Guitar Groove-A-Rama

Duke Robillard - Guitar Groove-A-Rama

Guitar Groove-A-Rama
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Music CD Cover

Artist: Duke Robillard
Edition: Music CD
CD Release Date: 2006-03-14
Music Label: Stony Plain Music
Soundtracks:
  1. Do The Memphis Grind
  2. Gambler Blues
  3. Down Along The Cove
  4. Sunday Mornin'
  5. Sewed Up
  6. Danny Boy
  7. Blues A Rama
  8. I'll Do Anything But Work
  9. No Way Out
  10. This Dream
  11. Just Before Dawn
  12. Dawin
  13. Cookin'
  14. Dark Eyes

Free Music Notes for Guitar Groove-A-Rama

Free Music Review: Guitar Groove-A-Rama, my review from Barcelona
Hit: 4 Stars

What a great guitar record, totally based in the "twelve compasses rhythm", in the Blues, with some shades of jazz. I would only leave aside some free kind of bolero in the tune "Danny boy" and a kind of tango "Dark eyes", in spite of the nice playing Doug James's baritone sax and Al Basile's cornet but I thing out of place in a Blues record . The rest of the record is simply magnificent. The album highlight is perhaps "Blues A Rama", in which Robillard pays homage to all his mentors and idols of Chicago Blues, New Orleans Blues, Texas Blues and so on... like Muddy Waters, Jimmy Rogers, Eddie Jones, Johnny Guitar Watson, T-Bone Walker, the three kings B.B.King, Freddie King y Albert King and the possibly current top Chicago Blues performer, the great Buddy Guy. In a few words, this record is a must to all Blues lovers and even more if they love guitar music, of course.My evaluation is 4,5 stars. Very outstanding.

Guitar Groove-A-Rama Poster

Perhaps his most ambitious album in a career that spans almost 40 years, Guitar Groove-A-Rama jumps out of the gate with the funky lead-off track, "Do the Memphis Grind," (with a tip of the hat to guitar greats James Burton and Steve Cropper) and never lets up. Along the way, Duke explores the grooves of Delta blues (Lil' Son Jackson's "Gambler's Blues"), jazz/gospel ("Sunday Mornin'"), Chicago blues (Sonny Boy Williamson's "One Way Out"), the soul of Ray Charles ("I'll Do Anything But Work"), the country blues of Bob Dylan ("Down Along the Cove") and even Irish folk ("Danny Boy"). In an album filled with highlights, the best may be the 16-minute tour-de-force "Blues-A-Rama," wherein Duke pays tribute to 10 guitar influences with an amazing performance recorded live in the studio.

"When I came up with the idea of Guitar Groove-A-Rama, I wanted to make an album of tunes that showcased all the sounds and influences that make up my style, or styles," says Robillard in the CD liner notes. "Of course, the blues is at the root of nearly everything here, but I also wanted to show some of my other influences that moved me as a young guitarist. Guitar Groove-A-Rama is a culmination of my lifelong love affair with guitars and roots music, but I really wanted to make this album for my fans," he adds.

The new CD features Duke Robillard in mostly a trio format, which accentuates the many nuances of his guitar work, and also gives him a chance to play a number of the guitars in his vast collection. In addition to Robillard on guitar and vocals, the band lineup includes Mark Teixeira on drums/percussion, with Jesse Williams and Marty Ballou on bass. Guests include Doug James on baritone sax, Bruce Bears on Hammond organ and Al Basile on cornet. It was recorded at his studio, Duke's Mood Room, in Pawtucket, Rhode Island.

A founder of the seminal blues group, Roomful of Blues, Duke Robillard is a four-time winner of the prestigious "Best Guitarist" Blues Award presented by the Blues Foundation. His last CD for Stony Plain was the critically acclaimed The Duke Meets the Earl, which paired him with fellow guitarist Ronnie Earl. His recent DVDs have included his own A Special Evening with Duke Robillard and Friends, as well as New Guitar Summit: Live at the Stoneham Theatre, in which he was joined by fellow guitarists Jay Geils and Gerry Beaudoin.
As the title implies, Guitar Groove-a-Rama is a showcase for Duke Robillard and his guitar collection. It allows him to both flex his chops in a variety of styles and display his impressive set of instruments--on the cover and in the grooves. Although he has recorded jazz discs, the founding member of Roomful of Blues is primarily a blues player, and that genre grounds the majority of this crackling release. It's also a jumping-off place for songs that reference twang (a peppy version of Bob Dylan's "Down Along the Cove"), jazzy lounge/gospel ("Sunday Mornin'"), and tough swamp ("Sewed Up"), plus a "Tequila"-styled surf take on Sonny Boy Williamson's "No Way Out" and even a swinging instrumental rendition of "Danny Boy" with a surprise Beatlesque ending.

The album's 16-minute centerpiece, "Blues-a-Rama," is a magnificent vehicle for Robillard. He uses a standard slow blues to introduce and play licks in the style of about a dozen influential guitarists, from the usual suspects such as Buddy Guy and Freddie, Albert, and B.B. King to the slightly more obscure likes of Clarence "Gatemouth" Brown. That track, like this terrific album, is a mini history lesson in blues guitar that every lover of the genre will enjoy and newcomers can use as a handy course. --Hal Horowitz

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