Haydn: Symphonies Nos. 88-92; Sinfonia Concertante

Haydn: Symphonies Nos. 88-92; Sinfonia Concertante

Haydn: Symphonies Nos. 88-92; Sinfonia Concertante
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Music CD Cover

Performer: Stefan Schweigert
Performer: Georg Faust
Composer: Franz Joseph Haydn
Conductor: Simon Rattle
Performer: Jonathan Kelly
Orchestra: Berliner Philharmoniker
Performer: Toru Yasunaga
Edition: Music CD
CD Release Date: 2007-08-14
Music Label: EMI Classics
Soundtracks:
Music CD 1
  1. Symphony No.88 in G Major- I Adagio - Allegro
  2. Symphony No. 88 in G Major- II Largo
  3. Symphony No. 88 in G Major- III Menuetto & Trio - Allegretto
  4. Symphony No. 88 in G Major- IV Finale - Allegro Con Spirito
  5. Symphony No. 89 in F Major - I Vivace
  6. Symphony No. 89 in F Major - II Andante con moto
  7. Symphony No. 89 in F Major - III Menuet & Trio - Allegretto
  8. Symphony No. 89 in F Major - IV Finale - Vivace assai
  9. Symphony No. 90 in C Major - I Adagio
  10. Symphony No. 90 in C Major - II Andante
  11. Symphony No. 90 in C Major - III Menuet
  12. Symphony No. 90 in C Major - IV Finale - Allegro assai
  13. Symphony No. 90 in C Major - IV Finale - Allegro Assai (alternative version)
Music CD 2
  1. Symphony No. 91 in C Major - Largo
  2. Symphony No. 91 in C Major - Andante
  3. Symphony No. 91 in C Major - Menuet & Trio - Un poco Allegretto
  4. Symphony No. 91 in C Major - Finale - Vivace
  5. Symphony No. 92 in G Major "Oxford" - I Adagio
  6. Symphony No. 92 in G Major "Oxford" - II Adagio
  7. Symphony No. 92 in G Major "Oxford" - III Menuet & Trio - Allegretto
  8. Symphony No. 92 in G Major "Oxford" - IV Presto
  9. Sinfonio Concertante for Oboe Bassoon, Violin & Cello in B-flat Major - I Allegro
  10. Sinfonio Concertante for Oboe Bassoon, Violin & Cello in B-flat Major - II Andante
  11. Sinfonio Concertante for Oboe Bassoon, Violin & Cello in B-flat Major - III Allegro con spirito

Free Music Notes for Haydn: Symphonies Nos. 88-92; Sinfonia Concertante

Free Music Review: Breathtaking performances...
Hit: 5 Stars

I would be surprised if there is another orchestra on earth this versatile, and capable of playing with such "oneness". An unparalleled dynamic range, perfect intonation, and historically informed phrasing are all featured here. The Berlin Philharmonic is the world's top orchestra, and this disk is representative of their consistently high level; this is a live recording. Highly recommended if you are looking to hear the best doing what they do best.

Haydn: Symphonies Nos. 88-92; Sinfonia Concertante Poster

This CD, recorded live, will leave you smiling with delight and amazement. These symphonies are among Haydn's greatest; written in 1788-89, they exhibit every facet of his technical skill, inspired inventiveness, and emotional range. At the height of his mature mastery, he experimented with new forms, daring modulations and key changes, and breathtaking swings of mood and character. One of his fingerprints is the alternation between serene major and somber minor, especially in his variations; but he has surprises in store everywhere, as solemnity gives way to sprightliness, elegance to rusticity, tragedy to mischievous humor. His practical jokes, such as the timpani wake-up call in the "Surprise" Symphony, are famous, but in Symphony No. 90, he plays what may be the ultimate prank on the audience: he introduces not one, but two very final-sounding deceptive endings, inviting and invariably eliciting applause followed by embarrassed laughter when the music continues. Simon Rattle savors this by capturing both reactions on the recording, but then repeats the movement without interruptions. His love for the music speaks through every note and his wonderful orchestra is with him all the way. The playing is brilliant and crystal clear, the balance is perfect, the phrasing like human speech. To further show off his principals, Rattle includes the delightful Sinfonia concertante, whose solo violin, cello, oboe, and bassoon parts are so difficult that only the best players dare attempt them. The performance is superb, but the violin sounds a bit remote. The recording abets Rattle's tendency to go to dynamic extremes--be ready to adjust the volume. --Edith Eisler

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