Eminem - The Marshall Mathers LP
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Music CD Cover
Artist: EminemEdition: Music CD
Audio: English (Original Language)
Format: Explicit Lyrics
CD Release Date: 2000-05-23
Music Label: Interscope Records
Product features:
- EMINEM THE MARSHALL MATHERS
- PSA 2000
- Kill You
- Stan
- Paul (Skit)
- Who Knew
- Steve Berman (Skit)
- The Way I Am
- The Real Slim Shady
- Remember Me
- I'm Back
- Marshall Mathers
- Ken Kaniff (Skit)
- Drug Ballad
- Amityville
- Bitch Please II
- Kim
- Under The Influence
- Criminal
Free Music Notes for The Marshall Mathers LP
Free Music Review: Classic Album...Evil, Twisted Rap at it's Finest!
Hit: 5 Stars
Oh geez, where to begin? This album is by far the craziest album by Eminem and will always remain one of my favorites.
1. Public Service Announcement 2000 - (N/A) - Funny...
2. Kill You - 5/5 - Gritty, violent, lyrical, and hard. The beat is nice too. This is the style of hip hop we need to find again! Eminem at his darkest.
3. Stan - 4/5 - I don't know I was never as big of a fan of this song as everybody else...no pun there neither. It was very creative, Em rapping as an obsessive fan writing letters until he kills himself and his girlfriend. Eminem delivers the response verse which is very intersting too. The sampling is nice and the song is classically known especially for the Elton John performance at the Grammy's, but it's a bit overrated. I get tired of it after a while and not what you'd want to bang out the car window. Interesting.
4. Paul - N/A - Boring waste of time skit. I usually skip it.
5. Who Knew - 5/5 - My favorite song on the album, period. Speaking about how he had no idea he'd reach the level he is now at and also dissing the media for buying into it. Great song and the beat is so dope. Gotta love it.
6. Steve Berman - N/A - Another Steve Berman skit...kinda funny but after a while is whatever.
7. The Way I Am - 3.5/5 - The lyrics to this are amazing and so is the emotion, but the beat is a bit...I don't know, it's not even a bad beat I just don't like it like I do others. The song is really appealing as he shouts his defense and anger for being who he is, I like it but the emotion is a bit too overbearing. Genuine, but not as strong as it could've been.
8. The Real Slim Shady - 5/5 - I don't care if he hated this song, it was amazing. The only real happy song on the album, it's good to listen to this to lighten up the mood for at least a few minutes. Clever, witty, not forced, just ill. Dre, this beat is phenomenal, one of his finest productions.
9. Remember Me? - 4/5 - A lot of people don't like this track, but I thought it was bangin'! Gangsta ish right here! Dark, street gritty beat and ill hate spewed verses from everyone. The guests he picked for this song are good and he delivers of course the best enraged verse. Enragin' psycho muzik.
10. I'm Back - 5/5 - Another favorite on the album, him stating his return in his famous "Guess whose back" line. You can tell he had fun with this track, he is really playing around with peoples' heads. The hook is catchy but the kids get annoying in the background. Still a good song.
11. Marshall Mathers - 3.5/5 - Ahhh ok. I like the lyrics but the beat is too slow and no matter how many times I hear the hook I can't help but chuckle a lil bit. Eminem singing in a sweet voice about not giving a f*** and beating people down is rather hilarious whether it was meant to be or not. I like the disses in it. Could've been better, still good though.
12. Ken Kaniff - -10000000/5 - This is unnecessary on so many levels. I don't even want to know why he put this on here. Wrong....nobody wants to hear this sh**!
13. Drug Ballad - 5/5 - A song about drugs that is so catchy, has such a bumpin' beat, and such interesting lyrics, flow, and delivery you can't help but stay intruiged. Grand!
14. Amityville - 4.5/5 - By now the album keeps getting better and better. Another gritty street joint, real hardcore and violent. It would be a 5 but Bizarre's verse is really weak and pointless. His flow is ahhh and he raps about things nobody wants to hear or cares about in such a "matter of fact" way it's annoying and nothing less than that. Still a great song. It go hard!
15. Bitch Please II - 5/5 - This song almost gave me a heartattack...in a good way if that makes sense! Eminem, Dre, and Snoop...three of my favorite rappers with Xzibit who does well and Nate Dogg who is one of my fave singers. I died. A remix to one of my favorite songs, this was incredible, everyone delivers strong. Great hook, strong Dre beat...ahhh. Beautiful.
16. Kim - 4/5 - Even as a female I like this song. Really intense, so intense the edited version couldn't have it, haha! It's the prequel to his infamous "'97 Bonnie and Clyde" where him and his daughter get rid of Kim's body in the ocean. This is the set up of him killing her. Dark storytelling, it's great but you have to be in the right mood or else nah.
17. Under The Influence - 3/5 - One of the best D12 songs, but I dunno, it is pretty average. Everyone comes hard on it and it's catchy as hell, but there isn't as much on the excitement value for me, shocking lyrics, but yeah. Average.
18. Criminal - (5/5) - Great way to end the album. Angry, political, engraged, and nonsensical violence. Eminem ends it by dissing nearly every type of human being possible and going on a rant about murdering innocent bystandards. You gotta love it.
Overall: 5/5, Eminem at his strongest. It's hard to believe that the guy who made songs like "Fack" and "My 1st Single" could have penned this classic, but hell, people change I guess?
The Marshall Mathers LP Poster
UK version of the controversial rapper's sophomore album, one of the fastest-selling rap albums of all time. Includes one bonus track, 'The Kids'. 2000 release. Standard jewel case.Will the real Slim Shady please stand up? On Eminem's sophomore album, he can't decide who he wants to be: the deranged pseudo-psycho of the Slim Shady LP, or a nice guy who just likes to rhyme about slicing and dicing his girlfriend ("Kim"). Of course, according to Eminem, he's just kidding. He refuses to take responsibility for the misogynistic, homophobic bile he spews, whining that he's the victim of people who don't get his unique sense of humor. It's good old America's fault if the kids aren't alright (Eminem blames bad parenting), and he's just capitalizing on Uncle Sam's dark side. On the Marshall Mathers LP, he's ambivalent about his fame, angry at his life, pissed off that people take him seriously, and fightin' mad at boy bands--and a lot of other white people. But the blue-eyed brat is acutely aware of his status as rap's resident alien: he has the most offensive mouth running, but never uses the "N" word. He gives lyrical love to tragic (black) legends like Tupac and Biggie while dissing white rappers hard. Even sitting duck Puffy gets the kid-gloves treatment. Of course, Eminem is an interesting, witty rapper, and there's some nice production on this CD, courtesy of Dr. Dre and others. But the hatred in Eminem's rhymes makes the album rotten at its core. And his protests that Slim Shady is just a persona become less convincing with each arrest. Then again, Eminem's got it hard: he's rich, famous, white, and male. --Lizz Mendez Berry
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