Jesus Christ Superstar
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Music CD Cover
Composer: Andrew Lloyd WebberConductor: Michael Dixon
Performer: Peter Adams
Performer: Pete Adams
Performer: Joanna Ampil
Performer: Glenn Carter
Performer: Peter Gallagher
Performer: David Burt
Performer: Steve Balsamo
Performer: Martin Callaghan
Performer: Alice Cooper
Performer: Jonathan Hart
Performer: Zubin Varla
Edition: Music CD
Audio: English (Original Language)
Format: Original recording remastered
CD Release Date: 2006-05-23
Music Label: Decca Broadway
Soundtracks:
Music CD 1
- Overture
- Heaven on Their Minds
- Medley
- Everything's Alright
- This Jesus Must Die
- Hosanna
- Medley
- Pilate's Dream
- The Temple
- Jesus Christ Superstar, musical: Act 1. Everthing's Alright (Reprise)
- I Don't Know How to Love Him
- Medley
- Jesus Christ Superstar, Musical Play/Act 2. The Last Supper
- Jesus Christ Superstar, Musical Play/Act 2. Gethsemane (I Only Want to
- Jesus Christ Superstar, Musical Play/Act 2. The Arrest
- Jesus Christ Superstar, Musical Play/Act 2. Peter's Denial
- Gethsemane (I Only Want to Say)
- Jesus Christ Superstar, Musical Play/Act 2. King Herod's Song
- Jesus Christ Superstar, Musical Play/Act 2. Could We Start Again, ...
- Jesus Christ Superstar, Musical Play/Act 2. Judas' Death
- The Arrest
- Trial Before Pilate (Including the 39 Lashes)
- Jesus Christ Superstar, Musical Play/Act 2. Crucifixion
- The Last Supper
- Could We Start Again, Please?
- Peter's Denial
- Superstar
- King Herod's Song
- Jesus Christ Superstar, musical: Act 2. Judas' Death
- Jesus Christ Superstar, musical: Act 2. Trial Before Pilate (Including the 39 lashes)
- Jesus Christ Superstar, musical: Act 2. Superstar
- Crucifixion
- John Nineteen: Forty-One
Free Music Notes for Jesus Christ Superstar
Free Music Review: JCS Remastered Abbey Roads May 2006 Review
Hit: 5 Stars
This is the newly re-released and Remastered Edition of the West End 1996 Production of JCS Starring Steve Balasmo, Joanna Ampil and Zubin Varla. First I have to comment on the new packaging. 2cd in a slim case with slip cover and new lyric book. The best thing about the new release is the colored photos from the production! I was actually under the impression that this was the production that inspired the new movie "RENT/PUNK" style version, but judging from the pictures it's anything but that! The pictures are set in the time of Christ's crucifixion. You get a glimpse of the amazing sets and costumes. Joanna Ampil's a beautiful Mary and Steve and Zubin look great as Jesus and Judas. If you're interested in the new release the must have the "Digitally Remastered at Abbey Roads Studios London Deluxe Edition" black sticker on it!
I have the Original Concept CD, Broadway CD with , Australian 1994 CD and 25th Anniversary CD (which is pretty much a joke). This is my favorite version all together. The orchestrations have been slightly changed and updated, including a final ending to "Heaven on their Minds," "Everything's Alright" and "Gethsemene" which finally seems to get some closure instead of the annoying fade outs on the previous CDs. THERE AREN'T ANY FADE OUTS IN LIVE PERFORMANCES!
Steve Balasmo tackels the title role of Jesus with fierce intensity. "Gethsemane" is literally the showstopper when he raises his key much higher when he gets to "See how I He holds it for, including starting with "See how I die" for 24 seconds. Another reviewer said it was a G above High C. Simply and utterly amazing. But Steve's voice is an aquired taste in the role of Jesus. In comparing him to Ted Neeley, Steve has a soft beautiful Tenor quality while Ted's is hard and sharp at the edge's. Ted screams his way through "Gethsemene" and it's amazing, but Steve's rendition is done with more of a pop-rock sound that is easier on the throat than all the screaming Ted and the other Jesus's do. All versions are amazing, but I prefer this one over all. (For all you Steve Balasmo fans out there you can catch him on the cast recording of "Notre Dame De Paris." He plays Phoebus and sings the amazing "Torn Apart")
Zubin Varla is a great Judas, much stronger than Jerome Pradon, but is no Carl Anderson or Ben Vereen. Although I like Jerome's acting all we have is Zubin's voice to go by and I prefer listening to Zubin. His "Heaven on their Minds" is near perfect with amazing Orchestral sounds and vocal riffs. His acting is superb too. Carl and Ben sing more souful and Zubin has more of the edgy rock sound. All are great.
Joanna Ampil (of "Miss Saigon" fame, you can hear her as Kim on the "Complete Recording of Miss Saigon, 2CD) is a little weak, timid, and shy to portray the role of the prostitute Mary Magdeline. Original Yvonne Elliman seemed to capture every essence of the character. Claire Moore, original Ellen of Miss Saigon does a fine job of Mary on the 20th Annv CD, but Joanna's voice is beautiful and soothing, but sounds too technically clean. This is a Rock Opera so I need a little more umpf. I needed her to let loose some more in the repeating finale of "Everything's Alright". Although she's not bad at all, but seems to get lost among the belters.
Glenn Carter is Simon on this CD, you might all know him as Jesus in the new DVD vesion of Jesus Christ Superstar that was released a few years back. HE does well as Simon, belting all those notes out. David Burt is a good follow up as Pilate since Barry Denon played the part 3 times in the 70s. "Could We Start Again Please" is hauntingly beatiful. The rest of the cast does the CD justice.
Overall I would say this is the best recording. There are some performers here and there that are better on other recordings, but it's impossible to have the ultra perfect cast, for that you would have to create a mix tape.
Also on Remastered Re-Release
Joseph London Cast
Aspects of Love (Brilliant Re-Release)
Sunset Blvd (Glenn Close)
Cats London
Cats Broadway
Song and Dance London
Starlight Express
Jesus Christ Superstar Poster
2005 Digitally Remastered (At Abbey Road Studios) Deluxe Edition of the Critically Acclaimed London 1996 Cast.Jesus Christ has been very good to Andrew Lloyd Webber. Indeed, the Rock of Ages inspired one of the greatest stories ever sold and launched composer Lloyd Webber to musical theater superstardom; lyricist Tim Rice hasn't done too bad for himself, either. This Lloyd Webber-supervised "definitive" recording (undertaken in London in 1996) was finally released in America to coincide with the show's 2000 American revival on Broadway. Though oft touted by its creators as the first rock opera (a claim that might raise the hackles of fans of Pete Townshend's and the Who's Tommy), Lloyd Webber's "rock" sensibilities often had a decided Brill Building bent that's dated about as well as Don Kirshner's leisure suits. Perhaps not surprisingly, this Superstar redux leans more on the over-the-top operatics that characterize the composer's mega-hit Phantom of the Opera than its original cast album and soundtrack album roots. While rocker-for-hire Alice Cooper takes a refreshing, if familiar, vaudevillian turn on "King Herod's Song," much of the remaining music has been rendered notably Big and Serious--just the sort of thunderous, orchestral pomp that has gained Lloyd Webber a worldwide following and a knighthood. --Jerry McCulley
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