Little Rock

Hayes Carll - Little Rock

Little Rock
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Music CD Cover

Artist: Hayes Carll
Edition: Music CD
CD Release Date: 2005-03-08
Music Label: Highway 87 Music
Soundtracks:
  1. Wish I Hadn't Stayed So Long
  2. Take Me Away
  3. Down The Road Tonight
  4. Good Friends
  5. Hey Baby Where You Been
  6. Rivertown
  7. Little Rock
  8. Leave Here Standing
  9. Sit In With The Band
  10. Long Way Home
  11. Chickens

Free Music Notes for Little Rock

Free Music Review: Nice varied tempos & messages keep us rapt & attentive
Hit: 5 Stars

Playing Time - 40:11 -- Hayes Carll is a Texas singer/songwriter who describes himself as a "twisted folk singer." I don't find him particularly perplexing because his songs reveal a fair amount about his life, friends, and wry wit. The places he's lived over the years are mentioned in the opener, "Wish I Hadn't Stayed So Long." He wonders about some of his closest high school buds in "Good Friends." And just about everything else is referred to in the tongue-twisting "Down the Road Tonight" from thrift store cowboys to panty droppers, and pill poppers to his grandmother. Little Rock is a followup to Carll's 2003 release "Flowers and Liquor," and this latest effort offers a nice mix of varied tempos and diverse messages to keep a listener rapt and attentive. The title cut, about Arkansas, is a rocking story about Carll's search for "a piece of this earth for my peace of mind." With emotive voice, the singer also ably handles the rawboned ballad, "Long Way Home," or quiet lullaby "Take Me Away." Of special note are the compositions written in collaboration with Ray Wylie Hubbard ("Chickens"), Guy Clark ("Rivertown") and John Evans ("Sit in with the Band" and "Take Me Away"). Some songs have a tender side, while others are raucous.

While Carll chose to independently release Little Rock, his personalized sound and work eithic (over 200 appearances in 2004) have attracted the interest of major labels. Produced by R.S. Field, Little Rock features a bevy of good musicians. Alison Moorer and pedal steel player Bucky Baxter assist on vocals, and I wish that some of the songs had been arranged with a few more harmonies. Other musicians who lay down the Texas groove include Kenny Vaughn (guitar), Jared Reynolds (bass), Jimmy Lester (drums), R.S. Field (percussion, drums, guitar), Adam Landry (guitar), and George Bradfute (bass).

Carll has been on the road with Joe Ely, Todd Snider, Slaid Cleaves and Ray Wylie Hubbard. He's also played Merlefest and the "Texas Revolution" at the Southfork Ranch in Dallas. Hayes Carll is a bit of a renegade who is strongly individualistic, confident and independent. As long as he succeeds in getting his music out there and heard, Carll's on a certain road to headline status in the Texas music scene. He's well on his way as I understand that Hayes went #1 on the Americana radio chart in April, 2005 - a feat never before accomplished by a self-released artist. (Joe Ross, Roseburg, Oregon)

Little Rock Poster

Hayes Carll is still in his 20s, yet he's already attained the whiskey-drenched, world-weary sound of someone who's battled a lifetime of demons. The Houston native employs that compressed experience to achieve near perfection on his second album, Little Rock, an Americana tour de force that gracefully straddles melancholic gloom and bubbly buoyancy.

There's not a weak song here, which is saying something considering the album's range. From the wistful lamentation of Wish I Hadn't Stayed So Long to the silly wordplay of Down the Road Tonight, Carll exhibits a deft lyrical touch across the widest possible range of human emotions.

And yet Carll is more than just a songwriter. His rough, thickly accented voice and exquisite acoustic guitar work are what really drive the album.

While Carll is the clear star, he benefits from some help along the way.

Guy Clark co-wrote the haunting Rivertown. And Clark's guitar work from The Randall Knife clearly inspired the similarly elegiac Long Way Home.

Ray Wylie Hubbard co-wrote the riotous Chickens. In the liner notes, Carll adds the following disclaimer: 'Ray and I felt that what the world really needed was a song about chickens. There is a good chance that we were wrong.' Perhaps, but the world definitely could use more songs as enjoyable as this one.

Guest vocals from Allison Moorer and stellar instrumental work from producer R.S. Field, Jimmy Lester, and Kenny Vaughn add depth and texture, confirming Little Rock as something more than just standard singer/songwriter fare.

Indeed, Little Rock is anything but ordinary. It is an energetic confirmation of Carll's status among the state's most promising young artists.

-This Is Texas Music, March 2005

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