Hitsville USA The Motown Singles Collection 1959-1971

Hitsville USA The Motown Singles Collection 1959-1971

Hitsville USA The Motown Singles Collection 1959-1971
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Music CD Cover

Edition: Music CD
Format: Box set
CD Release Date: 1992-11-03
Music Label: Motown
Soundtracks:
Music CD 1
  1. Money (That's What I Want)
  2. Shop Around
  3. Please Mr. Postman
  4. Jamie
  5. The One Who Really Loves You
  6. Do You Love Me
  7. Beechwood 4-5789
  8. You Beat Me to the Punch
  9. Stubborn Kind of Fellow
  10. Two Lovers
  11. You've Really Got a Hold on Me
  12. Come and Get These Memories - Martha & the Vandellas
  13. Pride and Joy
  14. Fingertips, Pt. 2 [Live]
  15. (Love Is Like A) Heat Wave - Martha & the Vandellas
  16. Mickey's Monkey
  17. Leaving Here
  18. The Way You Do the Things You Do
  19. My Guy
  20. Devil With a Blue Dress On
  21. Every Little Bit Hurts
  22. Baby I Need Your Loving
  23. Dancing in the Street - Martha & the Vandellas
  24. My Smile Is Just a Frown (Turned Upside Down) - Crawford, Carolyn
  25. Needle in a Haystack - Velvelettes
  26. Baby Love - Supremes
  27. Come See About Me - Supremes
  28. How Sweet It Is (To Be Loved by You) - Gaye, Marvin
Music CD 2
  1. My Girl
  2. He Was Really Sayin' Somethin'
  3. Ask the Lonely
  4. Shotgun
  5. Nowhere to Run - Martha & the Vandellas
  6. When I'm Gone
  7. Ooo Baby Baby
  8. I Can't Help Myself (Sugar Pie, Honey Bunch)
  9. First I Look at the Purse
  10. The Tracks of My Tears
  11. It's the Same Old Song
  12. Love (Makes Me Do Foolish Things) - Martha & the Vandellas
  13. Take Me in Your Arms (Rock Me a Little While)
  14. Uptight (Everything's Alright)
  15. Don't Mess with Bill
  16. Darling Baby
  17. This Old Heart of Mine (Is Weak for You)
  18. Greetings (This Is Uncle Sam)
  19. Function at the Junction
  20. (I'm A) Road Runner
  21. Ain't Too Proud to Beg
  22. What Becomes of the Brokenhearted
  23. How Sweet It Is (To Be Loved by You)
  24. Love's Gone Bad
  25. You Can't Hurry Love
  26. Beauty Is Only Skin Deep
  27. Heaven Must Have Sent You
  28. Shorty Long
Music CD 3
  1. Reach Out (I'll Be There)
  2. (I Know) I'm Losing You
  3. Standing in the Shadows of Love
  4. It Takes Two
  5. The Hunter Gets Captured by the Game
  6. Jimmy Mack
  7. Bernadette
  8. Ain't No Mountain High Enough
  9. More Love
  10. I Heard It Through the Grapevine
  11. I Second That Emotion
  12. I Wish It Would Rain
  13. Does Your Mama Know About Me
  14. Ain't Nothing Like the Real Thing
  15. Love Child
  16. For Once in My Life
  17. Cloud Nine
  18. I Heard It Through the Grapevine
  19. Baby, Baby Don't Cry
  20. Twenty-Five Miles
  21. My Whole World Ended (The Moment You Left Me)
  22. What Does It Take (To Win Your Love)
  23. I Can't Get Next to You
  24. Baby, I'm for Real
  25. Up the Ladder to the Roof
  26. I Can't Give Back the Love I Feel for You
Music CD 4
  1. I Want You Back
  2. Get Ready
  3. ABC
  4. Ball of Confusion (That's What the World Is Today)
  5. The Love You Save
  6. Signed, Sealed, Delivered I'm Yours
  7. War
  8. It's a Shame
  9. Ain't No Mountain High Enough
  10. Still Water (Love)
  11. I'll Be There
  12. The Tears of a Clown
  13. Stoned Love
  14. The Bells
  15. Just My Imagination (Running Away with Me)
  16. What's Going On
  17. Never Can Say Goodbye
  18. Nathan Jones
  19. I Don't Want to Do Wrong
  20. Smiling Faces Sometimes
  21. Mercy Mercy Me (The Ecology)
  22. I Just Want to Celebrate

