John Lennon - Anthology
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Canadian Music Store Music CD CoverArtist: John LennonEdition: Music CD Format: Box set CD Release Date: 1998-11-03 Music Label: Capitol Soundtracks: Music CD 1
Free Music Notes for AnthologyFree Music Review: Portrait of Lennon as a Young Artist
To reiterate the wealth of information already known about John Lennon would be pedestrian and futile; his childhood, the Beatles and his premature death have been recounted time and again. However, these are cold facts and have little to say about the artist as a man or human being. Whether through the ink on a page or in the image of a photo as seen by an objective lense, the icon remains removed from his public. This is where the genius of "The John Lennon Anthology" comes into play; Through a series of four CDs, the listener grows acquainted with Lennon the family man; Lennon the studio technician; Lennon the political activist; Lennon the angry iconoclast. It is the intimate portrait of a legend as told through his widow, his music and the artist himself. Each CD is broken down into specific time periods in Lennon's life. The first, labeled "Ascot", begins with several outtakes and alternative versions of songs found on his first solo album, 1970's masterpiece, "Plastic Ono Band", which had been recorded as a result of undergoing primal scream therapy. The songs are simple and unadorned of Phil Spector's eventual accompaniment; they move from the emotional introspection of "God" and "Isolation" to the growing political consciousness of songs like "I Don't Want To Be A Soldier" and "Give Peace A Chance". Disc 2,New York City, begins in 1972 and fleshes out Lennon's social awareness with startling, blistering live versions of "Attica State"and "John Sinclair". It also contains alternative versions of protest songs "Bring on the Lucie", "Woman is the Nigger of the World" and "Happy XMas (War is Over)". Disc 3, titled The Lost Weekend, covers the year and a half Lennon spent separated from his wife. Prior to this period, Ono's daughter had been kidnapped, he had been arrested for drug possession, and the FBI had been building a file on him because of his political views. The resulting music, much of it eventually included on "Walls and Bridges", is stark and ghostly, speaking of isolation and abandonment. Songs like "Nobody Loves You When You're Down and Out", "Scared" and "Stranger's Room" are presented as frightening insight into Lennon's state of mind. Disc 4, Dakota, takes a look at Lennon's life during 1979 and 1980, before his tragic end. Though the required songs are all here ("Nobody Told Me", "Woman", "Watching the Wheels" and "I'm Stepping Out"), the real interest can be found in the recorded conversations between Lennon and his young son Sean, and the scathingly satirical Dylan impersonations included near the end of the disc. Obviously, the scope of this box set feels immense (though it covers only 10 years) and it takes a few listens to find the complete picture. Having done so, however, the listener is finally introduced to Lennon the man. It's been a long time coming. Personal Favorites: Disc One: the bare-bones vehemence of "Working Class Hero"; Disc Two: the frenzied passion in Lennon's performance of "Attica State" at the Apollo Theater; Disc Three: the haunting "Nobody Loves You When You're Down and Out"; Disc Four: the frenetic, heavily-accented "Serve Yourself". Representative Lyrics: "God is a concept/ by which we measure our pain" ("God"); "If you had the luck of the Irish/ You'd be sorry and wish you were dead/ You should have the luck of the Irish/ And you'd wish you was English instead!" ("Luck of the Irish"); "Grow old along with me/ Two branches of one tree/ Face the setting sun/ When the day is done/ God bless our love." ("Grow Old With Me")
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Some of the set's most striking moments come at its beginning, in eight previously unreleased takes of songs that filled most of 1970's Plastic Ono Band. One of rock's most uncompromised albums, it found him angry, sad, and reflective to bursting. The tapes included on Anthology, though, feature a Lennon who, if not happy, is fully in his element--making rock & roll. Even as he's making dry runs for exorcising demons, he's still the guy who fell for the music as a Liverpool teenager; on an early, shuffling version of "Hold On," he leads his guitar line into the main riff of Bill Doggett's "Honky Tonk."
Elsewhere, we get long looks at the fits and starts of Lennon's years as a solo artist and as part of a duo with Yoko Ono. He slips from the grace of "Imagine" and "It's So Hard" into the raw polemics and lousy rhymes of "John Sinclair" and "Attica State." (Contrary to a stage announcement preceding the latter, it's not this failed anthem that has ensured the ongoing memory of the prison massacre.)
The honesty of Lennon's vocals throughout his career is often commented on, and they provide some of the greatest treasure here. Whether an alternate of the pained 1974 "Nobody Loves You When You're Down and Out," the joyfully full-on rocking of "Be Bop a Lula" and "Move Over Ms. L," or a gorgeous "Be My Baby," it's the voice that's the window to this man's soul. We also see how pained he was at his temporary separation from Yoko, as he even inserts a line of "Jealous Guy" into the demo for the rollicking "Whatever Gets You Through the Night" and abashed pleads for "one more chance" on a similar tape of "Mind Games."
Finally, there are the many moments of good humor--the outlines of "I'm the Greatest" and "Goodnight Vienna" for Ringo, the loose-as-a-goose "Be Bop a Lula"--and pleasingly bad, like "Serve Yourself," a snipe at Dylan's born-again phase, or some battling studio exchanges with a Phil Spector crazed enough to drive anyone out of the business for half a decade. Anthology is flawed, but its wide-ranging picture of Lennon's post-Beatles years is that of someone you'd love to have spent some time with. --Rickey Wright
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