Worship & Tribute

Glassjaw - Worship & Tribute

Worship & Tribute
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Music CD Cover

Artist: Glassjaw
Edition: Music CD
Format: Enhanced
CD Release Date: 2002-07-09
Music Label: Warner Bros / Wea
Product features:
  • enhanced cd
Soundtracks:
  1. Tip Your Bartender
  2. Mu Empire
  3. Cosmopolitan Blood Loss
  4. Ape Dos Mil
  5. Pink Roses
  6. Must Have Run All Day
  7. Stuck Pig
  8. Radio Cambodia
  9. Cavalcade
  10. Trailer Park Jesus
  11. Two Tabs of Mescaline
  12. Convectuoso

Free Music Notes for Worship & Tribute

Free Music Review: Takes a few listens, but an excellent sophomore effort...
Hit: 5 Stars

Having fallen under the categories of emo-core, post-hardcore, and even nu-metal with their debut album EYEWTKAS - none of which accurately describes the band - Glassjaw has returned with their new record, which finds the group taking the basic fundamentals of their ideas and expanding them, resulting in a sound that is determined to shatter previous misconceptions and defy categorization. Style wise, Glassjaw has, in the past, been compared to such bands as the Deftones, ATDI, and various other emo/hardcore-related acts, though in truth these comparisons do not do them justice as the NY-based quintet is simply a rock band at heart, with their music containing an assortment of emo/indie/punk/hardcore tendencies. Staying true to that formula, Glassjaw continues to wield their chaotic hybrid of colliding post-hardcore, emo-rock, & punk-metal, though this time around, the sound is much more melodically accessible, features greater refined song structures, and possesses a more polished sheen, all of which can be attributed to the maturity & evolution of the band, which in turn, has resulted in stronger songwriting and tighter musicianship. Musically, Glassjaw creates lush, multi-layered soundscapes composed of the band's trademark, distorted guitarplay & inventive sonics, complemented by a sturdy rhythm section that features unique time signatures & versatile drum work, all of which is executed in a manner that is both organically raw & technically precise. Meanwhile, completing the visceral beauty of Glassjaw's sonic landscape, is the presence of frontman Daryl Palumbo, whose volatile collage of smothering harmonies, brutal hardcore-influenced screams, and intensely personal lyrics ignites with unbridled emotional release against the group's musical backdrop. Overall, Glassjaw has improved drastically as musicians & songwriters, and in the process have perfected a sound that may lack the crude directness & vivid contrasts of past efforts, yet is all the more compelling for the direction their music has taken, embracing both accessible & unconventional methods.

Significantly titled Worship And Tribute, Glassjaw's highly anticipated sophomore effort and Warner Bros. debut, is an emotionally-charged 11-track epic that not only pays tribute to such influences as Bad Brains, Anthrax, The Cure, and The Squeeze, but also refers to the worship-tribute relationship that is involved with those you love. For Daryl Palumbo, the album is also a representation of the elements that affect him emotionally, whether it is love, sex, or relationships to the business side of the band, the member's maturation as musicians & songwriters, and his own metamorphosis from teen to adult. Beautifully, powerfully and accurately depicting these various thoughts & emotions are the eleven songs found on Worship And Tribute, ranging from such violent-inspired tracks as the caustic opening song Tip Your Bartender and the aggressive Stuck Pig with its stunning melodic breakdown, to the more melodically appealing songs as the radio-friendly Ape Dos Mil, the picturesque, leisure-like Must've Run All Day, and the moving Trailer Park Jesus with its compelling choruses. Showcasing a stark contrast between cathartic, musical soundscapes and melodic-driven vocals are such tracks as Mu Empire and Pink Roses, while Cosmopolitan Bloodloss and the punk-influenced Radio Cambodia are more upbeat songs, with the former featuring catchy harmonics & choruses. Rounding out the album are the songs The Gillette Cavalcade of Sports and Two Tabs Of Mescaline, both of which are creatively inspired, displaying unique song arrangements, inventive musicianship and interesting breakdowns. One song however, that is noticeably lacking from the album is Convectuoso, a track that was originally intended to end Worship And Tribute and is perhaps Glassjaw's most unconventional song to date - a tender, acoustic-like ballad with heartfelt vocals. Overall, from a creative & musical standpoint, Worship And Tribute is leaps & bounds above past efforts, though it can be argued that the album lacks the overall emotional intensity & conviction that saturates their debut effort EYEWTKAS. This of course, would be a result of many factors, including the growth of the band, the evolution of Daryl Palumbo, and the different topics & emotions that are explored on Worship & Tribute as opposed to EYEWTKAS. Looking past this, the album as a whole fearlessly walks the line between artistic creativeness and commercial appeal, resulting in an album that in the end, can be both confounding and compelling...

Worship & Tribute Poster

Album Notes This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Glassjaw: Daryl Palumbo (vocals); Justin Beck, Todd Weinstock (guitar); Dave Allen (bass); Larry Gorman (drums).WORSHIP AND TRIBUTE was nominated for the 2003 Grammy Awards For Best Recording Package.Hailing from the wilds of Long Island, Glassjaw find themselves continuing to rewrite the rules of aggro-rock with their major label debut WORSHIP AND TRIBUTE. Once again aided and abetted by uber-nu metal producer Ross Robinson, this hard-hitting quintet changes gears on the turn of a dime and can go from the brutal assault of "Pink Roses" to the moodier rumblings of ""Must've Run All Day" with its ethereal keyboard washes. With guitarists Justin Beck and Todd Weinstock providing the firepower, Glassjaw proves more than the equal of any of their more well established peers, whether on the swirling maelstrom that is "M.U. Empire" or the heavy grooves that permeate "Cosmopolitan Bloodloss."Frontman Daryl Palumbo has the chops to either keep up with the breakneck pace fueling the insistent "Radio Cambodia" or make like Joe Jackson on the far mellower and melodic "Ape Dos Mil." There's even a System Of A Down-like utilization of unorthodox time changes within the epic bars of "The Gillette Cavalcade Of Sports." Glassjaw are poised to turn the world of new metal on its collective head.
At the vanguard of hardcore?s evolution stand five Long Island-born straight-edgers who sport a progressive approach to punk rock on this fantastic second album. Frontman Daryl Palumbo's lyrically adventurous songs ("The Gillette Cavalcade of Sports," "Trailer Park Jesus") wage war on cultural orthodoxy, his rocky, undulating vocals morphing between a raw-nerve croon and a tortured shriek that's sharp enough to cut glass. The band differ from their nu-metal and conventional hardcore peers in the arrangements: tracks like "Mu Empire" and "Cosmopolitan Bloodloss" combine Faith No More-style sweep with a complex, post-hardcore structure that puts Fugazi to shame. "Ape Dos Mil" reins in the pure noise as guitarists Justin Beck and Todd Weinstock turn down and wring shimmering walls of ambience out of their instruments and Palumbo weaves a tale of obsessive love. Glassjaw are a thoroughly uncompromising band, as fearlessly individualistic as At the Drive-In and every bit as good. Worship and Tribute presents the new hardcore heroes-in-waiting. --Louis Pattison

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