Elaine Stritch, Noel Coward - Sail Away (1961 Original Broadway Cast)
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Artist: Elaine Stritch, Noel CowardEdition: Music CD
Format: Cast Recording
CD Release Date: 2006-05-02
Music Label: Drg
Soundtracks:
- The Passenger's Always Right
- Sail Away
- Beatnik Love Affair
- Later Than Spring
- Go Slow, Johnny
- You're A Long, Long Way From America
- The Customer's Always Right
- Something Very Strange
- Useful Phrases
- Where Shall I Find Her?
- When You Want Me
- Why Do The Wring People Travels?
- Don't Turn Away From Love
- When You Want Me
- Why Do The Wring People Travels?
- This Is A Night For Lovers*
- Bronxville Darby And Joan*
Free Music Notes for Sail Away (1961 Original Broadway Cast)
Free Music Review: NOEL COWARD & ELAINE STRITCH. NEED I SAY ANYTHING MORE?
Hit: 5 Stars
This show belongs to Elaine Stritch, all the way, and it's great to have the original Broadway cast recording of SAIL AWAY - finally - on CD. I can't think of anyone who could deliver Noel Coward's witty and urbane lyrics better than Miss Stritch, except perhaps for Mr. Coward himself. And this he does, on the companion CD "Noel Coward Sings His Broadway Hit SAIL AWAY." At two for the price of one, this offering can't be beat. (As an additional bonus, Mr. Coward & Joe Layton also perform two songs -- "This Is a Night for Lovers" and "Bronxville Darby and Joan" -- which were cut from the Broadway production.)
Not that every song is a masterpiece. "Later Than Spring" might sound more comfortable in Coward's 1930 operetta BITTER SWEET than in a 1962 musical comedy. And nothing, not even Miss Stritch's peerless delivery, can save a lyric as wretched as this one from "Something Very Strange": "All the sounds I hear/the buses changing gear/suddenly appear to be beguiling." And: "Every cat I see/seems to be purring. I can clearly tell/in every clanging bell/some forgotten melody recurring." Perhaps the song should have been cut in Philadelphia, but it is, after all, the star's only ballad.
It's the ballads that don't fare too well, but thank goodness there aren't that many of them. Charles Braswell and the Stewards show their contempt for their charges with "The Passenger's Always Right;" Patricia Harty & Grover Dale make literary references during their two numbers, "Beatnik Love Affair" and "When You Want Me;" and the formidable Elaine Stritch brings down the house with "Come To Me," "You're a Long Way from America," The Little Ones ABC," and "Why Do the Wrong People Travel?" (I've not decided yet if I'm offended or not with Mr. Coward's contempt for the citizens of Omaha. Political correctness obviously was not uppermost on the author's agenda.)
Thanks to record companies like DRG, Sepia, Fynsworth Alley, PS Classic, AEI and others, important - and some not-so-important -- musicals from the past are being preserved for us old fogies and for generations to come. It was an era when singers could project above the pit band and didn't have to rely on amplification. It's so gratifying to hear real "voices" like James Hurst on this recording or Georgio Tozzi, Jean Fenn and Frank Porretta on the wonderful DRG release of THE GREAT WALTZ. And with this recording, we have a splendid record of both the great Noel Coward and the fabulous Elaine Stritch.
". . . it's a marvelous document of Stritch hitting her stride. . . is there anyone else who can put their interpretive stamp on a song the way she does? Much like the late, great Dolores Gray, when Elaine Stritch interprets a song, every other singer in the world might as well forget about ever trying it. Stritch puts her definitive stamp on everything she touches. Yes, a trilly songbird like Julie Andrews makes a song sound wonderful, but with Stritch you hear the words, their meaning, and the song `feels' wonderful." - (excerpted from an amazon.com review of the London recording)
Although Miss Stritch was nominated for a Best Actress in a Musical, the 1962 Tony went to (tie) - Anna Maria Alberghetti (CARNIVAL) and Diahann Carroll for NO STRINGS, another outstanding DRG release.
SAIL AWAY is very highly recommended, especially if you're partial to sophisticated, witty lyrics. Add the bonus Noel Coward CD and you've got a winner any way you look at it.
P.S. If you want a REAL review of this CD, click on www.broadway.com and look for "ETCETERA: John Simon Explains Why Two CDs Are Better Than One for Noel Coward's SAIL AWAY." Simon was the long-time critic for NEW YORK MAGAZINE. (5/12/06)
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