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Handel - Theodora / Gritton, Bickley, Blaze, Agnew, A. Smith, N. Davies, Gabrieli Consort and Players, McCreesh
Music CD CoverEdition: Music CD Format: Box set CD Release Date: 2000-09-12 Music Label: Archiv Produktion Soundtracks: Music CD 1- Theodora: Ouverture - (grave) - allegro
- Theodora: Ouverture - Trio
- Theodora: Ouverture - Courante
- Theodora: Recitative (Valens): 'Tis Dioclesian's Natal Day
- Theodora: Air (Valens): Go, My Faithful Soldier, Go
- Theodora: Chorus: And Draw A Blessing Down
- Theodora: Recitative (Didymus, Valens): Vouchsafe, Dread Sir
- Theodora: Air (Valens): Racks, Gibbets, Sword, & Fire
- Theodora: Chorus: For Ever Thus Stands Fix'd The Doom
- Theodora: Recitative (Didymus): Most Cruel Edict
- Theodora: Air (Didymus): The Raptur'd Soul
- Theodora: Recitative (Septimius): I Know Thy Virtues
- Theodora: Air (Septimius): Descend, Kind Pity
- Theodora: Recitative (Theodora): Tho' Hard, My Friends
- Theodora: Air (Theodora): Fond, Flatt'ring World, Adieu
- Theodora: Recitative (Irene): O Bright Example
- Theodora: Air (Irene): Bane Of Virtue
- Theodora: Chorus: Come, Mighty Father
- Theodora: Recitative (Messenger, Irene): Fly, Fly, My Brethren
- Theodora: Air (Irene): As With Rosy Steps
- Theodora: Chorus: All Pow'r In Heav'n
- Theodora: Recitative (Septimius): Mistaken Wretches
- Theodora: Air (Seprimius): Dread The Fruits Of Christian Folly
- Theodora: Recitative - Accompagnato (Theodora, Septimius)
- Theodora: Air (Theodora): Angels, Ever Bright, And Fair
- Theodora: Recitative (Didymus, Irene): Unhappy Happy Crew
- Theodora: Air (Didymus): Kind Heav'n, If Virtue By Thy Care
- Theodora: Recitative (Irene): O Love! How Great Thy Pow'r
- Theodora: Chorus: Go, Gen'rous, Pious Youth
Music CD 2- Theodora: Recitative (Valens): Ye Men Of Antioch
- Theodora: Chorus: Queen Of Summer
- Theodora: Air (Valens): Wide Spread His Name
- Theodora: Recitative (Valens): Return, Septimus
- Theodora: Chorus: Venus Laughing From The Skies
- Theodora: Symphony
- Theodora: Recitative (Theodora): O Thou Bright Sun
- Theodora: Air (Theodora): With Darkness Deep As Is My Woe
- Theodora: Symphony Of Soft Musick
- Theodora: Recitative (Theodora): But Why Art Thou Disquieted
- Theodora: Air (Theodora): O That I On Wings Cou'd Rise
- Theodora: Recitative (Didymus, Septimius): Long Have I Known
- Theodora: Air (Septimius): Tho' The Honours
- Theodora: Recitative: (Didymus, Septimius): O Save Her Then
- Theodora: Air (Didymus): Deeds Of Kindness
- Theodora: Recitative (Irene): The Clouds Begin To Veil The Hemisphere
- Theodora: Air (Irene): Defend Her, Heav'n
- Theodora: Recitative (Didymus): Or Lull'd With Grief
- Theodora: Air (Didymus): Sweet Rose, And Lily
- Theodora: Recitative (Theodora, Didymus): O Save Me, Heav'n
- Theodora: Air (Theodora): The Pilgrim's Home
- Theodora: Accompagnato - recitative (Didymus, Theodora): Forbid It, Heav'n
- Theodora: Duet (Theodora, Didymus): To Thee, Thou Glorious Son Of Worth
- Theodora: Recitative (Irene): 'Tis Night
- Theodora: Chorus: He Saw The Lovely Youth
- Theodora: Recitative (Theodora): O Thou Bright Sun
- Theodora: Symphony
- Theodora: Recitative (Theodora): But Why Art Thou Disquieted
- Theodora: Air (Theodora): O That I On Wings Cou'd Rise
Music CD 3- Theodora: Air (Irene): Lord To Thee
- Theodora: Recitative (Irene, Theodora): But See, The Good, The Virtuous Didymus
- Theodora: Air (Theodora): When Sunk In Anguish
- Theodora: Chorus: Blest Be The Hand
- Theodora: Recitative - Accompagnato (Messenger, Irene, Theodora): Undaunted In The Court
- Theodora: Duet (Irene, Theodora): Whither, Princess
- Theodora: Recitative (Irene): She's Gone
- Theodora: Air (Irene): New Scenes Of Joy
- Theodora: Recitative (Valens, Didymus, Theodora, Septimius): Is It A Christian Virtue Then
- Theodora: Air (Septimius): From Virtue Springs
- Theodora: Air (Valens): Cease, Ye Slaves
- Theodora: Recitative (Didymus, Theodora): 'Tis Kind, My Friends
- Theodora: Chorus: How Strange Their Ends
- Theodora: Recitative (Didymus, Theodora, Valens): On Me Your Frowns
- Theodora: Air (Valens): Ye Ministers Of Justice
- Theodora: Recitative (Didymus, Theodora, Septimius): And Must Such Beauty Suffer
- Theodora: Air - Duet (Didymus, Theodora): Streams Of Pleasure
- Theodora: Recitative (Irene): Ere This Their Doom Is Past
- Theodora: Chorus: O Love Divine
Free Music Notes for Handel - Theodora / Gritton, Bickley, Blaze, Agnew, A. Smith, N. Davies, Gabrieli Consort and Players, McCreeshFree Music Review: For ever blest with Harmony and Love Hit: 5 StarsEnsure that you have a comfortable chair upon which you seat yourself when you first put this recording on - you won't be able to tear yourself away from the recording. This is sublimely, wonderfully, expressively beautiful. It has the perfection in a recording which remains in the memory like a shining jewel, like a confession of love from the beloved, like a pure bell ringing in the sweet air.
