E.T. The Extra-Terrestrial: The 20th Anniversary Edition
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Free Music Notes for E.T. The Extra-Terrestrial: The 20th Anniversary Edition
Free Music Review: John Williams' best score for the movies
Hit: 5 Stars
John Williams' score for the re-release of Spielberg's classic is one of his best, and his most emotional. Starting out with the mysterious tunes for the "Main Titles", all the Williams trademarks are present throughout the running time. Elliot and E.T's themes are played to wonderful effect, and the high percussions combined with light tones make this one of Williams' most enchanting scores. From the child-like wonder of "Far From Home / E.T. Alone", the emotional "E.T.'s Powers", to the heartfelt "Escape / Chase / Saying Goodbye". This is cinema's greatest composer at his very best.Free Music Review: Awesome Soundtrack, Timeless Themes
Hit: 5 Stars
E.T. is quite simply the best score of the eighties, or nineties, maybe it's still the best score.
Anyhow, this soundtrack will try it's hardest to move you emotionaly, and this will work every time you slide it in.
The soundtrack has many sides, dark, horror, mystery, excitement, love, childlike themes, and a grand ending theme that will blow you away.
The addition of Yoda's theme in track 13 was extremely clever.
Free Music Review: John Williams
Hit: 5 Stars
This CD is great!!! The last 2 songs are two of the most beautifull i've ever hear, as a fan of JW i sure can tell you that the oscar was fair enough by chossing this soundtrack as the best...
Thanks for the marvelous soundtrack John Williams...
Mario Simoes - Brazil - Cuiaba/MT
Free Music Review: Its jonh williams
Hit: 5 Stars
personally i think it is the best score of jonh williams.It is trully a magic soundtrack!!!Free Music Review: Wonderful As Ever, Yet I Still Prefer MCA 6109
Hit: 4 Stars
It's hard to argue against those who would lobby to hear every film cue that John Williams has ever written, as each is a masterwork -- be it a miniature gem or a lengthy, multi-thematic suite -- which deserves to be appreciated. It's also hard to believe that a fair-to-middling jazz pianist who cut a couple of very forgettable recordings for EmArcy during the late 1950s under his full name of "John Towner Williams" would one day come to be regarded as the greatest film composer of the latter half of the 20th century (and my personal favorite of them all), churning out memorable themes like a gumball machine over a ten year period, while lesser composers would starve themselves for just one such idea during a lifetime.What is also hard to argue is the fact that soundtracks serve, in the end, the very utilitarian purpose of augmenting the images on the screen (although in the case of Williams' efforts, "augment" is too mild a word for what takes place in the souls of theatergoers upon having his music wash over them). For this reason, in the days of the 12" vinyl LP (which by the early 1980s held at best about 55 minutes) the composer selected those movements of his score which most represented the entire film thematically, and re-recorded them in suite form so as to make a more "listenable" overall package.
On the one hand, some may say that this was a cold commercial calculation which cherry-picked from an abundance of worthy material and shoe-horned what would fit into an allotted space. I would say that since John Williams himself wrote, arranged, conducted, and chose what material would appear on the LP, this is a farcical argument -- but I won't deny that it exists among purists who wish to hear the actual cues used IN the movie AS used in the movie. (I got my first distaste for this practice upon hearing the Cantina Band song on the expanded "Star Wars" reissue just END -- whereas on the original double-LP it faded out nicely.)
On the other hand is my opinion that MCA 6109 (the label and catalog # of the original 1982 LP) is, on the whole, a more coherent, more pleasurable, and more deeply emotional experience than any of the subsequent CD reissues available, including the widely-expanded release in question here. Granted, not even the new SACD mastering can match the majestic full-frequency output of vinyl ("E.T" was, after all, digitally recorded and mixed from the beginning, yet is still only overpowering on LP), and I am also coming at the subject as an 8-year-old boy who played his record countless times until it simply wore away. So, sprinkle the prejudices of childhood sentiment and the sensibilities of a modern audiophile into what I'm saying here.
Despite those biases, however, and despite my satisfaction in knowing that John Williams' full original recordings are now being made available on expanded CD reissues to document his greatest achievements in their entirety, I cannot bring myself to prefer them over the original vinyl issues. Perhaps it has something to do with the "concert arrangements" on LP which sound more like the progression of a musical work rather than the lumping of a bunch of unrelated cues together in the approximate order of the film's chronology of scenes. Or maybe it is the nagging suspicion that Mr. Williams' selections for re-recording and inclusion on the LPs were as carefully chosen as were his themes, and that the 45 minutes or so on the album really does encapsulate the music and the movie so beautifully that further cues are neither needed nor yearned for. And as for re-recorded "concert arrangements," is there anyone who really believes that the world-class musicians who performed Williams' scores couldn't play them EXACTLY the same way 50 times in a row, if they wanted to? Aside from the smoother integration of cues on the re-recordings, there is scarcely any discernable difference between them and the actual film cues. If anything, the re-recorded suites may well be more powerful, being un-beholden to the ever-changing series of images on the screen to which the tempos and dynamics must conform.
Of course, if you're a John Williams archivist then this expanded issue (along with those from his other Lucas/Spielberg associations) are indispensable, and probably every Williams fan should at least hear the vault material once. But when it comes right down to it, I still find myself spinning MCA 6109 (a new copy, not the beat one!) more often than I do this CD. Although it lacks almost 30 minutes of music that are present on the CD, to me the LP recording sounds more "complete" by virtue of its arrangement. Maybe that arrangement is all in my 8-year-old mind and won't let go, but seeing as how the same sentiment is reflected in other reviews, I don't know...maybe less really IS more.