Best of Sir Douglas 68-75

Doug Sahm - Best of Sir Douglas 68-75

Best of Sir Douglas 68-75
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Music CD Cover

Artist: Doug Sahm
Brand: SAHM,DOUG & SIR DOUGLAS QUINTE
Edition: Music CD
CD Release Date: 1990-07-19
Music Label: Island / Mercury
Soundtracks:
  1. Mendocino
  2. Sunday Sunny Mill Valley Groove Day
  3. I'm Glad For Your Sake (But I'm Sorry For Mine)
  4. Texas Me
  5. You Never Get Too Big And You Sure don't Get Too Heavy, That You Don't Have To Stop And Pay Some...
  6. Song Of Everything
  7. Catch The Man On The Rise
  8. At The Crossroads
  9. In The Dark
  10. Nuevo Laredo
  11. I Wanna Be Your Mama Again
  12. I Don't Want To Go Home
  13. Be Real
  14. Papa Ain't Salty
  15. The Gypsy
  16. Wasted Days And Wasted Nights
  17. Michoacan
  18. Westside Blues Again
  19. (Is Anybody Going To) San Antone
  20. Texas Tornado
  21. Baby, Let's Go To Mexico
  22. I'm Not That Kat Anymore

Free Music Notes for Best of Sir Douglas 68-75

Free Music Review: Is This The Sound of Texas?
Hit: 5 Stars

There are varying opinions as to what exactly is "The Sound of Texas", musically speaking. Is it the prototypical rock & roll of Buddy Holly & the Crickets, the psychedelia of the 13th Floor Elevators, or is it the Texas Boogie of ZZ Top? Is it the rich Texas blues tradition of Robert Johnson (his recording sessions took place in San Antonio & Dallas), T-Bone Walker, Freddie King, Albert Collins, Clarence "Gatemouth" Brown, Lightnin' Hopkins, Johnny Winter, and Stevie Ray Vaughan, or is it the Western Swing of Bob Wills? Is it the classic country of Willie Nelson, or is it the classic country of Townes Van Zant? Is it the conjunto of Flaco Jimenez, or is it the conjunto of Steve Jordan? Is it the virtuosity of a Van Cliburn rendition of Rachmaninov's 3rd Piano Concerto, or is it Joe Ely's hard partyin' South Plains rockabilly? The truth is that all are concrete examples of the many "sounds" of Texas (notice the plural). However, if there is one specific artist who conveys the myriad Lone Star musical styles, mixes them and serves them up big with loads of Texas flavor like a pound of "carne asada con arroz y frijoles" and lots of salsa & tortillas not to mention an ice cold bottle of Pearl beer, then it's gotta be the late great Doug Sahm.

THE BEST OF DOUG SAHM & THE SIR DOUGLAS QUINTET is a remarkable compilation. If your a newbie to this San Antonio native's artistic genius, then this is the collection you'll want to start out with. It gathers the very best of Doug's golden era, 1968 - 1975. Although the Sir Douglas Quintet story actually begins in 1965 with the Tribe recording sessions produced by the Crazy Cajun Huey P. Meaux, which yielded the classics "She's About a Mover" and "The Rains Came", the SDQ songs captured on this compilation show a more musically mature and much more adventurous band at work, and they show why no label could be ever placed on Doug's music. There are also treasures from his early solo work. "Mendocino" is essential SDQ with Augie Meyers' priceless Vox organ leading the way back to South Texas from San Francisco. "Song of Everything" is reminiscent of what Ornette Coleman might have sounded like at the Fillmore West. "So Glad for Your Sake (But I'm Sorry for Mine)" and "Wasted Days & Wasted Nights", the latter penned by Freddy Fender, show the R&B style that was among Doug's earliest influences. "Be Real", which Doug released in 1970 as a country single in Nashville under the pseudonym Wayne Douglas, shows Doug to be among the finest vocalists that genre as ever seen or heard. Another country song, "Texas Me", drives home that point as Doug vents his pain from being homesick for the Lone Star State. "Is Anybody Goin' to San Antone?", featuring Bob Dylan, is from Doug's all-star album DOUG SAHM & BAND, yet another example of Doug's extraordinary skills as a writer & arranger. Of all the songs in this collection, perhaps this one says "Texas" the most. "The Gypsy" shows that Doug must have been a big fan of Louis Prima, and exhibits yet another element that influenced his style, what Doug called "that stridin' thing". What about the blues? T-Bone Walker's "Papa Ain't Salty" is given a seriously raw but textbook reading from the SDQ, and Doug shows off his scat-guitar skills on the equally raw "West Side Blues Again". He had serious skills at that! "In the Dark" shows off a fantastic and tight horn section, and as blues singer Doug is simply "da man". "Michoacan", from the 1972 motion picture CISCO PIKE, is an authentic South Texas polka and shows why the Chicanos changed Doug's last name to Saldana. A real treat is "I'm Not That Kat Anymore" from 1975 and Doug's brief tenure with Casablanca Records; it's kinda funny when you think about Doug Sahm being label mates with Parliament/Funkadelic and Kiss. It is quite possibly the most difficult song in the collection to even attempt to categorize.

Doug Sahm may have left this Earth, but he lives on forever thanks to compilations like this one, and also thanks to the re-release of his SDQ back catalog available on import as well as posthumous releases of his earliest work as a bandleader in San Antonio, his work with the Texas Tornados, and his last solo album THE RETURN OF WAYNE DOUGLAS. If one had to describe Doug in only a few words, take a line from his song "At The Crossroads", -"You just can't live in Texas if you don't gotta lotta soul..." Doug had more soul than the rest of us could ever imagine. Get this CD and listen for yourself.

Best of Sir Douglas 68-75 Poster

No Description Available
No Track Information Available
Media Type: CD
Artist: SAHM,DOUG & SIR DOUGLAS QUINTE
Title: BEST OF DOUG SAHM & SIR DOUGLA
Street Release Date: 08/14/1990
Domestic
Genre: ROCK/POP
The British Invasion of the mid-1960s was so pervasive that it didn't take much more than a modified pudding-bowl haircut and appending "Sir" to your name to make a substantial portion of the record-buying public think you were one of those hip, loyal-to-the-crown blokes just then dominating the airwaves. But "Sir Douglas" was actually Texan Doug Sahm, and the Quintet owed less to the Beatles than to Tex-Mex border sounds--the hybrid of rock, country, and conjunto that Sahm seemingly absorbed like a sponge. This collection picks up after their early regional successes (and the shuffling gem "She's About a Mover"), spanning the period from their national breakthrough, "Mendocino" (with its sparkling Farfisa organ fills by Augie Meyers) through the mid-'70s. In between, Sahm and company mirrored the hippie-driven musical eclecticism of the era in his own idiosyncratic way. In fact, the music herein is the roots of Sahm and Meyers's beloved Texas Tornados, as attested by tracks like "Nuevo Laredo," "Let's Go to Mexico," and "Texas Tornado." If joyous musical border-hopping is your pleasure, look no further. --Jerry McCulley

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