Free Music Notes for Hitsville USA The Motown Singles Collection 1959-1971

Free Music Review: The Classic Sound Of Motown
Hit: 5 Stars

A well-assembled box set containing just some of Motown's most golden and definitive classics. Nobody knew Motown Records was going to take off in the way it did. Berry Gordy intended to use his artists to break down the then racial barriers, intending to encapsulate a golden and distinct sound that would not only please a black audience but would too appeal to whites. Berry Gordys visions for the company paid off. Key artists like Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder attracted a huge following from both blacks and whites.

Seemingly echoing the restrictions of ghetto life in Detroit (which is where Motown began) was the effective, bluesey Money (Thats What I Want) by Barret Strong, Motowns debut release. There is a raw, earthy feel to the classic that has stood the test of time impecably well. There is a strong injection of Rock and Roll on Motowns early releases though they found a more commercially favourable sound with vast elements of pop neatly blended into the production with The Marvelettes famous classic, Please Mr. Postman.

The Marvelettes were Motowns premier female group and took the credit of delivering Motown its first chart topper. The Marvelettes didn't have an entirley successful run at Motown. Though they pumped out a sprinkling of fantastic hits eratically through the duration of the decade, their acheivements were pretty limited, probably as they were overshadowed by Martha Reeves And The Vandellas who too admitedly found themselves overshadowed by Motowns biggest act, Diana Ross And The Supremes. Both Martha and the Vandellas and Diana and the Supremes had individual and unique qualities of their own. A vast selection of Martha Reeves finest recordings turn up here from the sassy Come And Get These Memories, the pop masterpiece Heat Wave (though I have to admit I actually prefer Diana Ross' version of it which was featured on The Supremes Sing Holland Dozier Holland album) and the rolling Dancing In The Streets. Just listening to the sheer volume and power of Reeves voice makes you appreciate her often over-looked vocal talents. Diana Ross had a much softer soprano which had soulful qualities, oozing heavy emotion and genuine feeling that showed subtle hints of a raw vulnreability in her vocal delivery and neatly surfboarded along Motowns complex musical arrangements. Many of their classics are here including the finest of their career with the raw, gritty Love Child and their breathtakingly beautiful ballad, Someday We'll Be Together. Holland Dozier Holland was the main driving force behind a lot of Motowns most golden classics. They wrote and assembled some of the most remarkable pieces of music for both Diana Ross and the fantasic Four Tops.

Lead singer of The Four Tops Levi Stubbs rocketing voice was just amazing and even managed to give you goose bumps. Several of their most famous classics turn up here including their pair of U.S chart toppers, I Can't Help Myself and the hauntingly atmospheric Reach Out I'll Be There.

The Temptations were one of Motowns hottest and most versatile acts. The splitting of lead vocal duties between the smooth, sensuous sound of Eddie Kendricks falsetto combined with the explosive volume of David Ruffins more forceful delivery marked an interesting transistion in their work. Tracks like the jamming Get Ready and My Girl respectivley show up on this box set though also highlights some of their most exciting work from the early 70's with the undertones of hot, pulsating funk on Cloud Nine, which saw Dennis Edwards being lead vocalist after the swift departure of David Ruffin and the utterly fantastic classic, Ball Of Confusion, divulging into contemporary social issues.

