JJ Grey & Mofro - Country Ghetto
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Free Music Notes for Country Ghetto
Free Music Review: Buy this album - get hooked on Mofro
Hit: 5 Stars
If you're reading this you probably already know who they are, but just buy the album, it's worth it.Free Music Review: Most enjoyable
Hit: 5 Stars
Couldn't have selected a better gift.
Now I have to buy another for myself
Free Music Review: Mofro grows up
Hit: 5 Stars
I thought it would be hard to improve Mofro, but JJ and the boys did it! The earthiness is still there, the great lyrics too, it's just a fuller sound. Listen a few times; I'm sure you'll appreciate the grown up sound too. Free Music Review: Potential to be one of the greatest songwriters of the era.
Hit: 5 Stars
Country Ghetto is the latest release from the swamp rock band previously known as MOFRO. Their first album on Alligator Records, as well as the first with JJ Grey fronting the band name, it's even more of a fusion of styles than their previous two efforts. It seems any direction MOFRO takes is a good one. Their first record, 2003's Blackwater, was steeped in funk and boogie. Much of it was like a melding of the styles of Sly Stone, Jon Spencer, Dave Matthews, and Prince, with a flavor of deep southern swamp rock and blues, an extremely original style for sure. 2004's Lochloosa was more funk and boogie, and, as some like to call it, "front-porch soul", along with an indication that the band was becoming more focused, and maybe just a tad more serious about music in general.
Country Ghetto is a continuation of all that and more, and probably their best record to-date. It takes the listener back to the steamy swamplands northeast of Jacksonville, Florida, where JJ Grey grew up. Though the dark and melancholy swamp rock sound is prevalent still, add in an air of political awareness and tales of the bleak adversity that wetland living is, and combine that with country rock dynamics and flagrant soul and R&B flavors. That's Country Ghetto. These are JJ Grey's stories, sang with an incredibly high level of passion.
A huge fan of Otis Redding, Grey often pours himself out in that poignant and intense manner. The song "A Woman" is about as soulful as a white boy can get, and incredibly similar to the renowned soul singer's potent wail. "The Sun Is Shining Down" continues down that soulful road, yet in more of a gospel direction. His Van Morrison influence also prevails in this one. The album's opener, "War", is a funked up rocker dealing with an awareness of uncertainty and greed in the world, a scenario that haunts us all. In it, Grey sings: "No one gonna do what's `right'. All we'll do is fight. There's a war goin' on, and the one's about to die are safe at home." It's very reminiscent of Sly Stone in places. In "Circles", Grey utilizes a vintage sounding electric piano as the main instrument. His vocal is exceptional in this melancholy, bluesy ballad. In the title song, he sings of life in a "Country Ghetto", of poverty and genuine contentment. He lets the listener know that he wouldn't change his upbringing for anything. The song's groove is both contagious and hypnotic. "Turpentine" is a boogie rocker done with grit and rock driven passion.
JJ Grey is a fine raconteur of tales of true grit, Southern hardship, and blatant realism. His music is a hodgepodge of styles, all leading to a point of gritty swampland funk and roll, done with incredible passion and pragmatism. Yet it's peculiar, that even though Amazon.com had once assessed his first CD, Blackwater, as one of the best of the decade, many still haven't heard of him or his band. The invisibility of good music, these days, is a blatantly clear injustice. Alligator has a tendency to detect artists who have great possibilities, yet haven't had the opportunity to be properly exposed. Country Ghetto is an opus worth exposing. JJ Grey has the potential to be one of the greatest songwriters of the era.
Free Music Review: My new favorite artist
Hit: 5 Stars
There isn't that much that I need to add to the reviews already here, but I feel compelled to contribute one because I love this disc so much. It's the perfect combination of stripped down backwoods swampy blues and stax-like memphis soul, with enough of a contemporary edge to make it seem like a part of the continum and not just re-hashed retro. He's like the musical child of Jon Spencer, Marc Broussard, Ray Lamontagne, and Mavis Staples. I bought his debut disc "Blackwater" which is also excellent.