Funk Brothers - The Best of the Funk Brothers: 20th Century Masters - The Millennium Collection
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Free Music Notes for The Best of the Funk Brothers: 20th Century Masters - The Millennium Collection
Free Music Review: Giving It Up For The Funk Brothers
Hit: 4 Stars
Well, no, the Funk Brothers never released an album or single under that name, but as Earl Van Dyke & The Soul Brothers they released an album in 1965. Van Dyke was a keyboardist and the Soul Brothers were really the Funk Brothers. 5 tracks from that rare Motown release are included here. Basically, as detailed in Harry Weinger's excellent liner notes, the band "riffed" over their original backing tracks on such classics as "How Sweet It Is" and "Come See About Me". To be honest, with Van Dyke's keyboards playing a prominent role they veer closer to the sound of Booker T. & The MG's. There are 3 non-covers which are pretty good, and the CD ends with the backing tracks of "What's Going On" and "Papa Was A Rolling Stone." This is a good artifact of a great band. While not as essential as the classic Motown songs that they played on, it's good to have a catalog title with the Funk Brothers name front and center.Free Music Review: it's about time
Hit: 4 Stars
the funk Brothers are some of the Most Important Musicians Ever in the History of Recorded Music&this compilation is long overdue at paying them the Tribute they so long have deserved. they Bring there trademark sound&Groove here&it's a Good solid feel here.,Free Music Review: Funk Brothers - Kind of rarity
Hit: 4 Stars
Excellent CD. I bought it for the sake of James Jamerson. Bass lines, which are always a pleasure to listen -from his early recordings to the last masterpieces.
Free Music Review: It's what's in the grooves that counts
Hit: 3 Stars
Although they had played on thousands of records for Motown, until the documentary film Standing In The Shadows Of Motown in 2002 few had heard of the Funk Brothers by name, and even fewer knew the names of the master musicians who did so much to create the identity of Motown from the snake pit at the Hitsville Studio in Detroit throughout the sixties. Until Marvin Gaye insisted on having them credited on his album What's Going On in 1970, their names had apparently never even appeared on a Motown sleeve.
Names like bandleader and keyboard player Earl Van Dyke, bassist James Jamerson, guitarists Robert White, Joe Messina and Eddie Willis, and drummers Benny Benjamin, Pistol Allen and Uriel Jones, to mention a few, are gradually seeping into our consciousness as we backtrack through the mighty ever-expanding Motown archives.
Occasionally the band were let loose and allowed to add lead instruments over the backing tracks originally recorded for the various Motown singers, and in 1965 an album appeared by Earl Van Dyke and the Soul Brothers (Berry Gordy didn't approve the name Funk Brothers because of what he considered its improper connotations) called That Motown Sound.
The tracks were mostly led by Earl Van Dyke's Hammond organ, with extra guitar fills by Robert White or Joe Messina, and six of them are included on this Best Of, including All For You and I Can't Help Myself, which came out as singles in the UK and America respectively, with B-sides Too Many Fish In The Sea and How Sweet It Is. Given the 38 minute playing time, it is a shame space could not have been found for the rest of the album. Also, as the first five tracks come from the stereo version of the album, it is a pity that the single mono mix of I Can't Help Myself has been used.
Three other Earl Van Dyke singles are included in mono: Soul Stomp (1964), Six By Six (on which the Funk Brothers are joined by the six-piece Motown Brass)(1966) and Runaway Child, Running Wild (1969). Soul Stomp was a cover of a Contours song which wasn't released.
The Stingray is a funky workout taken from a 1970 Earl Van Dyke live album called The Earl Of Funk. Marvin Gaye's single What's Going On featured the instrumental backing track (with backing vocals) on the flip side, with Eli Fountain's memorable opening sax line, but sounds slightly incomplete, though it is a welcome inclusion as it is a first-time stereo mix. The final track is similarly the (mostly) instrumental B-side of the mighty Tempts' track Papa Was A Rolling Stone. This is the most recent recording on the record, having been made on 28 June 1972, though it remains sadly in mono, so for the full effect you need to turn to the near twelve minute version on their album Psychedelic Shack/All Directions or All Directions.
There are no new unreleased tracks here (two can be found on the A Cellarful of Motown! compilations) and the playing time is skimpy, but it's what's in the grooves that counts and this is a testament to the creators of some of the finest grooves to be found.
Free Music Review: Take the vocal out and turn the organ up!
Hit: 3 Stars
After seeing the Funk Brothers movie "Standing I The Shadows of Motown, It dawned on me that Motown never even listed the musicians names on their records until the early seventies with "What's Goin On". Marvin Gaye had to fight Motown tooth and nail to get them to list the musicians names on a record that was shelfed for 3 or 4 years prior to it's release. Now it is 2006 and everybody is talking about how great these musicians WERE. These tributes on CD such as this are 30 years too late and they miss their mark because the tracks are intended for singers and there are not any real solo's going on. I give this CD 3 stars only because the band is wonderful and NO STARS for the 30 year, too late idea.