Smokey Robinson was a key artist at Motown who wrote some timeless music and was generally an all-round and highly versatile entertainer. Some of his most enthralling work is on here such as the infectious sounds of The Tears Of A Clown and the breathtakingly beautiful, The Tracks Of My Tears. Stevie Wonder was a sheer genius and some of his greatest work is included here, from the masterpiece production of Fingertips to the playful funk of Signed, Sealed, Delivered I'm Yours.

Marvin Gaye was another one of Motowns definitive artists. His work progresed from the formulaic sounds of Motown on tracks like Stubborn Kind Of Fellow to the masterpiece of I Heard It Through The Grapevine to the profound political statements expressed on the timeless Whats Going On that is deservedly included on here.

There is oddly only 1 offering from Diana Ross' solo career with the absolutley magnificent, golden Soul classic, Ain't No Mountin High Enough. Ashford and Simpson always knew how to make good records for Diana Ross and that tracks is one of the many landmarks in her career. You just get goose bumps as that exalting and rip-roaring climax builds and Diana effectivley talks through the verses, emphasising her truly sensual vocal style.

This box set hosts so many classics thats its impossible to chronicle them all but there are some surprisingly rare features on here such as a version of I Can't Give Back The Love I Feel For You by Rita Wright (later covered by Diana Ross on her Surrender album) and some offerings from the over-looked Brenda Holloway. Amongst other familiar classics are the fantastic and the at-the-time controversial nature of Edwin Starr's rip-roaring War, the beautiful This Old Heart Of Mine Is Weak For You by the highly underated The Isley Brothers, the sensational ShotGun by Junior Walker And The All Stars who bought a unique touch of Jazz to their mainstream sound of Soul/R&B/Pop, Needle In A haystack by The Velvettes, ABC by The Jackson 5 (featuring a young, nasal sounding Michael Jackson),Stoned Love by Thr Supremes (possibly their best post-Ross recording featuring Jean Terrell as lead vocalist) and the unforgetable classic, Nowhere To Run by Martha Reeves And The Vandellas. The lists could go on and on and on but the whole box set deserves a thorough listen!

Consistently bubbling with red hot, distinct and positivley infectious musical arrangements, Motown opened many doors for black singers and broke down many racial barriers. The golden Motown sound ceased to exist after its headquarters move from Detroit to L.A but all the magic is clearly encapsulated on here. Motown remains a key landmark in the history of black music and also made a significant impact in Pop music all together. Never has there been a record label that has managed to capture and encapsulate such a unique, distinct sound with such a wide range of diverse singing talents. The classics on here are timeless and enthralling. Hitsville USA: The Motown Singles Collection is both superb and timeless but also essential to any serious Soul/R&B collection!

Ian Phillips

Hitsville USA The Motown Singles Collection 1959-1971 Poster

From the breakthrough sides that started it all to the '70s songs that changed the course of soul, here are 104 Motown classics plus a 64-page, full-color booklet! Includes Shop Around Miracles; Baby Love Supremes; Please Mr. Postman Marvelettes; My Girl Temptations; Reach Out I'll Be There Four Tops; I Heard It Through the Grapevine Marvin Gaye; ABC Jackson 5; War Edwin Starr; The Tears of a Clown Smokey Robinson & the Miracles; It's a Shame Spinners; Money (That's What I Want) Barrett Strong; (Love Is Like a) Heat Wave Martha & the Vandellas; Signed, Sealed, Delivered I'm Yours Stevie Wonder; My Whole World Ended (the Moment You Left Me) David Ruffin, and more.
Motown did so many things well in the '60s and early '70s that this overview of the label's smashes (and some lesser-known classics) practically demands four CDs. It gets them, too, filling them with single mixes of more than 100 tracks. That the running order begins with Barrett Strong's statement of purpose "Money (That's What I Want)" and ends with Marvin Gaye's statement of concern "Mercy Mercy Me (The Ecology)" says a lot about how far the company moved in its golden decade--but no more so than what the same two cuts' differences in sound get across. The company was able to blend the smooth and the harsh in ways that few other pop entities have ever mastered, thereby getting over not only to the feet and the wallet, but to the heart. --Rickey Wright

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