In short, this is a recording that all who love beautiful music will relish all their lives.
The cast is outstanding. It is impossible to imagine Septimius being sung more beautifully and sympathetically than by the wonderful Paul Agnew (although the Glynebourne DVD does have the equally superb Croft - what a pity about the semaphoric acting on that DVD, though). Robin Blaze pours out mellifluous and heartbreakingly effective tone in the role of Didymus. Valens, sung by Neal Davies, has NEVER sounded better. Irene, sung by Susan Bickley, is wonderful (I still prefer Lorraine Hunt on the DVD edition, but really, Susan Bickley is deeply moving on this recording).
And the Theodora...? Ah, the Theodora. No better choice in the world could have been made than to choose Susan Gritton. She has the full sweetness of tone that seems to have been made for Handel singing. Once heard, her voice will not be forgotten. It's simply ravishing - a very, very, very fine voice indeed, and used so exquisitely and with such good taste as well as expressiveness! She's a model of how to sing baroque music. Her Theodora is divinely beautiful and incredibly real. I have never heard "Angels ever bright and fair" heard sung so perfectly before...
The conducting by Paul McCreesh is fabulous, with the Gabrieli Consort and Players giving a stirring and beautiful performance.
This, without a doubt, is THE recording of Theodora to possess.
The final duet sung by Theodora and Didymus are as good a testimony to the sheer loveliness of this recording as anything else I could say:
"Thither let our Hearts aspire
Objects pure of pure Desire.
Still encreasing,
Ever pleasing.
Wake the Song, & Tune the Lyre,
Of the blissful holy Choir."
Blissful indeed...
Handel - Theodora / Gritton, Bickley, Blaze, Agnew, A. Smith, N. Davies, Gabrieli Consort and Players, McCreesh Poster"The Jews will not come to it, because it is a Christian story; and the Ladies will not, because it is a virtuous one." Such was Handel's own assessment of the prospects for Theodora. This oratorio always has been highly esteemed by serious Handelians; in the composer's time, as in our own. Many listeners, however, could be forgiven for finding somewhat tiresome the musical account of the oh-so-chaste Princess Theodora of Antioch and her martyrdom at the hands of the Romans. Certainly many modern performances have tended to drone on--in a virtuously Protestant manner--about bidding farewell to worldly things and clinging to faith through tribulation. Of the many marvelous things about this recording, the most remarkable is the vocal acting: Paul McCreesh and his cast have created real characters with real conflicts. Susan Gritton gives us a youthful Theodora who is almost besotted with her own virtue and faith--and genuinely frightened when that faith gets her into danger. Countertenor Robin Blaze portrays Didymus, Theodora's suitor and rescuer, with love-struck impetuousness, as well as confident coloratura. Paul Agnew has always had a beautiful tenor voice, but never before has he captured so well a character's internal conflicts as in the role of the Roman lieutenant Septimius. As the Christian woman Irene and the Roman governor Valens (the libretto's respective compass points of good and evil), mezzo Susan Bickley and bass Neal Davies bring alive what could be stock roles--Bickley delicate and pure yet steadfast, and Davies exuberantly tyrannical. McCreesh's superb chorus and Baroque orchestra, as thrilling here as they were in Solomon, are probably the best interpreters of Handel oratorio who are now active. We still might get a recording of Theodora that's even more beautifully sung than this one, but we're unlikely to get one that's more dramatically engaging. --Matthew Westphal
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