Act One, N.6. Duetto: Appressati, Lucia - Piero Cappuccilli
- Part Two: Act One, N.6. Duetto: Il Pallor, Funesto, Orrendo - Piero Cappuccilli
- Part Two: Act One, N.7. Scena Ed Aria: Ebben? - Di Tua Speranza - Beverly Sills
- Part Two: Act One, N.7. Scena Ed Aria: Ah! Cedi, Cedi O Piu Sciagure - Beverly Sills
- Part Two: Act Two - Finale II, N.8. Coro E Cavatina: Per Te D'Immenso Giubilo/Per Poco Fra Le Tenebre - Ambrosian Opera Chorus
- Part Two: Act Two - Finale II, No.9. Scena E Quartetto: Dov'E Lucia? - Qui Giungere Or La Vedrem.../Ecco Il Tuo Sposo - Piero Cappuccilli
- Part Two: Act Two - Finale II. Sestetto Con Coro: Chi Mi Frena In Tal Momento?/Chi Raffrena Il Mio Furore? - Piero Cappuccilli
- Part Two: Act Two - Finale II, No.10. Seguito E Stretta Del Finale II: T'Allontana, Sciagurato - Maledetto Sia I'Istante - Piero Cappuccilli
- Part Two: Act Two, No.11. Uragano, Scena E Duetto: Orrida E Questa Notte - Piero Cappuccilli
- Part Two: Act Two, No.11 Urgano, Scena E Duetto: Ashton! - Si/Qui Del Padre Ancor Respira - Piero Cappuccilli
- Part Two: Act Two, No.12. Coro: D'Immenso Giubilo - Ambrosian Opera Chorus
- Part Two: Act Two, No.13. Gran Scena Con Cori: Deh, Cessate Quel Contento - Justino Diaz
- Part Two: Act Two, No.14. Scena Ed Aria: O Giusto Cielo! - Il Dolce Suono - Ambrosian Opera Chorus
- Part Two: Act Two, No.14. Scena Ed Aria: Ardon Gli Incensi - Ambrosian Opera Chorus
- Part Two: Act Two, No.14. Scena Ed Aria: S'Avanza Enrico! - Piero Cappuccilli
- Part Two: Act Two, No.14. Scena Ed Aria: Spargi D'Amaro Pianto - Piero Cappuccilli
- Part Two: Act Two, Scena - Recitativo: Si Tragga Altrove - Piero Cappuccilli
- Part Two: Act Two, No.15. Aria E Finale: Tombe Degli Avi Miei - Carlo Bergonzi
- Part Two: Act Two, No.15. Aria E Finale: Fra Poco A Me Ricovero - Carlo Bergonzi
- Part Two: Act Two, No.15. Aria E Finale: Oh Meschina!/Tu Che A Dio Spiegasti L'Ali - Ambrosian Opera Chorus
Free Music Notes for Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Free Music Review: opera
Hit: 5 Stars
I bought this as a present for my husband who is an "opera maven". It is considered to be a rare recording as it is not only the complete (unabridged) opera but features Beverly Sills and a glass harmonica (rarely used). He loves the recording
Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) Poster
This Lucia was recorded in 1970, when Beverly Sills was at the peak of her vocal and dramatic powers. She had been singing the role of Lucia on stage for six years, and she knew the character. Here is a manic-depressive who is slightly crazy from the start, and Sills's embellishments to the vocal line (and there are tons of them; hardly a line is left as written), mostly composed especially for her, are always at the service of the drama. She is a far cry from the chirpy Pons and Peters (and even Sutherland, whose just-plain-singing of the role is unmatchable, but who was never all that interested in building character) and comes closer to Callas, but without the great Greek soprano's huge palette of colors or, for that matter, vocal limitations. Sills is gloriously fluent in the coloratura, the high notes are impeccable, and her reading of the words is truly involved and involving. Carlo Bergonzi has everything as Edgardo, while Piero Cappuccilli's Enrico is snarling and cruel. Schippers leads a very tight, exciting, complete performance, and for the first (and only) time on CD, the glass harmonica Donizetti asked for is used in the Mad Scene. This is a must for lovers of great singing. --Robert LevineClassical Music CDs
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