Il Divo - Il Divo
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Music CD Cover
Artist: Il DivoBrand: Baker & Taylor
Edition: Music CD
CD Release Date: 2005-04-19
Music Label: Sony
Product features:
- Condition: Used - Very Good
- Unbreak My Heart (Regresa A Mi)
- Mama
- Nella Fantasia
- Passerà
- Every Time I Look At You
- Ti Amero
- Dentro Un Altro Si
- The Man You Love
- Feelings
- Hoy Que Ya No Estas Aqui
- Sei Parte Ormai Di Me
- My Way (A Mi Manera)
- Unchained Melody (Senza Catene)
Free Music Notes for Il Divo
Free Music Review: Responses to some unfounded (and uninformed) criticisms
Hit: 5 Stars
Il Divo's debut CD has subtly bridged the gap between pop and classical but positioning itself in a new musical niche. I won't spend too much time praising the singers' wonderful voices since I think many of the reviews also allude to that.
However, I've noticed that many of the more negative reviews seem to be based on some rather incorrect, inaccurate, or downright ignorant perceptions or conclusions. I would therefore like to take this opportunity to respond to some of these flawed criticisms.
First, many criticisms attack the CD has being a "mockery" of pop music or classical opera. Well, anyone who is familiar with the purpose of Il Divo will realize that the CD was never meant to be pop music nor was it ever presented as classical music. Instead, the purpose of the group was to sing romantic songs using classical vocal techniques. Therefore, those who criticize the CD as being neither pop or opera are missing the whole point.
Second, many chastise that the songs have little variation in style. The CD was meant to really feature a collection of romantic songs, so it's highly unlikely that you'd find much upbeat music here. However, anyone with a good amount of musical training would realize that the 12 tracks on the CD exhibit quite a variation of styles, ranging from aria-type music to ballads, Broadway musical-type songs to straight pop/adult contemporary music. The one common thread that ties them all together is Il Divo's interpretation using classical vocal technique.
Third, a lot of the negative comments focus on the supposed lack of harmony and the observation that it sounded like all four singers were trying to outsing each other. Anyone with any classical music training would understand that in classical vocal music (i.e. opera/oratorio), the interpretation of "harmony" is quite different from that of pop music. If people were looking for pop-like harmonies where all four voices blend seamlessly into each other, they won't find it here. Classical vocal techniques don't really create that type of sound. The harmonies produced by Il Divo are more consistent with the sounds you'd hear in traditional operas (i.e. Verdi, Wagner, etc.).
Fourth, don't compare Il Divo to singers like Josh Groban. That's like comparing oranges to grapefruits. Yes, the type of music that they sing is similar, BUT the method of interpretation is very different. Josh Groban's techique is NOT classical operatic/vocal technique. As a result, Il Divo and Josh Groban are really in two close but different music genres.
Fifth, some reviewers quite ignorantly comment that Il Divo represents a sad decline in American music. Well, guess what? Il Divo does not purport to be singing American music (they're imported from Europe, in case they haven't noticed). And since when did American music become the global standard anyways? Perhaps these reviewers need to open their eyes and ears and realize that there is a much larger musical world beyond the shores of the United States. Europe has a much more developed and vibrant musical scene than the USA and when it comes to genres such as classical music, Europe is much more developed than the United States. There is a reason why Il Divo has done so well in other parts of the world even before arriving in North America.
Sixth, some reviewers suggest that the songs were not written for Il Divo's type of singing. Well, that's why Il Divo is deemed as being daring and innovative. They're taking songs from other genres (e.g. Unbreak My Heart) and reinterpreting them using new techniques. There is no point comparing it to Toni Braxton's interpretation because they are two DIFFERENT works of art. There is no right or wrong here. The same goes for Broadway musicals, which essentially was a reinterpretation of the classical opera. Again, they are two different spheres all together and trying to compare one with the other is rather silly.
Okay, after that discussion, here are some of my general comments about the CD.
1. Some improvement in the production can be strived for. Like some reviewers indicated, some tracks are softer than others, for some odd reason. However, this is a minor glitch and doesn't take anything away from the CD.
2. Il Divo is NOT a "tenor group" or "tenor quartet" as some have been calling them. In fact, Il Divo is really a mix of four very talented but very diverse singers. Carlos Marin is an operatic baritone (reminds me a lot of the Spanish tenor Jose Carreras). David Miller is a classically trained tenor but his voice resembles tenors that you'd hear in Broadway musicals. Urs Buhler is also a clasically-trained tenor but his voice resembles more the traditional opera/oratorio tenor. (Some have said that Urs' voice doesn't resonate and that he sings with no expression. Actually, Urs' voice is best when he is singing in the higher ranges. In the lower ranges, his voice doesn't project as well, which limits how expressive he can sound. But in the higher ranges, his voice is crystal clear and is quite beautiful.) Finally, Sebastien Izambard is a pop singer whose voice is interestingly quite compatible with the other 3 singers.
Overall, a wonderful start for the group. Their next CD should definitely be even better given that the group will have had more time to work with each other and to better understand each member's strengths and weaknesses. Eagerly looking forward to the next release.
Il Divo Poster
"Il Divo have taught me more than I have taught them. I am actually intimidated and slightly in awe of their talent! I am more proud of this album than anything else i've ever been involved with, they are going to be huge." --Simon CowellWhile not exactly classical crossover's take on The Monkees, this international quartet of young male vocalists from America, France, Spain, and Switzerland shares a similar genesis. Assembled after a long talent search and audition process, they were teamed with pop producers Per Magnusson and David Krueger (Britney Spears, Backstreet Boys) and Steve Mac (Charlotte Church, Kelly Clarkson) and turned loose on a slate of classical-pop favorites, with a dramatic, dynamically nuanced read of Toni Braxton's signature "Unbreak My Heart" setting the standard. While the deceptive ease of their harmonies belie the group's disparate nationalities and talent search roots on the melodramatic "Hoy Que Ya No Estas Aqui," Morricone's glorious Mission theme, "Nella Fantasia" and the cascading "Passera," the album's pop-oriented material is a decidedly more mixed bag ."Everytime I Look at You" and "Feelings" (not Morris Albert's) soar gracefully, while "The Man You Love" seems more a throwback to the producers' boy band roots. The standard "My Way" and a lovely, bonus cut Italian version of "Unchained Melody" close the album out on a high note, even if their safe familiarity doesn't offer the promising quartet a sufficient musical challenge. --Jerry McCulley
[NOTE: A DualDisc version including DVD is now available.]
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Il Divo are four exceptional young men with formally trained voices who take popular songs, old and new, to another level where the historic rift between pop and classical music is finally healed. The band were formed after a worldwide search which took more than two years. Consisting of an American, Frenchman, Spaniard and a Swiss, Il Divo spent the first half of 2004 in London rehearsing and recording. Some of their songs will be familiar like "Nella Fantasia" (based on Gabriel's Oboe from Ennio Morricone's penned score of The Mission) and a unique and powerful version of Toni Braxton's "Unbreak My Heart". The four principles share the lead throughout, combining to deliver choruses whose awesome power is matched by their tonal delicacy. Passion and restraint they show to be an irresistible aphrodisiac. Reflecting the multi-national character of the group, the songs are not all sung in English but drift between Spanish, English and Italian. However they are worded, all use the emotional Esperanto of love.
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