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Handel - Messiah

Handel - Messiah Music CD Cover
Composer: George Frideric Handel
Conductor: Rene Jacobs
Orchestra: Cambridge Choir of Clare College
Orchestra: Freiburger Barockorchester
Performer: Kerstin Avemo
Performer: Patricia Bardon
Performer: Lawrence Zazzo
Performer: Kobie van Rensburg
Performer: Neil Davies
Edition: Music CD
Format: Import
CD Release Date: 2006-10-10
Music Label: Harmonia Mundi Fr.
Soundtracks:
Music CD 1
  1. "Sinfony"
  2. Comfort y, my people, saith your God
  3. Every valley shall be exalted
  4. And the glory of the Lord shall be revealed
  5. Thus saith the Lord of Hosts
  6. But who may abide the day of His coming?
  7. And He sahll purify the sons of Levi
  8. Behold, a virgin shall conceive O, thou that tellest good tidings to Zion, arise
  9. For behold, darkness shall cover the earth
  10. The people that walked in darkness
  11. For unto us a child is born
  12. Sinfonia pastorale There were shepherds abiding in the field And
  13. Glory to God in the highest
  14. Rejoice greatly, O daughter of Zion
  15. Then shall the eyes of the blind be opened He shall feed His flock like a shepherd
  16. His yoke is easy, and His burthen is light
  17. Behold the lamb of God
  18. He was despised and rejected of men
  19. Surely He hath borne our griefs
  20. And with His stripes we are healed
  21. All we like sheep have gone astray
Music CD 2
  1. All they that see Him laugh Him to scorn
  2. He trusted in God that He would deliver Him
  3. Thy rebuke hath broken His heart
  4. Behold and see if there be any sorrow
  5. He was cut off out of the land of the living But Thou didst not leave His soul in hell
  6. Lift up your heads, O ye gates
  7. Unto which of the angels said He at any time
  8. Let all the angels of God worship Him
  9. Thou art gone up on high
  10. The Lord gave the world
  11. How beautiful are the feet of them
  12. Their sound is gone out into all lands
  13. Why do the nations so furiously rage together
  14. Let us break their bonds asunder
  15. He that dwelleth in heaven shall laugh them to scorn Thou shalt break them with a rod of iron
  16. Hallelujah !
  17. I know that my redeemer liveth
  18. Since by man came death
  19. Behold, I tell you a mystery The trumpet shall sound
  20. Then shall be brought O Death, where is thy sting?
  21. But thanks be to God who giveth us the victory
  22. If God be for us, who can be against us?
  23. Worthy was the Lamb that was slain Amen
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Free Music Notes for Handel - Messiah Album

Free Music Review: Far From My First Choice
Hit: 3 Stars

I own this recording in the hybrid SACD version and have commented on it under that version. Since most prospective purchasers will be looking for the "redbook" CD version, I wanted to add my two cents worth here.

Having lived with and listened to this recording for sometime, I find it more of a disappointment than I did initially. Orchestral and choral forces are very good indeed, and the soloists are an OK lot. Soloists in particular are outclassed in other period performances (Cleobury being one example) but that is a personal take.

Two things about this performance raise my hackles: 1) Jacobs mannered conducting that employs lightened staccato effects in some choral climaxes. Listen to "For unto us" for example. The effect is irritatingly prissy. 2)The use of harp and lute in the continuo. While adding color to the proceedings, I prefer the less distracting harpsichord and organ support of other historically informed performances. In the present case the result is fussy and mannered.

There is also an egregious example of why ornamentation and flourishes are better in moderation in the context of repeated listening. Just before the invigorating rush of the final choral trilogy that ends Part III, Jacobs includes an organ interlude that "noodles" on the minor key of the final aria that immediately precedes it. It might work in live performance where the inspiration of the moment seizes both the performer and the audience. Laid down for posterity it prompts the question "why"? In the final "Amen" the jangling of the lute in the instrumental interlude sounds more like Vivaldi's Venice than Georgian England.

I suspect the SACD version shows off the recording quality to it's best effect. Even so, it lacks the transparency of Harmonia Mundi's best efforts.

Seasoned collectors may be interested in this version as different take on this warhorse. Buyers with less experience in the period performance area would do better with the work of Cleobury (Argo), Gardiner (Philips), Hogwood (Decca/L'Oiseau Lyre), and Pinnock (DG Archiv).
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