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Enya - A Day Without Rain
Music CD CoverArtist: Enya Brand: ENYA Edition: Music CD CD Release Date: 2000-11-21 Music Label: Reprise / Wea Accessories: Soundtracks: - A Day Without Rain
- Wild Child
- Only Time
- Tempus Vernum
- Deora Ar Mo Chroi
- Flora's Secret
- Fallen Embers
- Silver Inches
- Pilgrim
- One By One
- Lazy Days
Free Music Notes for A Day Without RainFree Music Review: Poetic and Beautiful Hit: 5 Stars
Enya brings us once again the haunting music that is her trademark, written in multiple languages.The CD kicks off with the mellow instrumental "A Day without Rain." A piano provides the principal musical instrument with Enya humming in harmony. The music evokes nature at peace; woods with a light breeze on a cool day, light clouds dotting a peaceful sky. You could readily sleep to this music. The instrumental leads into "Wild Child," a faster paced song that stays within the musical theme of the peaceful outdoors, but now the music has the theme of the wild, yet innocent child, frolicking in the benign environment. Enya's vocals are as much instrument as the instruments themselves. This song is beautiful in its conception and execution. "Only Time" follows. Enya proves once again that she has the ability to create beautiful musical poetry. The deceptively light lyrics can pull the listener into a deep contemplation of love and life and the roads that we choose, and that we must have patience because only time will allow all to be revealed in fullness. Enya then switches themes and styles as she moves into a Latin song with heavy bass backing. The literal translation of "Tempus Vernum" is "Spring Time." The lyrics appear to be a series of words that might be considered to be opposites, such as east and west, earth and star, and autumn and spring. Thus in one sense Roma Ryan's lyrics appear to be exploring the Yin and Yang of some Asian philosophies, the contrast of opposites. The serious ponderous tone of the music is heavily contemplative, deep philosophical evaluation of a subject; beautiful in the selection of words and the musical match. The musical tone changes again to a Gaelic lament, "Deora ar mo chroi," or "Tears on My Heart." The gentle, sad music belies the actual translation of the Gaelic, which is full of beauty and happiness. The effect is more in the poetry of the Gaelic and how well the music is matched to it rather than the actual meaning of the words. The execution is very artistic and poignant. Enya then lightens the music with "Flora's Secret," which has a faster pace than the previous two selections. This love song is musical poetry is beautiful and full, a musical wine. You may either interpret the song from an aspect of nature, or of two lovers. In either case, this song is an experience. "Fallen Embers" is a dream, a memory of a former love. Mellow, slow, but sufficiently ethereal to keep from being ponderous. Enya's beautiful voice is the centerpiece of the song. The instruments add fullness, but her voice alone could have carried this song. "Silver Embers" is another instrumental with a moderate pace. Short and, as always, beautiful, leading into "Pilgrim," which is another lament. I personally enjoy this song because the theme is that there are many roads to choose in life, some of which lead to nowhere, and yet we have no clue as to which is which, and which is the best. We are all pilgrims in life, and this song is our song. Sometimes I have difficulty in interpreting Roma Ryan's lyrics. Such is the case with "One by One." I understand that this song is about love, but some of the lyrics imply there is a constraint between him and her, and she is longing to be free of those constraints. Yet the final stanza implies that love binds them and will never die. A bit confusing for my poor brain. The quicker-paced "Lazy Days" finished off the CD. Given the general theme of nature and love this song appears to tidily wrap up the CD with the promise of things yet to come. Enya has once again created another sumptuously beautiful work of music that you can listen to time after time just to begin to appreciate the complexity and poetry of this music. This music is unique and nearly stands in its own category. It is artistically and technically flawless. However, I find one flaw with this CD. It is way too short. The CD is just a bit over 34 minutes long. I could argue that for the beauty and quality of the music at 34 minutes is a great length, but it seems to me that a bit more quantity would have made this CD absolutely phenomenal. As it is, it begs to be combined with another short work to create a full CD's worth of music; admittedly a minor flaw, but one that needs to be pointed out. The perfect music and vocals make this CD a must have for anyone who loves beautiful music, and certainly for Enya fans.
A Day Without Rain PosterImport edition of her 2000 album includes one bonus track previously available only as a UK B-side and not available on the Japanese pressing, 'The First Of Autumn'. Standard jewel case. As each new Enya release has washed over all who have ears to hear, as each heaven-touched work leaves admirers sitting speechless in slack-jawed wonder, questions eventually come to mind: Might her layered, choral-like approach gradually become predictable or stale? Will she ever exhaust her deep reservoir of soul-stirring ideas? Remarkably, A Day Without Rain, Enya's fourth release since her 1988 breakthrough, Watermark, establishes new artistic heights for the gifted Irish vocalist and keyboardist. The project, polished and refined over a five-year period in the company of longtime collaborators Nicky Ryan (producer) and Roma Ryan (lyricist), may qualify as her best yet--a radiant, beatific collection of works that command attention with their cathedral-like resonance as they soothe your spirit with some of Enya's loveliest, most graceful voicings ever. The disc's opening three tracks (including the spellbinding "Only Time") form a gorgeous trilogy that suggest Enya has deepened her focus on the nexus where sophisticated pop and regal mysticism, the twin rivers of her singular sound, form a seamless intersection. The disc's gentle timbre is disturbed only once, and in memorable fashion, with "Tempus Vernum," a marshalling of mythic sonic forces that brings to mind the theme from the De Beers diamond commercial, but with a Celtic/Goth edge. Additional highlights abound. The closing "Lazy Days" will leave your soul dancing in a shower of flower petals and sunshine. A wonderful recording. --Terry Wood
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