Hair (Deluxe Edition) (1968 Original Broadway Cast and 1967 off Broadway Cast)
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Category: Music CD
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Music CD Cover
Composer: Galt MacDermotComposer: Gerome Ragni
Composer: James Rado
Performer: Melba Moore
Edition: Music CD
Format: Cast Recording, Collector's Edition, Extra tracks, Original recording remastered
CD Release Date: 2003-11-04
Music Label: RCA Victor Broadway
Soundtracks:
Music CD 1
- Aquarius - Ronald Dyson And Company
- Donna - Gerome Ragni And Company
- Hashish - Company
- Sodomy - Steve Curry And Company
- Colored Spade - Lamont Washington And Company
- Manchester England - James Rado And Company
- I'm Black - Steve Curry
- I Believe In Love - Melba Moore And Company
- I Believe In Love - Melba Moore And Company
- Ain't Got No (Reprise) - Company
- Air - Melba Moore
- Initials - Company
- I Got Life - James Rado And Company
- Going Down - Gerome Ragni And Company
- Hair - Company
- My Conviction - Jonathon Kramer
- Easy To Be Hard - Lynn Kellogg
- Don't Put It Down - Steve Curry
- Frank Mills - Shelley Plimpton
- Be-In - Company
- Where Do I Go? - James Rado And Company
- Electric Blues - Paul Jabara And Company
- Manchester England (Reprise) - James Rado And Company
- Black Boys - Diane Keaton
- White Boys - Melba Moore
- Walking In Space - Company
- Abie Baby - Ronald Dyson
- Three-Five-Zero-Zero - Company
- What A Piece Of Work Is Man; Walking In Space (Reprise) - Company
- Good Morning Starshine - Melba Moore
- The Bed - Company
- The Flesh Failures (Let The Sunshine In) - Melba Moore
- Ain't Got No - Company
- I Got Life - Walker Daniels
- Air - Jonelle Allen
- Going Down - Gerome Ragni And Company
- Hair - Company
- Dead End - Jill O'Hara And Company
- Frank Mills - Shelley Plimpton
- Hare Krishna - Company
- Where Do I Go? - Walker Daniels And Company
- Electric Blues - Paul Jabara
- Easy To Be Hard - Company
- Manchester - Walker Daniels
- White Boys - Jonelle Allen
- Black Boys - Shelley Plimpton
- Walking In Space - Company
- Aquarius - Company
- Good Morning Starshine - Jill O'Hara And Company
- Exanaplanetooch - Walker Daniels
- The Climax - Jill O'Hara
- Opening - Orchestra
- Red Blue And White - Arnold Soboloff
- Sentimental Ending - Company
- Interview: How Did You Become Involved With 'Hair'? - Galt MacDermot
- Interview: What Do You Remember About The Off-Broadway Cast Recording? - Galt MacDermot
- Interview: And The Broadway Cast Recording? - Galt MacDermot
- Interview: In The Recording Session Photos, You Were The Only Person Wearing A Jacket And Tie - Galt MacDermot
- Interview: How Did The Two Productions Differ? - Galt MacDermot
- Interview: You Were Not A Traditional Theater Composer. Did You Have Any Models Or Influences? - Galt MacDermot
- Interview: Did 'Hair' Influence Your Later Work, Like 'Two Gentelmen Of Verona'? - Galt MacDermot
- Interview: 'Hair' Was Controversial With The Critics And The Public. Did This Affect You At All? - Galt MacDermot
- Interview: On Writing Music For The Theater, And What Makes A Popular Song - Galt MacDermot
- Interview: Did You Ever Have To Rewrite Any Of The 'Hair' Songs? - Galt MacDermot
- Interview: What Sort Of Music Do You Write Now? - Galt MacDermot
- Interview: Do You Use Synthesizers? - Galt MacDermot
- Interview: Have You Got Any Advice For People Who Want To Compose For Musical Theater? - Galt MacDermot
- Interview: Does Any One Song In 'Hair' Express Your Philosophy? - Galt MacDermot
Free Music Notes for Hair (Deluxe Edition) (1968 Original Broadway Cast and 1967 off Broadway Cast)
Free Music Review: Hair The musical
Hit: 4 Stars
It is a little different than the album I purchased in the 70's, but it was worth thr purchase.
Hair (Deluxe Edition) (1968 Original Broadway Cast and 1967 off Broadway Cast) Poster
"America's First Tribal Love-Rock Musical," went the advertising, and nobody could argue with that. Hair opened on Broadway in 1968 and immediately became a smash, although no one could quite discern what it was about. Something like, "War is bad, drugs are good, racism bites the big one, and nudity is nice." Although all these sentiments are expressed on this album which, like the show, has not dated well, the quality of the music makes it forgiveable. The songs weren't really rock, but they accomplished what all good pop songs set out to do; stick in the craw. In fact, several of its tracks later became hits for pop acts, including "Aquarius/Let the Sunshine In" (The Fifth Dimension), "Hair" (The Cowsills), and "Good Morning Starshine" (Oliver). --Dawn EdenBroadway & Vocalists Music CDs
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